Isabel Allende - Island Beneath the Sea

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Of the many pitfalls lurking for the historical novel, the most dangerous is history itself. The best writers either warp it for selfish purposes (Gore Vidal), dig for the untold, interior history (Toni Morrison), or both (Jeannette Winterson). Allende, four years after Ines of My Soul, returns with another historical novel, one that soaks up so much past life that there is nowhere left to go but where countless have been. Opening in Saint Domingue a few years before the Haitian revolution would tear it apart, the story has at its center Zarité, a mulatto whose extraordinary life takes her from that blood-soaked island to dangerous and freewheeling New Orleans; from rural slave life to urban Creole life and a different kind of cruelty and adventure. Yet even in the new city, Zarité can't quite free herself from the island, and the people alive and dead that have followed her.Zarité's passages are striking. More than merely lyrical, they map around rhythms and spirits, making her as much conduit as storyteller. One wishes there was more of her because, unlike Allende, Zarité is under no mission to show us how much she knows. Every instance, a brush with a faith healer, for example, is an opportunity for Allende to showcase what she has learned about voodoo, medicine, European and Caribbean history, Napoleon, the Jamaican slave Boukman, and the legendary Mackandal, a runaway slave and master of black magic who has appeared in several novels including Alejo Carpentier's Kingdom of This World . The effect of such display of research is a novel that is as inert as a history textbook, much like, oddly enough John Updike's Terrorist, a novel that revealed an author who studied a voluminous amount of facts without learning a single truth.Slavery as a subject in fiction is still a high-wire act, but one expects more from Allende. Too often she forgoes the restraint and empathy essential for such a topic and plunges into a heavy breathing prose reminiscent of the Falconhurst novels of the 1970s, but without the guilty pleasure of sexual taboo. Sex, overwritten and undercooked, is where opulent hips slithered like a knowing snake until she impaled herself upon his rock-hard member with a deep sigh of joy. Even the references to African spirituality seem skin-deep and perfunctory, revealing yet another writer too entranced by the myth of black cultural primitivism to see the brainpower behind it. With Ines of My Soul one had the sense that the author was trying to structure a story around facts, dates, incidents, and real people. Here it is the reverse, resulting in a book one second-guesses at every turn. Of course there will be a forbidden love. Betrayal. Incest. Heartbreak. Insanity. Violence. And in the end the island in the novel's title remains legend. Fittingly so, because to reach the Island Beneath the Sea, one would have had to dive deep. Allende barely skims the surface.Marlon James's recent novel, The Book of Night Women was a finalist for the 2010 National Book Critics Circle Award.

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"Once you asked me what you were going to do with your daughter when she got out of school. The solution has occurred to me," Violette announced to Tete.

She reminded her that for Rosette the alternatives were scarce. To marry her without a good dowry would be to condemn her to forced labor at the side of a destitute husband. They could not even consider a Negro, it had to be a mulatto-but they tried to marry above them to better their social or financial situation, something Rosette could not offer. Neither did she have the makings of a seamstress, hairdresser, nurse, or any other of the jobs suitable to her situation. For the moment, her only capital was beauty, but there were a lot of beautiful girls in New Orleans.

"We are going to arrange things so that Rosette lives well without having to work," Violette declared.

"How will we do that, madame?" Tete smiled, incredulous.

"Placage. Rosette needs a white man to keep her."

Violette had analyzed the mentality of the clients who bought her beauty lotions, her whalebone armament, and the airy dresses Adele sewed. They were as ambitious as she was, and they all wanted their descendants to prosper. They gave a skill or a profession to their sons but they trembled in fear of the future for their daughters. To place them with a white man was usually better than marrying them to a man of color, but there were ten available girls for every white bachelor, and without good connections it was difficult to accomplish. The man chose the girl and then treated her as he wished, a very comfortable arrangement for him but risky for her. Usually the union lasted until the hour came at around thirty for him to marry someone of his own class, but there were also cases when the relationship continued for the rest of the man's life, and some in which a man remained a bachelor out of love for a woman of color. Whichever way it was, her luck depended on her protector. Violette's plan consisted of imposing fairness: the girl placee would demand security for herself and her children, since in turn she gave him total devotion and faithfulness. If the young man could not offer guarantees, his father had to do it for him, just as the mother of the girl guaranteed the virtue and good conduct of her daughter.

"W-what will Rosette think of this, madame?" Tete stammered, frightened.

"Her opinion doesn't count. Think about it, woman. This is a long way from prostitution, though some say it is. I can assure you, from personal experience, that protection by a white is indispensable. My life would have been entirely different without Etienne Relais."

"But you married him…" Tete contended.

"That is impossible here. Tell me, Tete, what difference is there between a married white woman and a placee girl of color? Both are kept, subjected, destined to serve a man and give him children."

"But marriage means security and respect," Tete asserted.

"Placage should be the same," said Violette emphatically. "It must be advantageous for both parties, not another notch in his hunting knife for the white. I am going to begin with your daughter, who has neither money nor good family but is pretty and already free, thanks to Pere Antoine. She will be the best placee girl in New Orleans. In a year's time we will present her to society, I just need the right amount of time to prepare her."

"I don't know…" And Tete stopped protesting because she had nothing better for her daughter and she trusted Violette Boisier.

They did not consult with Rosette, but the girl turned out to be more willing than they'd expected; she guessed what they were up to and didn't object because she had her own plan.

During the following weeks, Violette visited, one by one, the mothers of adolescent girls in the highest echelon of color, the matriarchs of the Societe du Cordon Bleu, and explained her idea to them. Those women commanded in their world; many owned businesses, lands, and slaves, who in some cases were their own relatives. Their grandmothers had been emancipated slaves who had children by their masters for whom they received help and prospered. Family relations, though of different races, were the structure that held up the complex edifice of Creole society. The idea of sharing a man with one or several women was not strange to quadroons whose great-grandmothers came from polygamous families in Africa. Their obligation was to provide well-being for their daughters and grandchildren, even if that came by way of the husband of another woman.

Those formidable, doting mothers, five times more numerous than men of the same class, rarely found an appropriate son-in-law; they knew that the best way to care for their daughters was to place them with someone who could protect them, otherwise they were at the mercy of any predator. Physical violence and rape were not crimes if the victim was a woman of color, even if she were free.

Violette explained to the mothers that her idea was to hold an extravagant ball in the best available hall, financed by their donations. Only young whites with a fortune, and those seriously interested in placage, would attend, accompanied by their fathers if necessary, no philandering gallants looking for a careless girl for entertainment without commitment. More than one mother suggested that the men should pay to enter, but in Violette's view that would open the door to undesirables, as happened in the carnival balls, or those in Orleans Hall and the Theatre Francais, where for a modest price anyone could go in as long as they weren't black. This would be a ball as selective as those held by white debutantes. There would be time to look into the background of those who were invited, since no one wanted to hand over her daughter to someone with bad behavior or debts. "For once, the whites will have to accept our conditions," said Violette.

To avoid upsetting the mothers, she didn't tell them that in future she planned to add Americans to the list, despite Sancho's having warned her that no Protestant would understand the advantages of placage. There would be time for all that; for the moment, she had to concentrate on the first ball.

The white man could dance with the girl he chose a couple of times, and if he liked her, he or his father should immediately begin negotiations with the girl's mother; no time to be wasted in pointless courting. The protector had to contribute a house, a yearly pension, and an agreement to educate the couple's children. Once these points were agreed on, the placee would be installed in her new house and cohabitation would begin. She would assure him of discretion during the time they were together and the certainty that there would be no drama when the relationship ended, which would depend entirely on him. "The placage must be a contract of honor; it behooves everyone to respect the rules," said Violette. The whites could not abandon their young lovers to poverty because that would endanger the delicate balance of accepted concubinage. There was no written contract, but if a man violated his given word, the women would make sure his reputation was ruined. The ball would be called Cordon Bleu, and Violette would be responsible for making it the most anticipated event of the year for young people of all colors.

Zarite

I ended by accepting the idea of placage, which the mothers of other girls agreed to quite naturally, but it shocked me. I didn't want that for my daughter, but what else could I offer her? Rosette understood immediately when I dared tell her about it. She had more common sense than I did.

Madame Violette organized the ball with the help of some French men who produced spectacles. She also created an Academy of Etiquette and Beauty that came to be called the Yellow House, where she prepared the girls who took her classes. She said they would be the most sought after and they could be sure of being selected by a protector; that convinced the mothers, and no one complained about the cost. For the first time in her forty-five years Madame Violette got out of bed early. I waked her with strong black coffee and ran before she threw it at my head. Her bad humor lasted half the morning. Madame accepted only a dozen students, she didn't have room for more but she planned to find a better space next year. She hired instructors for singing and dancing; the girls practiced walking with a cup of water on their heads to improve posture, she taught them to comb their hair and paint their faces, and in their free hours I explained how to run a house, something I knew a lot about. She also designed a wardrobe for each one according to her figure and color, and Madame Adele and her helpers produced the dresses. Dr. Parmentier suggested that the girls should also have subjects for conversation, but according to Madame Violette no man is interested in what a woman says, and Don Sancho agreed. The doctor, on the other hand, always listens to Adele's opinions and follows her advice, for he has no head for anything but doctoring. She makes the decisions in their family. They bought the house on Rampart and are educating their sons about work and investments since the doctor's money turns into smoke.

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