Margaret Atwood - The Robber Bride

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The Robber Bride: краткое содержание, описание и аннотация

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WINNER OF THE 2000 BOOKER PRIZE
Even Zenia’s name is enough to provoke the old sense of outrage, of humiliation and confused pain. The truth is that at certain times—early mornings, the middle of the night—she finds it hard to believe that Zenia is really dead.’ Zenia is beautiful, smart and greedy; by turns manipulative and vulnerable, needy and ruthless; a man’s dream and a woman’s nightmare. She is also dead. Just to make absolutely sure Tony, Roz and Charis are there for the funeral. But five years on, as the three women share a sisterly lunch, the impossible happens: ‘with waves of ill will flowing out of her like cosmic radiation’, Zenia is back ...
This is the wise, unsettling, drastic story of three women whose lives share a common wound: Zenia, a woman they first met as university students in the sixties. Zenia is smart and beautiful, by turns manipulative, vulnerable—and irresistible. She has entered into their separate lives to ensnare their sympathy, betray their trust, and exploit their weaknesses. Now Zenia, thought dead, has suddenly reappeared. In this richly layered narrative, Atwood skilfully evokes the decades of the past as she retraces three women’s lives, until we are back in the present—where it’s yet to be discovered whether Zenia’s ‘pure, free-wheeling malevolence’ can still wreak havoc.
reports from the farthest reaches of the sex wars and is one of Margaret Atwood’s most intricate and subversive novels yet.
Exploring the paradox of female villainy, this tale of three fascinating women is another peerless display of literary virtuosity by the supremely gifted author of
and
. Roz, Charis and Tony all share a wound, and her name is Zenia. Beautiful, smart and hungry, by turns manipulative and vulnerable, needy and ruthless, Zenia is the turbulent center of her own neverending saga. She entered their lives in the sixties, when they were in college. Over the three decades since, she has damaged each of them badly, ensnaring their sympathy, betraying their trust, and treating their men as loot. Then Zenia dies, or at any rate the three women—with much relief -- attend her funeral. But as
begins, Roz, Charis and Tony have come together at a trendy restaraunt for their monthly lunch when in walks the seemingly resurrected Zenia...
 In this consistently entertaining and profound new novel, Margaret Atwood reports from the farthest reaches of the war between the sexes with her characteristic well-crafted prose, rich and devious humor, and compassion.

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She didn’t tell Mitch, though. She never told Mitch. It would’ve been one up for him, and he was one up already, him and his old-money fastidiousness, his pretence of legal scruples. Clipping coupons yes, smuggling Jews no. Or that’s what Roz would be willing to bet. He sneered discreetly at her money as it was, though she’d noticed he didn’t mind spending it. But old money made a profit from human desperation too, as long as the desperation and the flesh and the blood were at several removes. Where the heck did people like Mitch think those dividends really came from? And how about the South African gold stocks he’d advised her to buy? In every conversation between the two of them there was a third parry present: her money, sitting between them on the sofa like some troll or heavy barely sentient vegetable.

At times it felt like part of her, part of her body, like a hump on her back. She was torn between the urge to cut it off from herself, to give it away, and the urge to make more of it, because wasn’t it her protection? Maybe they were the same urge. As her father said, you couldn’t give without getting first.

Roz got with the left hand and gave away with the right, or was it the other way around? At first she gave to the body items, the hearts because of her father, the cancer because of her mother. She gave to World Hunger, she gave to the United Way, she gave to the Red Cross. That was in the sixties. But when the women’s movement hit town in the early seventies, Roz was sucked into it like a dust bunny into a vacuum cleaner. She was visible, that was why. She was high-profile, and there weren’t many women then who were, except for. movie stars and the Queen of England. But also she was ready for the message, having been sandbagged twice already by Mitch and his things. The first time—the first time she found out, anyway—was when she was pregnant with Larry, and lower he couldn’t go.

Roz loved the consciousness-raising groups, she loved the free-ranging talk. It was like catching up on all the sisters she’d never had, it was like having a great big family in which the members, for once, had something in common; it was like being allowed, finally, into all the groups and cliques she’d never quite been able to crash before. No more mealy-mouth, no more my-hubby-is-better-than-your-hubby, no more beating about the bush! You could say anything!

She loved sitting in a circle, though after a while she noticed that the circle was not quite circular. One woman would tell her problem and admit her pain, and then another one would do it, and then Roz would take her turn, and a sort of disbelieving glaze would come down over their eyes and someone would change the subject.

What was it? Why was Roz’s pain second-rate? It took her a while to figure it out: it was her money. Surely, they thought, anyone with as much money as Roz couldn’t possibly be suffering. She remembered an old expression from her uncles:

My heart bleeds for him. This was always said with extreme sarcasm, about someone who’d got lucky, which meant rich. Roz was expected to do the bleeding for, but she could not expect to be bled over in return.

Still, there was one area in which Roz was in demand. In a movement so perennially cash-starved you could almost say she was indispensable. So it was natural that she was the one they had come to when WiseWomanWorld was about to go under because it couldn’t attract big glossy lipstick-and-booze advertising. It was more than a magazine then, it was a friend; a friend that combined high ideals and hope with the sharing of down-and-dirty secrets. The truth about masturbation! The truth about wanting, sometimes, to shove your kids’ heads into the wall! What to do when men rubbed themselves against you from behind, in the subway, and when your boss chased you around the desk, and when you had those urges to take all the pills in the medicine cabinet, the day before your period! WiseWomanWorld was all the sleepover parties Roz had once felt were going on behind her back, and of course she had to save it.

The others wanted the magazine to be a cooperative, the way it already was. They wanted Roz to just give them the money, period, and no tax write-off either because it was too political. It wasn’t peanuts either, what it ,would take: There was no point in a small cash injection. Not enough would be the same as nothing, she might as well flush it down the toilet.

“I never invest in anything I can’t control,” she told them. “You have to issue shares. Then I’ll buy a majority holding:” They got angry at her for that, but Roz said, “Your leg’s broken, you go to a doctor. You have money troubles, you come to me. You tried it your way and it didn’t work, and frankly your books are a mess. This is something I know. You want me to fix it, or not?” She knew it would still lose money, but that being the case she at least wanted to take the business loss.

They didn’t like it either when Roz put Mitch on the board of directors and stuck on a couple of his legal buddies to keep him company, but it was the only way. If they wanted her help they had to realize what her life conditions were, and if Mitch couldn’t participate, he would sabotage. Her home life would be turned into a maze of snares and booby traps, more than it already was. “It’s just three meetings a year,” she told them. “It’s the price you pay.” As prices went—as prices had gone, here and there in world history—it wasn’t all that high.

“I’m having Zenia over for a drink,” Roz tells Mitch. If she doesn’t tell him, he’s sure to walk in on the two of them and then sulk because he’s been left out of the picture. Being a woman with power doesn’t mean Roz has to tread less softly around Mitch. She has to tread more softly, she has to diminish herself, pretend she’s smaller than she is, apologize for her success, because everything she does is magnified.

“Zenia who?” says Mitch.

“You know, we ran into her in that restaurant,” says Roz. She’s pleased Mitch doesn’t remember.

“Oh yes,” says Mitch. “She’s not like most of your friends:” Mitch isn’t that keen on Roz’s friends. He thinks they’re-a bunch of man-hating hairy-legged whip-toting feminists, because at one point, in his early days on the board of WiseWvmanWorld, they were. In vain does Roz tell him that everyone was then, it was a trend, and the overalls were just a fashion statement—not that Roz ever wore them herself, she would’ve looked like a truck driver. He knows better, he knows it wasn’t just overalls. The women at Wise Woman had put up with him because of Roz, but they hadn’t suffered him gladly. They wouldn’t let him tell them how to be good feminists, much as he tried. Maybe it was because he said they should use humour and charm because otherwise men would be frightened of them, and they weren’t in the mood to be charming, not to him, not just then. He must have been badly traumatized by that whole phase; though he wasn’t above trying a few twists and ploys of his own.

Roz remembers the dinner parry she threw to celebrate the restructuring of WiseWomanWorld, when Mitch was sitting beside Alma the managing editor, and made the mistake of trying to run his hand up and down her leg under the table while carrying on a too-animated theoretical discussion with Edith the designer. Poor lamb, he thought Roz couldn’t guess. But one look at Mitch’s arm position—and his dampening, reddening, braised-looking face, and Alma’s stern frown and the squint lines around her mouth—told all. Roz watched with furious interest as Alma struggled with her dilemma: whether to put up with it because Mitch was Roz’s husband and she didn’t want to jeopardize her job—a thing Mitch had counted on with others, in the past—or whether to call him. on it. Principle won, and also outrage, and Alma said to him sharply, though in an undertone, “I am not a piccolo.”

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