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Stieg Larsson: The Girl who played with Fire

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Stieg Larsson The Girl who played with Fire

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Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact. One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not. As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence.

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It was the off season, and barely a third of the rooms at the Keys Hotel were occupied. The only problem was that both her peace and quiet and her preoccupation with mathematical studies had been disturbed by the subdued terror in the room next door.

***

Mikael Blomkvist rang the doorbell of Salander’s apartment on Lundagatan. He did not expect her to open the door, but he had fallen into the habit of calling at her apartment every week or so to see whether anything had changed. He lifted the flap on the mailbox and could see the same heap of junk mail. It was late, and too dark to make out how much the pile might have grown since his last visit.

He stood on the landing for a moment before turning on his heel in frustration. He strolled leisurely to his own apartment on Bellmansgatan, put on some coffee, and looked through the evening papers before the late TV news Rapport came on. He was irritated and depressed not to know where Salander was. He felt stirrings of unease and wondered for the thousandth time what had happened.

He had invited Salander to his cabin in Sandhamn for the Christmas holidays. They had gone for long walks and calmly discussed the repercussions of the dramatic events in which they had both been involved over the past year, when Blomkvist went through what he came to think of as an early midlife crisis. He had been convicted of libel and spent two months in prison, his professional career as a journalist had been in the gutter, and he had resigned from his position as publisher of the magazine Millennium more or less in disgrace. But at that point everything had turned around. A commission to write a biography of the industrialist Henrik Vanger – which he had regarded as an absurdly well-paid form of therapy – had turned into a terrifying hunt for a serial killer.

During this manhunt he had met Salander. Blomkvist unconsciously stroked the faint scar that the noose had left beneath his left ear. Salander had not only helped him to track down the killer – she had saved his life.

Time and again she had amazed him with her odd talents – she had a photographic memory and phenomenal computer skills. Blomkvist considered himself virtually computer illiterate, but Salander handled computers as if she had made a pact with the Devil. He had come to realize that she was a world-class hacker, and within an exclusive international community devoted to computer crime at the highest level – and not only to combatting it – she was a legend. She was known online only as Wasp.

It was her ability to pass freely into other people’s computers that had given him the material which transformed his professional humiliation into what was to be “the Wennerström affair” – a scoop that a year later was still the subject of international police investigations into unsolved financial crimes. And Blomkvist was still being invited to appear on TV talk shows.

At the time, a year ago, he had thought of the scoop with colossal satisfaction – as vengeance and as rehabilitation. But the satisfaction had soon ebbed. Within a few weeks he was sick and tired of answering the same questions from journalists and the financial police. I’m sorry, but I can’t reveal my sources. When a reporter from the English-language Azerbaijan Times had come all the way to Stockholm to ask him the same questions, it was the last straw. Blomkvist cut the interviews to a minimum, and in recent months he had relented only when the woman from She on TV4 talked him into it, and that had happened only because the investigation had apparently moved into a new phase.

Blomkvist’s cooperation with the woman from TV4 had another dimension. She had been the first journalist to pounce on the story, and without her programme on the evening that Millennium released the scoop, it might not have made the impact it did. Only later did Blomkvist find out that she had had to fight tooth and nail to convince her editor to run it. There had been massive resistance to giving any prominence to “that clown” at Millennium , and right up to the moment she went on air, it was far from certain that the battery of company lawyers would give the story the all clear. Several of her more senior colleagues had given it a thumbs-down and told her that if she was wrong, her career was over. She stood her ground, and it became the story of the year.

She had covered the story herself that first week – after all, she was the only reporter who had thoroughly researched the subject – but some time before Christmas Blomkvist noticed that all the new angles in the story had been handed over to male colleagues. Around New Year’s Blomkvist heard through the grapevine that she had been elbowed out, with the excuse that such an important story should be handled by experienced financial reporters, and not some little girl from Gotland or Bergslagen or wherever the hell she was from. The next time TV4 called, Blomkvist explained frankly that he would talk to them only if “she” asked the questions. Days of sullen silence went by before the boys at TV4 capitulated.

Blomkvist’s waning interest in the Wennerström affair coincided with Salander’s disappearance from his life. He still could not understand what had happened.

They had parted two days after Christmas, and he had not seen her for the rest of the week. On the day before New Year’s Eve he telephoned her, but there was no answer.

On New Year’s Eve he went to her apartment twice and rang the bell. The first time there had been lights on, but she had not answered the door. The second time there were no lights. On New Year’s Day he called her again, and still there was no answer, but he did get a message from the telephone company saying that the subscriber could not be reached.

He had seen her twice in the next few days. When he could not get hold of her on the phone, he went to her apartment and sat down to wait on the steps beside her front door. He had brought a book with him, and he waited stubbornly for four hours before she appeared through the main entrance, just before 11:00 at night. She was carrying a brown box and stopped short when she saw him.

“Hello, Lisbeth,” he said, closing his book.

She looked at him without expression, no sign of warmth or even friendship in her gaze. Then she walked past him and stuck her key in the door.

“Aren’t you going to offer me a cup of coffee?” he said.

She turned and said in a low voice: “Get out of here. I don’t want to see you ever again.”

Then she shut the door in his face, and he heard her lock it from the inside. He was bewildered.

Three days later, he had taken the tunnelbana from Slussen to T-Centralen, and when the train stopped in Gamla Stan he looked out the window and she was standing on the platform less than two yards away. He caught sight of her at the exact moment the doors closed. For five seconds she stared right through him, as though he were nothing but air, before she turned and walked out of his field of vision as the train began to move.

The implication was unmistakable. She wanted nothing to do with him. She had cut him out of her life as surgically and decisively as she deleted files from her computer, and without explanation. She had changed her mobile phone number and did not answer her email.

Blomkvist sighed, switched off the TV, and went to the window to gaze out at City Hall.

Perhaps he was making a mistake in going to her apartment from time to time. His attitude had always been that if a woman clearly indicated that she did not want anything more to do with him, he would go on his way. Not respecting such a message would, in his eyes, show a lack of respect for her.

Blomkvist and Salander had slept together. It had been at her initiative, and the relationship had lasted for half a year. If it was her decision to end the affair – as surprisingly as she had started it – then that was OK with Blomkvist. He had no difficulty with the role of ex -boyfriend – if that was what he was – but Salander’s total repudiation of him was astonishing.

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