Anthony Burgess - Tremor of Intent

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From the author of A Clockwork Orange, a brilliantly funny spy novel.
Has more wit and comic invention than the books which it so boisterously ridicules. – New Republic

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From the corridor came louder screams than any of which Alan was capable. Full rich womanly outrage called. Alan was shocked into silence, listening, tear-streaked and open-mouthed. They listened all three. Poor S. R. Polotski, the dirty swine. Soon there were harsh male voices under the screams, two of them sounding marine and official.

'Unheroic,' said Clara as they heard protesting Russian somehow being kicked off. Her hands relaxed.

'Shall we,' said Hillier, 'have a large cold supper in my cabin? I'll ring for-Stupid of me,' he added.

'But that's the best way to look at him, I suppose,' said Alan. 'Just somebody nobody can ring for any more.'

7

From Roper's Memoirs [1]

The trouble with Lucy was she wanted to be in charge. She wanted to be a wife, but I already had one of those, wherever she was, and I didn't want another. It was all right Lucy coming to the house and giving it a bit of a tidy-up and insisting on getting laundry together and cooking the odd meal. That was all right, although the meals were always finicking what she called exotic dishes, vine-leaves wrapped round things and lasagne and whatnot. It was better to have these working parties in the house (though what did I really want with a house now?) so that she could be sort of swallowed up among the others while we got on with this pamphlet about science in society. Some nights when we'd finished work and I tried to sneak off on my own saying I'd got to see somebody, she used to ask who I was going to see, and then I couldn't think who I was going to see, not knowing many people in London now except those we both worked with. All I wanted was a quiet sandwich in a pub and then perhaps to go to the (inema, all on my own. But sometimes I had to take work home and then she said she'd cook something for me, so as not to waste my time doing it myself, and she'd be quite content to sit quiet, so she said, with a book. I saw that if I didn't watch out we'd be on to sex, and that was something I didn't particularly want, not with Lucy anyway.

[1 Clara and Alan calmer now but sent to bed with a couple of sleeping tablets each. The _Polyolbion__ throbbing away from Yarylyuk towards Istanbul. I have sent a radio message to the address given by T, namely Cumhuriyet Caddesi i5. Another steward answered my ring, saying Wriste unaccountably not reported back to ship. I sit here with the crabbed royal blue script of Roper and a new bottle of Old Mortality. All right, Roper, let's hear all about it.]

Why not? I suppose she was attractive enough in her very thin way, but I'd got used to a different sort of woman, bad as she was. But the badness wasn't her fault, I kept telling myself. If there'd been no woman in the house I wouldn't have been perpetually reminded of Brigitte, reminded that is by contrast. I still had something of Brigitte, namely photographs, and it was because Lucy was around that I took to comforting myself with photographs which recalled happier times – Brigitte on a rock at the seaside posing as a sort of Lorelei, Brigitte wearing her frothy décolleté evening dress, Brigitte demure in a simple frock. They were a comfort sometimes to take to bed.1 It was when I went down with a bit of stomach trouble that things got a bit out of hand. I rang up to say I wouldn't be coming to the lab and then I went back to bed with a hot water bottle. It was I think gastric flu. I knew there was no way out of what was going to happen that evening, but I felt too ill to care very much. Well, she turned up at about five, having got off early and everybody would wink and know why, and then she was in her element, florence nightingaling all over the house in for some reason her white lab coat. She gave me bicarb and hot milk and two hot water bottles (one of them was Brigitte's and as if Brigitte was being vindictive even in her absence it started to leak so I threw it out) and smoothed my Fevered Brow. She said I ought not to be left that night and besides there was the question of seeing how I was in the morning, so she insisted on making up the bed in the spare room. Naturally I was grateful but I knew there would be a Reckoning.

The Reckoning came three days later when I was feeling a good deal better and thinking of getting up. She said no, see how I was when she came back that evening and [1 Oh no, Roper. You never even did that at school.] perhaps the next day something might be done about my getting up. It was a very cold day in late November and she returned from work shivering. I suppose I should never have suggested to her that she have a hot water bottle that night instead of me, me being very warm now, and I told her not to take the one that leaked. But she did, either by accident or design, perhaps the latter, and she came into my room to say that she couldn't possibly sleep in a damp bed. Well, there we were then. She just lay there and I just lay there as though we were side by side in lounging chairs on a crowded deck, then she said she still felt very cold and came closer. Then I said: You'll catch my flu. She said: There are things more important than catching flu. Before I knew what was happening we'd started. I suppose the sweating got rid of the last of the flu, and I sweated a long time.

I sweated a long time because I was able to just go on and on, nothing happening to me at all. It was like acting it on the stage. That school group photograph was just about visible in the light from the street lamp and I could see Father Byrne and Hillier and O'Brien and Pereira and the others very dimly. After an hour they must have got very bored with the performance. Mine, anyway. She thought it was marvellous and kept going oh oh darling oh I never knew it could be like this and don't stop. It was all right for her but there was nothing in it for me. I tried to imagine it was somebody else – a girl in one of the offices with the same black sweater on every day giving off a great aroma of stew and earwax but with huge breasts on her, a half-caste girl singer on the television whose dresses were cut very low so that the camera always deliberately tried to make her look naked, a big-buttocked woman in the local supermarket. All the time I was trying to avoid Brigitte but at last I had to bring her in and then it was different. At last I was able to bring it to an end and then she cried out very loud and afterwards said: Darling, was it as good for you as it was for me?

Somebody in some book on sex said that the biggest sin a man can commit with a woman is to do it and pretend you're doing it with somebody else. That seems to me very mystical. I mean, who knows you're pretending except you? Unies, of course, you're going to bring God into it. What the book should have said was the danger of calling the real woman by the name of the imagined one. But Lucy was very good about that. She even said: Poor darling, you must have loved her very much and she hurt you very badly, didn't she? And then she said: Never mind, when we're really together I'll make you happier than she ever could. And I'll never leave you. What Lucy meant was getting married. We're as good as married now, aren't we. darling, except that I'm still not Mrs Roper. She had a wedding ring though, her dead mother's she said it was, and she would use it as a kind of stimulator in bed, as though she thought that was why married women wore wedding rings.

But she couldn't drive Brigitte out. She was making me bring Brigitte back again. Every night. And she herself had brought all her clothes and little knick-knacks from her flat and then she gave up the flat. But I'd never asked her to come and settle in and share my bed, had I? It was what they call a liberty. But I couldn't tell her to get out, could I? One day she said that people in the Institute were talking and that it was about time I did something about a divorce. So then I went out and got drunk. I wasn't supposed to drink at all now. When Brigitte left I'd started to hit the bottle a bit, but it was Lucy who'd stopped all that. Beer for everyone else at those parties, lemon barley water for me. So it was a big disappointment for Lucy now when I staggered in after closing-time reeking of bitter beer (five pints) and whisky (five John Haigs, large), also whiskey in memory of Father Byrne (two small JJs). Why had I been thinking of Father Byrne? Perhaps because of the damnable sex, perhaps because I was homesick and had no home.1 Anyway, when I staggered in I fell against things, and Lucy was _bitterly__ disappointed. I staggered against a little table with a brown fruit-bowl on it, and in the brown fruit-bowl not fruit but a crouching cat made of blue china. I knocked this over, and the head came off the cat, and then Lucy cried, saying it had belonged to her mother. So I said nobody had asked her to bring it into my house and for that matter nobody had asked her to bring herself into my house, so she cried worse. She said nothing of walking out of the house with her bags packed, all she said was that I'd better sleep in the spare room that night and she hoped I'd have one hell of a hangover the next morning, which I did.

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