Paul Harding - Tinkers

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Tinkers: краткое содержание, описание и аннотация

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This Monday, on April 12, the winners of the Pulitzer Prize were announced, and since then, little-known debut author Paul Harding has quickly risen to fame after his novel "Tinkers" won the Pulitzer for fiction.
The novel, about a dying man's recollection of and relationship with his father, a tinker in Maine, was turned down by every major publisher over the course of several years. It was finally published by Bellevue Literary Press, a small publisher associated with the NYU Medical School. Even after its publication and the excellent reviews across the board, few hoped for it to rise to the top. And when Harding was awarded the Pulitzer, the Boston Globe reports, he only found out by checking the award's website – nobody had bothered to call him. "Tinkers" is the first novel from a small press to win the Pulitzer since "Confederacy of Dunces" won in 1981 and everyone in the publishing industry is scrambling to take some part of the credit for the book's success.
The Boston Globe published an article early this week about the people who pushed "Tinkers" early on, claiming the success of the book as proof of the power of word of mouth. It began with Bellevue Press Editorial Director Erika Goldman saying, "It was so exquisite that I found myself – and this has never happened – weeping for the beauty of the prose." Publishers Weekly's Michael Coffey stayed up past midnight reading it – "not something I normally do." Lise Solomon, a sales representative in Northern California vowed, "I was going to make it a Bay Area bestseller."
But though the sentiments expressed in the Globe article ring true, Publishers Marketplace points out that the article unfortunately "mangl[es]" the timeline of the support for the book, and ends up "confus[ing] the record as much as clarify[ing]." Among other corrections, Publishers Marketplace points to the book's early placement on the Indie Next list and that the first review was in the Hartford Courant, two facts not mentioned by the Globe. Publishers Marketplace also claims to be on the lookout for the independent bookstores that spread the word about the book early on.
Whatever the chronology of the events, it is clear that readers across the board have fallen head over heels for "Tinkers." Publishers Weekly called it a "gorgeous example of novelistic craftsmanship," Booklist said that it is a "rare and beautiful novel of spiritual inheritance and acute psychological and metaphysical suspense," and Chris Bohjalian, writing for the Globe called it "a poignant exploration of where we may journey when the clock has barely a tick or two left and we really can't go anywhere at all." (HuffPost Books also recognized the novel in our "Best of the Best Books Lists" feature in December.) The New York Times, notably, was left in the dark about this book, and never reviewed it at all, as Gregory Cowles sheepishly admits in a PaperCuts blog.
For Paul Harding, the success has been incredible. The author, a former drummer for a rock band, said that he was "stunned," according to USA Today. "It was a little book from a little publisher that was hand-sold from start to finish," he said. He looks at the win in a practical sense, though: "I can afford to continue doing what I love to do."

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George tied Prince Edward to a tree in front of the shed. The inside of the shed felt colder than the outside. Sunlight streamed through cracks between the log cribbing of the walls and seams between boards in the roof where outside the shingles had come loose and blown away. The light flowing in from the roof dropped toward the floor in rectangular planes, which were broken by the heavy rafters. Some of the rafters still had curing hooks hanging from them. There was an abandoned barn swallow's nest in the crook of one of the rafters and a support beam. A dusty hill of droppings remained on the floor beneath the nest.

George stood in the shed. He was suddenly aware that if he was running away, this was not the place to go. To run away meant away. He had never been away. Away was the French Revolution or Fort Sumter or the Roman Empire. Maybe, Boston, three hundred miles south. He had no idea what was in the three hundred miles between here and Boston.

George poked through the pile of ashes and cigarette stubs next to the three nail kegs he and Ray had set up so that each could sit and the cribbage board that George had taken from home could be set between them. He found a butt with two or three drags left to it. He pinched it by the very end. There were no matches. He pitched the cigarette back onto the pile.

A door lay lengthwise against the far wall of the shed. It was from the old Budden place, long since burned down. It was mammoth: made of oak two inches thick. Its hinges and handle had been hacked at. The side facing out into the shed was charred and striated by fire. When George and Ray sat in the shed smoking whatever they had been able to find, which was rolled corn husks as often as it was tobacco, and playing cribbage with the board George had stolen from his own house, they liked to recite the story about the winter of '06, when the snow was twelve feet high and the sun didn't shine for three months and Budden went mad and took the big ax into the house and staved all of the furniture and piled all the broken pieces together in the middle of the parlor and doused it all with kerosene and took a match to it. The hack marks in the door were not from Budden. They were from the volunteer firemen and neighbors (who were the same thing: each a neighbor, each a volunteer firefighter, because you were a fireman if you were a man fighting a fire) who had tried to chop their way through the door to get to Mrs. Budden and the children. By the time they realized that the door was too thick and that they should try to go through a window or the back door, the fire was too ferocious to be able to do anything but leap off the porch. Then, just as they realized this, just as they collectively understood that the door could not be breached, something inside the house exploded and the door wrenched from its hinges and blew outward, plowing the men in front of it, so that they and it landed in the front walkway, they on the ground, it on them-the side which now faced out into the shed burning and gushing smoke. But here was the thing, the reason for the recitation and repetition of the story: When the fire was finally put out, and they found the bodies, Tom Budden's corpse in the kitchen but also one adult (a woman, it was determined) and two children, spooned up against one another within the boundaries of the iron frame of the Budden's big double bed (the mattress, the sheets, the blankets burned away), calm and peace ful as if they were taking an afternoon nap, cooked to smoldering crisps, and whom everybody assumed were Mrs. Budden and the Budden children, and so the town started to make funeral preparations, Mr. Potter measuring the charred corpses as best he could to make the coffins, Mrs. Budden and the children showed up from Worcester, where they had been visiting her mother. No one had ever figured out who that woman and those children were who had been sleeping in the Budden house on the afternoon Tom Budden went berserk and set it all on fire.

George crawled behind the door and lay down. He put his bitten hand against the cold wood and imagined it as scorching hot, imagined it holding back a tremendous fire, which battered and seared it and built up behind it and blew it loose from its hinges. The fire thumped on the other side of the door. George lowered his hand to his lap. He tried to squeeze it into a fist. It was still too sore to fully close. Once again, he fell first to wishing that his father would just disappear from the face of the earth-not die, not be put away, but just miraculously suddenly not be-and then to wishing that his father were a child himself and that he be bitten by his own father, so he could suffer how awful it was to have been attacked by his own sire. George's feelings had moved back and forth between these two thoughts the entire week, except for when he had actually seen his father, who had for the most part stayed away from the house the rest of that week, and had kept to corners and alongside walls and just beyond doorways, like a kicked dog, when he had been home. Whenever George saw his father in the house, he had to keep from crying at being so angry for having a mad father whom he loved and pitied and hated. He tucked his injured hand into his coat and fell asleep. His breath steamed from his half-opened mouth in little clouds, which rolled upward, fragile, and broke apart against the underside of the door.

Kathleen said to Howard, George has run away.

He said, How do you know?

She said, He left Joe alone in the toolshed. He didn't split the wood. He didn't get the water. He didn't help Darla with her numbers. He took Prince Edward and your wagon.

He said, I don't think he'll get too far. He thought, I hope he makes it.

She said, What, exactly, are you going to sell today without your wagon?

He said, Kathleen.

She said, You can borrow Lady Godiva from the Levansellers. He can't be more than two miles away.

He said, Kathleen. But she was already walking back around the house to the tin washtub full of steaming soapy water and clothes.

***

Seems George's run away.

That so.

Yes, it is.

Well, I never.

Nor I.

The two men looked at the sky and then at the dirt yard ringed in dirty snow where chickens strutted and pecked. Jack Levanseller pursed his lips and blew air from his mouth.

Howard looked toward the Levanseller barn, which was more like a large garage fitted out to stable the old nag Jack Levanseller had bought for his daughter, Emily, when she just had to have a horse and had cried and said things at meals like, I don't want potatoes; I want a horse! for a week, until her father finally could not take the twelve-year-old's theatrics anymore and had gone to the horse farm over in Dexter and bought the cheapest, most run down, wheezy creature on the lot for six dollars. When she saw the horse, with its runny nose and scabby ears and its ribs as visible as the staves of a barrel and its pelvis, too, she screamed, What is that! and her father had said, That is your horse and it looks hungry. And cold, too. And it was true; even though it was the end of June and nearly eighty degrees, the horse seemed to be shivering. Jack slapped the horse on its bony rump and, noticing that the beast was missing a good amount of its hair, and that it was a mare, said, This is your horse and her name is Lady Godiva. Now go get a pail of water and some hay and that old blue blanket and start taking care of your new horse. Emily cried, I don't want that disgusting creature! I'll bet you can't even ride it! And she had refused to have anything to do with the wretched beast, so that her father had taken care of it from the moment he brought it onto his property and complained to anyone who would listen about how he lost a lot more than six dollars on that horse, considering how much of his time and oats he spent keeping the thing till it decided to die.

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