John Harding - John Harding 2-Book Gothic Collection

The Borough Press

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Copyright © John Harding 2015

Cover layout design © HarperCollins Publishers 2015

Cover layout design © HarperCollins Publishers Ltd 2015

John Harding asserts the moral right to be identified as the author of these works.

Catalogue copies of these books are available from the British Library.

These novels are entirely works of fiction. The names, characters and incidents portrayed in them are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © October 2015 ISBN: 9780008162955

Version: 2015-09-07

Contents

Cover

Title Page A GOTHIC COLLECTION Florence & Giles The Girl Who Couldn’t Read John Harding

Copyright

Florence & Giles

The Girl Who Couldn’t Read

About the Author

Also by John Harding

About the Publisher

The Borough Press

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London, SE1 9GF

www.harpercollins.co.uk

First published by Blue Door in 2010

Copyright © John Harding 2010

Cover layout design © HarperCollins Publishers Ltd 2010

Cover photographs © Scott Dingman/Getty Images (girl looking through broken window); Shutterstock (stairwell).

John Harding asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © February 2010 ISBN: 9780007315062

Version: 2015-09-07

For Norah

Contents

Cover

Title Page

Copyright

Dedication

The Swan

Part One

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Part Two

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Acknowledgements

It was April, I remember, though my spirit was December,

When a broken bird was lifted from the darkness of the lake,

In the sun white feathers gleaming, from her mouth black water streaming,

While within my voice was screaming until I thought my heart would break;

It was I who watched her dying, drifting, drifting, waiting in her wake

For God her soul to take.

It is a curious story I have to tell, one not easily absorbed and understood, so it is fortunate I have the words for the task. If I say so myself, who probably shouldn’t, for a girl my age I am very well worded. Exceeding well worded, to speak plain. But because of the strict views of my uncle regarding the education of females, I have hidden my eloquence, under-a-bushelled it, and kept any but the simplest forms of expression bridewelled within my brain. Such concealment has become my habit and began on account of my fear, my very great fear, that were I to speak as I think, it would be obvious I had been at the books and the library would be banned. And, as I explained to poor Miss Whitaker (it was shortly before she tragicked upon the lake), that was a thing I did not think I could bear.

Blithe House is a great barn, a crusty stone mansion of many rooms, so immense it takes my little brother, Giles, who is as fast of limb as he is not of wit, three minutes and more to run through its length, a house uncomfortabled and shabbied by prudence, a neglect of a place, tightly pursed (my absent uncle having lost interest in it), leaked and rotted and mothed and rusted, coldly draughted, dim lit and crawled with dark corners, so that, even though I have lived here all of my life that I can remember, sometimes, especially on a winter’s eve in the fadery of twilight, it shivers me quite.

Blithe is two-hearted, one warm, one cold; one bright, the other shadowy even on the sunniest of days. The kitchen, where the stove is always burny hot, is jollied by fat Meg, our cook, smiley and elbowed in flour, often to be found flirted by John, the manservant, who seeks a kiss but is happy to make do with a floury smack. Next door, with a roaring fire nine months of the year, is the housekeeper’s sitting room, where you may find Mrs Grouse either armchaired and sewing or desked with a puzzlery of papers, trying, as she says, to ‘make head nor tail’ of things and – what seems to me contradictory – to make their ends meet. These two rooms together make one heart, the warm.

The cold heart (but not for me! Ah, not for me!) beats at the other end of the house. Unloved and unvisited, save by me, the library could not be more unlike the kitchen: unfired, cool even in the burnery of summer, freezing in winter, windows darked by never-opened thick drapes, so I have to steal candles to read there and afterward scrape their guilty drippery from the floor. From one end to the other is one hundred and four of my shoed feet, and thirty-seven wide. Three men could stand one upon the other and scarce touch the ceiling. Every inch of wall, aside from the door, the draped windows and their window seats, is wooden shelving, from floor to ceiling, all fully booked.