John Harding - Florence and Giles

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A sinister Gothic tale in the tradition of The Woman in Black and The Fall of the House of Usher1891. In a remote and crumbling New England mansion, 12-year-old orphan Florence is neglected by her guardian uncle and banned from reading. Left to her own devices she devours books in secret and talks to herself - and narrates this, her story - in a unique language of her own invention. By night, she sleepwalks the corridors like one of the old house's many ghosts and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles. Sometimes Florence doesn't sleepwalk at all, but simply pretends to so she can roam at will and search the house for clues to her own baffling past.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a vengeful and malevolent spirit who means to do Giles harm. Against this powerful supernatural enemy, and without any adult to whom she can turn for help, Florence must use all her intelligence and ingenuity to both protect her little brother and preserve her private world.Inspired by and in the tradition of Henry James' s The Turn of the Screw, Florence & Giles is a gripping gothic page-turner told in a startlingly different and wonderfully captivating narrative voice.

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Florence & Giles

John Harding

Florence and Giles - изображение 1

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Blue Door

An imprint of HarperCollins Publishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published by Blue Door in 2010

Copyright © John Harding 2010

John Harding asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollins Publishers has made every reasonable effort to ensure that any picture content or written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007315031

Ebook Edition © MARCH 2010 ISBN: 9780007315062

Version: 2016-09-15

Dedication

For Norah

Contents

Title Page

Copyright

Dedication

The Swan

Part One

1

2

3

4

5

6

7

8

9

Part Two

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

Keep Reading

Acknowledgements

Also by John Harding

About the Publisher

The Swan

It was April, I remember, though my spirit was December,

When a broken bird was lifted from the darkness of the lake,

In the sun white feathers gleaming, from her mouth black water streaming,

While within my voice was screaming until I thought my heart would break;

It was I who watched her dying, drifting, drifting, waiting in her wake

For God her soul to take.

PART ONE

1

It is a curious story I have to tell, one not easily absorbed and understood, so it is fortunate I have the words for the task. If I say so myself, who probably shouldn’t, for a girl my age I am very well worded. Exceeding well worded, to speak plain. But because of the strict views of my uncle regarding the education of females, I have hidden my eloquence, under-a-bushelled it, and kept any but the simplest forms of expression bridewelled within my brain. Such concealment has become my habit and began on account of my fear, my very great fear, that were I to speak as I think, it would be obvious I had been at the books and the library would be banned. And, as I explained to poor Miss Whitaker (it was shortly before she tragicked upon the lake), that was a thing I did not think I could bear.

Blithe House is a great barn, a crusty stone mansion of many rooms, so immense it takes my little brother, Giles, who is as fast of limb as he is not of wit, three minutes and more to run through its length, a house uncomfortabled and shabbied by prudence, a neglect of a place, tightly pursed (my absent uncle having lost interest in it), leaked and rotted and mothed and rusted, coldly draughted, dim lit and crawled with dark corners, so that, even though I have lived here all of my life that I can remember, sometimes, especially on a winter’s eve in the fadery of twilight, it shivers me quite.

Blithe is two-hearted, one warm, one cold; one bright, the other shadowy even on the sunniest of days. The kitchen, where the stove is always burny hot, is jollied by fat Meg, our cook, smiley and elbowed in flour, often to be found flirted by John, the manservant, who seeks a kiss but is happy to make do with a floury smack. Next door, with a roaring fire nine months of the year, is the housekeeper’s sitting room, where you may find Mrs Grouse either armchaired and sewing or desked with a puzzlery of papers, trying, as she says, to ‘make head nor tail’ of things and – what seems to me contradictory – to make their ends meet. These two rooms together make one heart, the warm.

The cold heart (but not for me! Ah, not for me!) beats at the other end of the house. Unloved and unvisited, save by me, the library could not be more unlike the kitchen: unfired, cool even in the burnery of summer, freezing in winter, windows darked by never-opened thick drapes, so I have to steal candles to read there and afterward scrape their guilty drippery from the floor. From one end to the other is one hundred and four of my shoed feet, and thirty-seven wide. Three men could stand one upon the other and scarce touch the ceiling. Every inch of wall, aside from the door, the draped windows and their window seats, is wooden shelving, from floor to ceiling, all fully booked.

No maid ever ventures here; the floors are left unbroomed, for unfootfalled as they are, what would be the point? The shelves go unfingerprinted, the wheeled ladders to the upper ones unmoved, the books upon them yearning for an opening, the whole place a dustery of disregard.

It has always been so (apart from the governessed times, of which more anon), leastways as far as I remember, for I first made my way here a third of my lifetime ago, when I was eight. We were then still ungovernessed, because Giles, who is some three years my junior, the one the teaching’s for, was considered too young for school or indeed any kind of learning, and we were hide-and-seeking one day when I opened a strange door, one that hitherto had always been locked – or so I had thought, probably on account of its stiffness, which my younger self could not manage – to refuge from him there, and discovered this great treasury of words. The game was straightway forgotten; I shelf-to-shelfed, extracting book after book, the opening of each a sneezery of dust. Of course I could not then read, yet that somehow wondered me even more, all these thousands – millions more like – of coded lines of undecipherable print. Many books were illustrated, woodcutted and colour-plated, a frustratory of captions beneath, every one of which taught me the miserable impotence of finger-tracery.

Later, after I had been scolded for going missing for so long that Mrs Grouse had everyone searching for me, not only all the maids but floury Meg and John too, I asked her if she would teach me to read. I instincted not to mention the library and it feared me quite when she gave me a quizzical look and said, ‘Now missy, what in the world has made you think of that?’

It was one of those questions it’s best not to answer, for if you keep quiet, grown-ups will always go on to something else; they lack the persistence of children. She deep-breathed in and long-sighed it out. ‘The truth is, Miss Florence, that I’m not exactly sure your uncle would want that. He has made clear to me his views on the education of young women. I think he would say that this was not the time.’

‘But please, Mrs Grouse, he wouldn’t have to know. I wouldn’t tell a soul and if he should visit unexpectedly I would hide my book behind my back and stuff it under the cushions of the chair. You could teach me in your sitting room; even the servants need not know.’

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