Isabel Allende - Island Beneath the Sea

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Of the many pitfalls lurking for the historical novel, the most dangerous is history itself. The best writers either warp it for selfish purposes (Gore Vidal), dig for the untold, interior history (Toni Morrison), or both (Jeannette Winterson). Allende, four years after Ines of My Soul, returns with another historical novel, one that soaks up so much past life that there is nowhere left to go but where countless have been. Opening in Saint Domingue a few years before the Haitian revolution would tear it apart, the story has at its center Zarité, a mulatto whose extraordinary life takes her from that blood-soaked island to dangerous and freewheeling New Orleans; from rural slave life to urban Creole life and a different kind of cruelty and adventure. Yet even in the new city, Zarité can't quite free herself from the island, and the people alive and dead that have followed her.Zarité's passages are striking. More than merely lyrical, they map around rhythms and spirits, making her as much conduit as storyteller. One wishes there was more of her because, unlike Allende, Zarité is under no mission to show us how much she knows. Every instance, a brush with a faith healer, for example, is an opportunity for Allende to showcase what she has learned about voodoo, medicine, European and Caribbean history, Napoleon, the Jamaican slave Boukman, and the legendary Mackandal, a runaway slave and master of black magic who has appeared in several novels including Alejo Carpentier's Kingdom of This World . The effect of such display of research is a novel that is as inert as a history textbook, much like, oddly enough John Updike's Terrorist, a novel that revealed an author who studied a voluminous amount of facts without learning a single truth.Slavery as a subject in fiction is still a high-wire act, but one expects more from Allende. Too often she forgoes the restraint and empathy essential for such a topic and plunges into a heavy breathing prose reminiscent of the Falconhurst novels of the 1970s, but without the guilty pleasure of sexual taboo. Sex, overwritten and undercooked, is where opulent hips slithered like a knowing snake until she impaled herself upon his rock-hard member with a deep sigh of joy. Even the references to African spirituality seem skin-deep and perfunctory, revealing yet another writer too entranced by the myth of black cultural primitivism to see the brainpower behind it. With Ines of My Soul one had the sense that the author was trying to structure a story around facts, dates, incidents, and real people. Here it is the reverse, resulting in a book one second-guesses at every turn. Of course there will be a forbidden love. Betrayal. Incest. Heartbreak. Insanity. Violence. And in the end the island in the novel's title remains legend. Fittingly so, because to reach the Island Beneath the Sea, one would have had to dive deep. Allende barely skims the surface.Marlon James's recent novel, The Book of Night Women was a finalist for the 2010 National Book Critics Circle Award.

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Loula did not share Violette's enthusiasm for property, she maintained that in that city of catastrophes they were subject to the whims of climate and fires; she should invest in gold, and dedicate herself to loaning money, as they'd done before with good results, but Violette was not eager to make enemies for herself by practicing usury. She had reached the age of prudence, and was working on her social position. Her only worry was Jean-Martin, who, to judge by his cryptic missives, was still unmovable in his proposal to follow in the footsteps of his father, whose memory he venerated. She wanted something better for her son, and knew all too well how harsh military life was; just consider the disastrous conditions in which the defeated soldiers arrived from Haiti. She could not dissuade him with the letters she dictated to the scribe; she would have to go to France and convince him to study a money making profession like the law. However incompetent he might be, no lawyer ended up poor. The fact that Jean-Martin had not demonstrated interest in the law was of no importance-very few lawyers did. Afterward she would marry him, in New Orleans, to the whitest girl possible, someone like Rosette but with a fortune and good family. In her experience, light skin and money made almost anything easier. She wanted her grandchildren to come into the world with an advantage.

Rosette

Valmorain had seen Tete in the street; it was impossible not to run into her in that city. He hadn't spoken to her, but he knew she was working for Violette Boisier. He had little contact with his beautiful former lover because before he could renew their friendship, as he had planned when he saw her arrive in New Orleans, Sancho had cut him off using his gallantry, his good looks, and the advantage of being a bachelor. Valmorain still did not understand how his brother-in-law could have won the game from him. His relationship with Hortense had lost its luster since she, absorbed in maternity, had grown negligent about her acrobatics in the large matrimonial bed with the carved angels. She was always pregnant; she could not get over only having girls, and she had no time to recover from each birth before she was expecting the next one, surely a boy-each time becoming more weary, fat, and tyrannical.

Valmorain found the months in New Orleans tedious, he suffocated in the female atmosphere of his house and the constant presence of the Guizots; for that reason he escaped to the plantation, leaving Hortense and the girls to the activities in the city. In truth, she too preferred it that way; her husband took up too much space. On the plantation it wasn't as noticeable, but in the city the rooms grew small and the hours very long. He had his own life out of the house, but unlike other men in his situation he did not keep a lover to sweeten a few afternoons a week. When he'd seen Violette Boisier on the dock he'd thought she would be the ideal lover, beautiful, discreet, and not fertile. The woman wasn't young any longer, but he didn't want a girl whom he would soon tire of. Violette had always been a challenge and with maturity was doubtlessly more so, with her he would never be bored. However, because of a tacit agreement among gentlemen, he had not made a move after Sancho fell in love with her. That day he went to the yellow house, hoping to see her, with the Ursulines' note in his waistcoat. Tete, to whom he'd not spoken a word in three years, opened the door.

"Madame Violette is not in at the moment," she announced at the door.

"It doesn't matter-I came to speak with you."

She led him to the drawing room and offered him a cup of coffee, which he accepted in order to catch his breath, although coffee made his stomach burn. He sat down on an armchair that scarcely accepted his rear, his walking stick between his legs, gasping. It wasn't hot, but recently he frequently felt short of breath. I have to slim down a bit, he said every morning as he was struggling with his belt and the tie with three turns around his neck; even his shoes were tight. Tete returned with a tray, served him coffee the way he liked it, dark and bitter, then another cup for herself with a lot of sugar. Valmorain noticed, between amusement and irritation, a touch of arrogance in his former slave. Although she did not meet his eyes and did not commit the insolence of sitting, she dared drink coffee in his presence without asking his permission, and in her voice he did not hear the former submission. He admitted that she looked better than ever, surely she had learned a few of Violette's tricks. Remembering that woman, her gardenia skin, her black mane, her eyes shadowed by long eyelashes, made his heart flutter. Tete couldn't compare, but now that she didn't belong to him, she seemed desirable.

"To what do I owe your visit, monsieur?" she asked.

"It's about Rosette. Don't be alarmed. Your daughter is fine, but tomorrow she must leave the school, the nuns are going to Cuba because of the Americans. It is an exaggerated reaction, and without doubt they will return, but for now you have to take charge of Rosette."

"How can I do that, monsieur?" said Tete, startled. "I don't know whether Madame Violette would accept her if I brought her here."

"That isn't my concern. Tomorrow early you must go to get her. You can figure out what to do with her."

"Rosette is also your responsibility, monsieur."

"That girl has lived like a mademoiselle and received the best education thanks to me. The hour has come for her to face reality. She will have to work, unless you find a husband for her."

"She's only fourteen years old!"

"More than old enough to marry. Negro girls mature early." With an effort, Valmorain stood to leave.

Indignation burned through Tete like a flame, but years of obeying that man and the fear she had always had of him kept her from saying what was on the tip of her tongue. She had not forgotten the first time she was raped by her master when she was a girl, the hatred, the pain, the shame, nor the later abuses she'd borne for years. Silent, trembling, she handed him his hat and led him to the door. At the threshold he stopped.

"Has your freedom done you any good? You are poorer than you were, you don't even have a roof over your head for your daughter. In my house Rosette always had a place."

"The place of a slave, monsieur. I would rather live in poverty and be free," Tete replied, holding back her tears.

"Your pride will be your damnation, woman. You don't belong anywhere, you don't have a job or skill, and you're not young any longer. What are you going to do? I feel sorry for you, and that's why I'm going to help your daughter. This is for Rosette."

He handed her a pouch with money, went down the five steps to the street, and walked away, satisfied, in the direction of his house. Ten steps more and he'd forgotten the matter; he had other things on his mind.

During that period an idee fixe had begun to stir around in Violette Boisier's head, one that had first taken shape a year before, when the Ursulines put Rosette out on the street. No one knew men's weaknesses better than she, or women's needs; she planned to take advantage of her experience to make money and, in passing, offer a service that was greatly lacking in New Orleans. With that goal in mind, she offered her hospitality to Rosette. The girl came to the house in her school uniform, serious and haughty, followed two steps behind by her mother, who was carrying her bundles and had not stopped blessing Violette for having taken them under her roof.

Rosette had noble bones and eyes with her mother's golden streaks, the almond skin of the women in Spanish paintings, dark lips, wavy hair to the middle of her back, and the soft curves of adolescence. At fourteen she was already fully aware of the fearsome power of her beauty, and unlike Tete, who had worked from childhood, she appeared to have been born to be served. "She's going to have a hard time. She came into this world as a slave and she gives herself the airs of a queen. I will be putting her in her place," Loula observed with a disdainful snort, but Violette made her see the potential of her idea: investment and income, American concepts that Loula had adopted as her own. That convinced her to give her room to Rosette and go sleep with Tete in the servants' cell. The girl would need her rest, Violette said.

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