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Stieg Larsson: The Girl who played with Fire

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Stieg Larsson The Girl who played with Fire

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Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact. One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not. As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence.

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Stieg Larsson The Girl who played with Fire Originally published in Sweden as - фото 1

Stieg Larsson

The Girl who played with Fire

Originally published in Sweden as Flickan Som Lekte Med Elden

Translation copyright © 2009 by Reg Keeland

PROLOGUE

She lay on her back fastened by leather straps to a narrow bed with a steel frame. The harness was tight across her rib cage. Her hands were manacled to the sides of the bed.

She had long since given up trying to free herself. She was awake, but her eyes were closed. If she opened her eyes she would find herself in darkness; the only light was a faint strip that seeped in above the door. She had a bad taste in her mouth and longed to be able to brush her teeth.

She was listening for the sound of footsteps, which would mean he was coming. She had no idea how late at night it was, but she sensed that it was getting too late for him to visit her. A sudden vibration in the bed made her open her eyes. It was as if a machine of some sort had started up somewhere in the building. After a few seconds she was no longer sure whether she was imagining it.

She marked off another day in her head.

It was the forty-third day of her imprisonment.

Her nose itched and she turned her head so that she could rub it against the pillow. She was sweating. It was airless and hot in the room. She had on a simple nightdress that was bunching up beneath her. If she moved her hips she could just hold the cloth with her first two fingers and pull the nightdress down on one side, an inch or so at a time. She did the same on the other side. But there was still a fold under the small of her back. The mattress was lumpy. Her isolation sharply amplified all the tiny sensations that she would not otherwise have noticed. The harness was loose enough that she could change position and lie on her side, but that was uncomfortable because then she had to keep one hand behind her, which made her arm keep going to sleep.

She was not afraid. But she did feel a great pent-up rage.

At the same time she was troubled by unpleasant fantasies about what was going to happen to her. She detested this helplessness. No matter how hard she tried to concentrate on something else – to pass the time and to distract her from the situation she was in – the fear came trickling out. It hovered like a cloud of gas around her, threatening to penetrate her pores and poison her. She had discovered that the most effective method of keeping the fear at bay was to fantasize about something that gave her a feeling of strength. She closed her eyes and conjured up the smell of gasoline.

He was sitting in a car with the window rolled down. She ran to the car, poured the gasoline through the window, and lit a match. It took only a moment. The flames blazed up. He writhed in agony and she heard his screams of terror and pain. She could smell burned flesh and a more acrid stench of plastic and upholstery turning to carbon in the seats.

She must have dozed off, because she did not hear the footsteps, but she was wide awake when the door opened. The light from the doorway blinded her.

He had come, at any rate.

He was tall. She did not know how old he was, but he had reddish-brown, tangled hair and a sparse goatee, and he wore glasses with black frames. He smelled of aftershave.

She hated the smell of him.

He stood at the foot of the bed and observed her for a long time.

She hated his silence.

She could see him only in silhouette from the light in the doorway. Then he spoke to her. He had a dark, clear voice that stressed, pedantically, each word.

She hated his voice.

He told her that it was her birthday and he wanted to wish her happy birthday. His tone was not unfriendly or ironical. It was neutral. She thought that he was smiling.

She hated him.

He came closer and went around to the head of the bed. He laid the back of a moist hand on her forehead and ran his fingers along her hairline in a gesture that was probably intended to be friendly. It was his birthday present to her.

She hated his touch.

She saw his mouth move, but she shut out the sound of his voice. She did not want to listen. She did not want to answer. She heard him raise his voice. A hint of irritation at her failure to respond. He talked about mutual trust. After a few minutes he stopped. She ignored his gaze. Then he shrugged and began adjusting her leather straps. He tightened the harness across her chest a bit and leaned over her.

She twisted suddenly to the left, away from him, as abruptly as she could and as far as the straps would allow. She pulled up her knees to her chin and kicked hard at his head. She aimed at his Adam’s apple and the tip of her toe hit him somewhere below his jaw, but he was ready for that and turned away so it was only a light blow. She tried to kick again, but he was out of reach.

She let her legs sink back down onto the bed.

The sheet slid down onto the floor. Her nightdress had slid up above her hips.

He stood still for a long time without saying a word. Then he walked around the bed and tightened the foot restraint. She tried to pull her legs up, but he grabbed hold of one ankle, forced her knee down with his other hand, and fastened her foot with a leather strap. He went around the bed and tied down her other foot.

Now she was utterly helpless.

He picked up the sheet from the floor and covered her. He watched her in silence for two minutes. She could sense his excitement in the dark, even though he did not show it. He undoubtedly had an erection. She knew that he would reach out and touch her.

Then he turned and left, closing the door behind him. She heard him bolt it, which was totally unnecessary because she had no way of getting free from the bed.

She lay for several minutes looking at the narrow strip of light over the door. Then she moved and tried to feel how tight the straps were. She could pull her knees up a bit, but the harness and the foot restraints grew taut immediately. She relaxed. She lay still, staring at nothing.

She waited. She thought about a gasoline can and a match.

She saw him drenched with gasoline. She could actually feel the box of matches in her hand. She shook it. It rattled. She opened the box and selected a match. She heard him say something, but she shut her ears, did not listen to the words. She saw the expression on his face as she moved the match towards the striking surf ace. She heard the scraping sound of sulphur. It sounded like a drawn-out thunderclap. She saw the match burst into flame.

She smiled a hard smile and steeled herself.

It was her thirteenth birthday.

PART 1. Irregular Equations

December 16-20

Equations are classified by the highest power (value of the exponent) of their unknowns. If this is one, the equation is of first degree. If this is two, the equation is of second degree, and so on. Equations of higher degree than one yield multiple possible values for their unknown quantities. These values are known as roots.

The first-degree equation (the linear equation):

3x−9 = 0 (root: x = 3)

CHAPTER 1

Thursday, December 16 – Friday, December 17

Lisbeth Salander pulled her sunglasses down to the tip of her nose and squinted from beneath the brim of her sun hat. She saw the woman from room 32 come out of the hotel side entrance and walk to one of the green-and-white-striped chaises longues beside the pool. Her gaze was fixed on the ground and her progress seemed unsteady.

Salander had seen her only at a distance. She reckoned the woman was around thirty-five, but she looked as though she could be anything from twenty-five to fifty. She had shoulder-length brown hair, an oval face, and a body that was straight out of a mail-order catalogue for lingerie. She had a black bikini, sandals, and purple-tinted sunglasses. She was American and spoke with a southern accent. She dropped a yellow sun hat next to the chaise longue and signalled to the bartender at Ella Carmichael’s bar.

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