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Isabel Allende: Island Beneath the Sea

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Isabel Allende Island Beneath the Sea

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Of the many pitfalls lurking for the historical novel, the most dangerous is history itself. The best writers either warp it for selfish purposes (Gore Vidal), dig for the untold, interior history (Toni Morrison), or both (Jeannette Winterson). Allende, four years after Ines of My Soul, returns with another historical novel, one that soaks up so much past life that there is nowhere left to go but where countless have been. Opening in Saint Domingue a few years before the Haitian revolution would tear it apart, the story has at its center Zarité, a mulatto whose extraordinary life takes her from that blood-soaked island to dangerous and freewheeling New Orleans; from rural slave life to urban Creole life and a different kind of cruelty and adventure. Yet even in the new city, Zarité can't quite free herself from the island, and the people alive and dead that have followed her.Zarité's passages are striking. More than merely lyrical, they map around rhythms and spirits, making her as much conduit as storyteller. One wishes there was more of her because, unlike Allende, Zarité is under no mission to show us how much she knows. Every instance, a brush with a faith healer, for example, is an opportunity for Allende to showcase what she has learned about voodoo, medicine, European and Caribbean history, Napoleon, the Jamaican slave Boukman, and the legendary Mackandal, a runaway slave and master of black magic who has appeared in several novels including Alejo Carpentier's Kingdom of This World . The effect of such display of research is a novel that is as inert as a history textbook, much like, oddly enough John Updike's Terrorist, a novel that revealed an author who studied a voluminous amount of facts without learning a single truth.Slavery as a subject in fiction is still a high-wire act, but one expects more from Allende. Too often she forgoes the restraint and empathy essential for such a topic and plunges into a heavy breathing prose reminiscent of the Falconhurst novels of the 1970s, but without the guilty pleasure of sexual taboo. Sex, overwritten and undercooked, is where opulent hips slithered like a knowing snake until she impaled herself upon his rock-hard member with a deep sigh of joy. Even the references to African spirituality seem skin-deep and perfunctory, revealing yet another writer too entranced by the myth of black cultural primitivism to see the brainpower behind it. With Ines of My Soul one had the sense that the author was trying to structure a story around facts, dates, incidents, and real people. Here it is the reverse, resulting in a book one second-guesses at every turn. Of course there will be a forbidden love. Betrayal. Incest. Heartbreak. Insanity. Violence. And in the end the island in the novel's title remains legend. Fittingly so, because to reach the Island Beneath the Sea, one would have had to dive deep. Allende barely skims the surface.Marlon James's recent novel, The Book of Night Women was a finalist for the 2010 National Book Critics Circle Award.

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Love, which he had not known before, tossed Etienne Relais about like a tremendous wave, pure energy, salt, and foam. He judged that he could not compete with the girl's other clients, more handsome, powerful, or rich, and so decided at dawn to offer her what few white men would be prepared to give: his name. "Marry me," he said between embraces. Violette sat back on the bed with her legs crossed, her damp hair stuck to her skin, her eyes incandescent, her lips swollen with kisses. Light from remains of the three dying candles that had accompanied their interminable acrobatics fell on her. "I don't have the makings of a wife," she answered, and added that she still had not bled with the cycles of the moon, and according to Loula it was late for that; she would never have children. Relais smiled, because to him children seemed a nuisance.

"If I married you," she said, "I would always be alone, while you fought your campaigns. I have no place among whites, and my friends would reject me because they are afraid of you, they say you are blood-thirsty," she said.

"My work demands it, Violette. The way the physician amputates a gangrenous limb, I fulfill my obligation in order to prevent something worse, but I have never harmed anyone without a good reason."

"I can give you all kinds of good reasons. I do not want to suffer my mother's fate."

"You will never have to fear me, Violette," said Relais, holding her by the shoulders and looking into her eyes for a long moment.

"I hope that is so," she sighed finally.

"We will marry, I promise you."

"Your salary isn't enough to keep me. With you I would lose everything: clothing, perfumes, theater, and time to waste. I am lazy, Capitaine, this is the only way I can earn my living without ruining my hands, and it will not last much longer."

"How old are you?"

"Young, but this trade is short-lived. Men grow tired of the same faces and same asses. As Loula says, I have to take advantage of the only thing I have."

The capitaine tried to see her as often as his campaigns allowed, and by the end of a few months he had made himself indispensable, caring for her and advising her like an uncle, until she could not imagine life without him and began to contemplate the possibility of marrying him in some poetic future. Relais thought that he could do it in five years. That would give them time to put their love to the test, and for each to save money. He resigned himself to Violette's continuing her usual profession, and he paid for her services like other clients, grateful for spending several entire nights with her. At first they made love until they were bruised and battered, but later vehemence turned into tenderness and they spent precious hours talking, making plans, and resting embraced in the warm shadow of Violette's apartment. Relais learned to know the girl's body and character; he could anticipate her reactions, prevent her rages, which were like tropical storms, sudden and brief, and give her pleasure. He discovered that this sensual girl was trained to give pleasure, not to receive it, and with patience and good humor he strove to satisfy her. The difference in their ages and his authoritarian temperament offset Violette's levity. She let him guide her in some practical matters, to please him, but she maintained her independence and defended her secrets.

Loula administered her money and managed the clients with a cool head. Once Relais found Violette with a black eye, and, furious, wanted to know who had caused it, to make him pay dearly for such insolence. "Loula already collected from him. We arrange things better on our own." She laughed, and there was no way to make her give him the name of the aggressor. The formidable Loula knew that the health and beauty of her mistress was the capital that maintained them both, and that inevitably the moment would come when those virtues would begin to fade. She also had to consider the competition of the new batches of adolescents that assaulted the profession every year. It was a shame the capitaine was poor, Loula thought, because Violette deserved a good life. Love seemed irrelevant to her, since she confused it with passion and she had seen how briefly that lasted, but she did not dare use tricks to get rid of Relais. He was someone to be feared. Besides, Violette showed no signs of being in a hurry to marry, and in the meantime another suitor could come along with a better financial situation. Loula decided to put away some serious savings; it wasn't enough to accumulate jewels in a hole, she had to make more imaginative investments in case the marriage with the officer did not come off. She cut back on expenditures and raised the tariff on her mistress, and the more she charged, the more exclusive her favors were thought to be. Using the stratagem of rumors, Loula puffed up Violette's fame. She spread rumors that her mistress could keep a man inside her all night, and that she could revive the energy of the most enervated man twelve times. She had learned from a Moorish woman and exercised with a dove's egg. She went shopping, to the theater, and to the cockfights with the egg in her secret place, without breaking or dropping it. There was also no shortage of contenders to fight a duel over the young poule, and that contributed enormously to her prestige. The wealthiest and most influential whites docilely put their names on the list and waited their turn. It was Loula who had the idea of investing in gold so that savings would not slip through their fingers like sand. Relais, who was not in a position to contribute much, gave Violette his mother's opal ring, the only thing left of his family.

The Bride from Cuba

In October 1778, the eighth year of his time on the island, Toulouse Valmorain made another of his brief trips to Cuba, where he had commercial affairs he preferred not to divulge. Like all the colonists on Saint-Domingue, he was supposed to do business solely with France, but there were a thousand ingenious ways to dodge the law, and he knew several. It did not seem like a sin to avoid taxes, which, after all was said and done, ended up in the bottomless coffers of the king. The tortuous coast lent itself to discreetly setting sail at night en route to other coves of the Caribbean without anyone's knowing, and the porous border with the Spanish part of the island, less populated and much poorer than the French, permitted a constant antlike traffic behind the backs of the authorities. All manner of contraband, from weapons to miscreants, but most of all sacks of sugar, coffee, and cocoa, passed from the plantations to be shipped to other destinations, avoiding customs. After Valmorain had emerged from beneath his father's debts and begun to accumulate more income than dreamed of, he decided he would keep reserves of money in Cuba, where they would be more secure than in France, and within reach in case of need. He arrived in Havana with the intention of staying just a week to meet with his banker, but the visit was prolonged more than planned because at a ball given by the French consulate he met Eugenia Garcia del Solar. From a corner of the pretentious ballroom he saw in the distance an opulent young girl with translucent skin; her head was crowned with luxuriant chestnut hair and she was dressed in the provincial mode, just the opposite of the elegant Violette Boisier. To his eyes, nevertheless, she was no less beautiful. He had picked her out immediately on the crowded dance floor, and for the first time he felt inadequate. He had acquired what he was wearing several years before in Paris, and it was out of fashion; the sun had tanned his skin to leather, he had the hands of a blacksmith, his wig tickled his head, the lace of his collar was choking him, and his foppish pointy-toed, twisted-heel shoes were too tight, forcing him to walk like a duck. His once refined manners were brusque compared with the ease of the Cubans. The years he had spent on the plantation had hardened him inside and out, and now, when he most needed it, he lacked the courtly arts that had been so natural in his youth. As a crowning blow, the dances in style were a lively tangle of pirouettes, bows, turns, and hops that he was unable to imitate. He found out that the girl was the sister of a Spaniard named Sancho Garcia del Solar, who came from a family of minor nobility that had been impoverished for two generations, no matter the name. The mother had jumped to her death from the bell tower of a church, and the father had died young after throwing the family fortune out the window.

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