Anthony Burgess - Tremor of Intent

Здесь есть возможность читать онлайн «Anthony Burgess - Tremor of Intent» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Tremor of Intent: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Tremor of Intent»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

From the author of A Clockwork Orange, a brilliantly funny spy novel.
Has more wit and comic invention than the books which it so boisterously ridicules. – New Republic

Tremor of Intent — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Tremor of Intent», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

From now on I didn't much care to go home in the evenings. Damn it, it was my home, or house anyway, and I had a good big damned slice of mortgage still to pay off. But I couldn't order Lucy out, having, in her view, taken advantage of her and allowed her to build up hopes as yet unfulfilled. And this business of it being the biggest sin a man could commit in bed with a woman made me, even though it was all nonsense, feel guilty towards her. I was turning her into a kind of thin Brigitte, although, to be fair to myself, it was always Lucy who made the first bed-move. So, although I was in my rights in regarding her as an intruder, I couldn't tell her to get out. But I wasn't going to marry her – oh no. I was still married. What I did most evenings now was to look for Brigitte.

I looked first of all in Soho. There were laws now which forbade prostitutes to parade the streets with little dogs on leads or to walk up and down with their handbags open, 1 You sentimental self-pitying bastard, Roper. You'll be back in the Church yet, you mark my words. waiting for men to come along to tell them they'd got their handbags open. But the laws weren't taken very seriously. Still, I don't think there were as many on the streets as there had used to be, certainly not anywhere near so many as in the great days of opportunity of the war, when the lie was given to the old liberal sociological studies of prostitution which said that women took it up only because they couldn't get any other kind of work. What you saw more of now was women beckoning from doorways and windows and suddenly darting out from the darkness and saying: Want a quickie, darling? I made a very thorough job of my search around Soho – Frith Street, Greek Street, War-dour Street, Old Compton Street, Dean Street, everywhere – but I didn't find Brigitte. In the advertisement-cases of shady tobacconists and bookshops I saw ambiguous announcements: Fifi for Correction (Leather a Speciality); Yvonne, Artist's and Photographer's Model – 40 24 38; Colonie Irrigation administered by Spanish Specialist. Never once did I find anything (like Fräulein with German Novelties) which would lead me to Brigitte. In a pub I found a man who had a brochure – all photographs and telephone numbers – called The Ladies' Directory, but Brigitte wasn't in it. I even went into a police station and said I was looking for my wife, a German girl who, through her innocence, had perhaps let herself be drugged and whiteslaved, but they were very suspicious about that.1 As always happens, I found Brigitte by accident. I went one night to a cinema on Baker Street (nothing I particularly wanted to see; I was just tired and fed up) and afterwards had a couple of small whiskies in a pub just by Blandford Street. A woman entered, well dressed, well made-up, well spoken, bringing in with her a synthetic smell of rose gardens2 and a husky Dietrich kind of voice.

[1 They should have been most willing to help, shouldn't they?]

[2 Cut out the frills, Roper. Not your line at all.]

She said to the landlord: Bottle of Booth's, Fred, and forty Senior. Certainly mavourneen, he said. She crackled a lot of five-pound notes in her bag. I wondered about the mavourneen and then caught on: Bridget sounds Irish to the English. I gave her a long look but it was a fair time before she recognised me, or else she did recognise me and pretended that she hadn't. Anyway, she couldn't get away with that. She went out quickly and I followed. Leave me alone, she said, or I'll call the police. That was a good one, that was. I said: The police are the last people you'll call. Besides, there's no law that I know of that prevents a husband speaking to his wife. She said: You'd better forget all about that. Divorce me and finish with it. I could now, I said, now that I know where you are and what you're doing; otherwise I'd have to wait three years for desertion (she'd reconciled herself to my following her to where she lived), but once you're divorced you'll be deported as an undesirable alien. I saw that undesirable was the wrong word there. All she said was: I won't be deported.

Her flat was evidently a very expensive one, central heating, corner bar with bar-stools, cushions, erotic pictures on the walls (German ones from the Nazi time; I saw that). There was a kitchenette with a refrigerator humming, an open bathroom-door with bath-smells coming from it, an open bedroom-door showing a big bed with a silk coverlet, dim wall-lights on. Will you have a drink? she said. This is my night off and I was going to get to bed early, but have a drink and say what you want and then go. Perhaps she thought I wanted to know where she'd left the spare front-door key of the house. Thinking of the house made me want to cry. What I said was: I want you. She said: You can have my number; ring me sometime. No no no, I said, I want you. I want you to come back. She laughed at that and said: Warum? Her suddenly asking why in German, when her English seemed to have improved so much, brought back the whole past to me, and I really started to cry this time. Don't do that, she said. What has to be has to be. I want to be as I am. I don't want shopping and hausfrauing any more. I meet some very important people now. I'm a lady. You're a whore, I said, the English and German words being very nearly the same. That's what you are, a prostitute. She said: the two words are not quite the same. Oh, why don't you grow up and learn about the great world?

Apart from anything else, I said, I have certain rights. Conjugal rights. I demand their restoration. You filthy pig, she shouted; I've never had such filth spoken to me before. Get out of here at once. And then she gave me a very foul mouthful of German. And then she said: If you want a woman there are thousands in London willing to do it for the money. Some of them even walk the streets with little dogs, which is against the law. But do not come to me, no, not to me, do not come to me. I felt very bitter and ill-used then, but I could not really turn against her. Also I felt triumphant, because I would have her that night and she would not know it. But I boiled also within to think that this was my wife and other men could possess her and I could not. I became very cold and cunning outside, despite the boiling inside, and, when I saw her handbag lying open on the settee, I said: Give me a drink and then I'll go. A cold drink. Perhaps you have beer in the fridge. We always used to have it in the old days. All right, she said, go and help yourself. Then get out. But I said: For old time's sake, Brigitte, get me a drink with your own hands. Please. I ask no more. She shrugged and said: Oh all right, then went to get it. I knew that her key was in that bag. It was no trouble to get it out and put it in my pocket. When she brought the beer I drank it off in one draught. She said: You drink like a pig, just as you ate like a pig. I only smiled and said: A goodnight kiss? For old time's sake? But she wouldn't give me even that, my right. I left then and said: Goodbye, dear Brigitte. Look after yourself. She seemed a little puzzled to see me go without further trouble. Out in the street I looked up at her sitting-room window till the lights went out. Then I went home. Lucy was waiting for me with some nice hot supper.

I now had something to do every night. What I did mostly at first was to walk that street, seeing who went into her flat. Her trade was a high-class one, to judge by the cars that parked there. Once a policeman looked at me suspiciously but I got in right away with: Never mind, constable. This is a job. Private detective agency. He didn't ask to see my card or anything. The pleasure I got from watching was what, I suppose, is called a masochistic one. I never thought such pleasure was possible, but it is. It is not just what Shakespeare calls wearing the horns; it is making a kind of crown of horns.* I delayed my entering for as long as possible, letting weeks go by. I felt especially virtuous about submitting to all this delicious pain, since I'd told Lucy that I was after evidence for a divorce. When I got back at night she said: You poor dear. Let's have a nice hot drink before we go to bed.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Tremor of Intent»

Представляем Вашему вниманию похожие книги на «Tremor of Intent» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Tremor of Intent»

Обсуждение, отзывы о книге «Tremor of Intent» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x