Margaret Atwood - Oryx and Crake

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As the story opens, the narrator, who calls himself Snowman, is sleeping in a tree, wearing a dirty old bedsheet, mourning the loss of his beautiful and beloved Oryx and his best friend Crake, and slowly starving to death. In a world in which science-based corporations have recently taken mankind on an uncontrolled genetic-engineering ride, he now searches for supplies in a wasteland. Insects proliferate and pigoons and wolvogs ravage the Pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is Snowman left with nothing but his bizarre memories—alone except for the more-than-perfect, green-eyed Children of Crake, who think of him as a kind of monster? He explores the answers to these questions in the double journey he takes—into his own past and back to Crake’s high-tech bubble dome, where the Paradice Project unfolded and the world came to grief.

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“At first,” said Crake, “we had to alter ordinary human embryos, which we got from—never mind where we got them. But these people are sui generis . They’re reproducing themselves, now.”

“They look more than seven years old,” said Jimmy.

Crake explained about the rapid-growth factors he’d incorporated. “Also,” he said, “they’re programmed to drop dead at age thirty—suddenly, without getting sick. No old age, none of those anxieties. They’ll just keel over. Not that they know it; none of them has died yet.”

“I thought you were working on immortality.”

“Immortality,” said Crake, “is a concept. If you take ‘mortality’ as being, not death, but the foreknowledge of it and the fear of it, then ‘immortality’ is the absence of such fear. Babies are immortal. Edit out the fear, and you’ll be…”

“Sounds like Applied Rhetoric 101,” said Jimmy.

“What?”

“Never mind. Martha Graham stuff.”

“Oh. Right.”

Other Compounds in other countries were following similar lines of reasoning, said Crake, they were developing their own prototypes, so the population in the bubble-dome was ultra-secret. Vow of silence, closed-circuit internal e-mailing only unless you had special permission, living quarters inside the security zone but outside the airlock. This would reduce the chances of infection in case any of the staff got sick; the Paradice models had enhanced immune-system functions, so the probability of contagious diseases spreading among them was low.

Nobody was allowed out of the complex. Or almost nobody. Crake could go out, of course. He was the liaison between Paradice and the Rejoov top brass, though he hadn’t let them in yet, he was making them wait. They were a greedy bunch, nervous about their investment; they’d want to jump the gun, start marketing too soon. Also they’d talk too much, tip off the competition. They were all boasters, those guys.

“So, now that I’m in here I can never get out?” said Jimmy. “You didn’t tell me that.”

“You’ll be an exception,” said Crake. “Nobody’s going to kidnap you for what’s inside your skull. You’re just doing the ads, remember?” But the rest of the team, he said—the MaddAddamite contingent—was confined to base for the duration.

“The duration?”

“Until we go public,” said Crake. Very soon, RejoovenEsense hoped to hit the market with the various blends on offer. They’d be able to create totally chosen babies that would incorporate any feature, physical or mental or spiritual, that the buyer might wish to select. The present methods on offer were very hit-or-miss, said Crake: certain hereditary diseases could be screened out, true, but apart from that there was a lot of spoilage, a lot of waste. The customers never knew whether they’d get exactly what they’d paid for; in addition to which, there were too many unintended consequences.

But with the Paradice method, there would be ninety-nine per cent accuracy. Whole populations could be created that would have pre-selected characteristics. Beauty, of course; that would be in high demand. And docility: several world leaders had expressed interest in that. Paradice had already developed a UV-resistant skin, a built-in insect repellant, an unprecedented ability to digest unrefined plant material. As for immunity from microbes, what had until now been done with drugs would soon be innate.

Compared to the Paradice Project, even the BlyssPluss Pill was a crude tool, although it would be a lucrative interim solution. In the long run, however, the benefits for the future human race of the two in combination would be stupendous. They were inextricably linked—the Pill and the Project. The Pill would put a stop to haphazard reproduction, the Project would replace it with a superior method. They were two stages of a single plan, you might say.

It was amazing—said Crake—what once-unimaginable things had been accomplished by the team here. What had been altered was nothing less than the ancient primate brain. Gone were its destructive features, the features responsible for the world’s current illnesses. For instance, racism—or, as they referred to it in Paradice, pseudospeciation—had been eliminated in the model group, merely by switching the bonding mechanism: the Paradice people simply did not register skin colour. Hierarchy could not exist among them, because they lacked the neural complexes that would have created it. Since they were neither hunters nor agriculturalists hungry for land, there was no territoriality: the king-of-the-castle hard-wiring that had plagued humanity had, in them, been unwired. They ate nothing but leaves and grass and roots and a berry or two; thus their foods were plentiful and always available. Their sexuality was not a constant torment to them, not a cloud of turbulent hormones: they came into heat at regular intervals, as did most mammals other than man.

In fact, as there would never be anything for these people to inherit, there would be no family trees, no marriages, and no divorces. They were perfectly adjusted to their habitat, so they would never have to create houses or tools or weapons, or, for that matter, clothing. They would have no need to invent any harmful symbolisms, such as kingdoms, icons, gods, or money. Best of all, they recycled their own excrement. By means of a brilliant splice, incorporating genetic material from…

“Excuse me,” said Jimmy. “But a lot of this stuff isn’t what the average parent is looking for in a baby. Didn’t you get a bit carried away?”

“I told you,” said Crake patiently. “These are the floor models. They represent the art of the possible. We can list the individual features for prospective buyers, then we can customize. Not everyone will want all the bells and whistles, we know that. Though you’d be surprised how many people would like a very beautiful, smart baby that eats nothing but grass. The vegans are highly interested in that little item. We’ve done our market research.”

Oh good, thought Jimmy. Your baby can double as a lawn mower.

“Can they speak?” he asked.

“Of course they can speak,” said Crake. “When they have something they want to say.”

“Do they make jokes?”

“Not as such,” said Crake. “For jokes you need a certain edge, a little malice. It took a lot of trial and error and we’re still testing, but I think we’ve managed to do away with jokes.” He raised his glass, grinned at Jimmy. “Glad you’re here, cork-nut,” he said. “I needed somebody I could talk to.”

Jimmy was given his own suite inside the Paradice dome. His belongings were there before him, each one tidied away just where it ought to be—underwear in the underwear drawer, shirts neatly stacked, electric toothbrush plugged in and recharged—except that there were more of these belongings than he remembered possessing. More shirts, more underwear, more electric toothbrushes. The air conditioning was set at the temperature he liked it, and a tasty snack (melon, prosciutto, a French brie with a label that appeared authentic) was set out on the dining-room table. The dining-room table! He’d never had a dining-room table before.

Crake in Love

The lightning sizzles, the thunder booms, the rain’s pouring down, so heavy the air is white, white all around, a solid mist; it’s like glass in motion. Snowman—goon, buffoon, poltroon—crouches on the rampart, arms over his head, pelted from above like an object of general derision. He’s humanoid, he’s hominid, he’s an aberration, he’s abominable; he’d be legendary, if there were anyone left to relate legends.

If only he had an auditor besides himself, what yarns he could spin, what whines he could whine. The lover’s complaint to his mistress, or something along those lines. Lots to choose from there.

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