Margaret Atwood - Oryx and Crake

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Oryx and Crake: краткое содержание, описание и аннотация

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As the story opens, the narrator, who calls himself Snowman, is sleeping in a tree, wearing a dirty old bedsheet, mourning the loss of his beautiful and beloved Oryx and his best friend Crake, and slowly starving to death. In a world in which science-based corporations have recently taken mankind on an uncontrolled genetic-engineering ride, he now searches for supplies in a wasteland. Insects proliferate and pigoons and wolvogs ravage the Pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is Snowman left with nothing but his bizarre memories—alone except for the more-than-perfect, green-eyed Children of Crake, who think of him as a kind of monster? He explores the answers to these questions in the double journey he takes—into his own past and back to Crake’s high-tech bubble dome, where the Paradice Project unfolded and the world came to grief.

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He now had a circle around him again: he’d rediscovered that pleasure. Oh Jimmy, do Cosmetic Surgery for Everyone ! Do Access Your Inner Child ! Do Total Womanhood ! Do Raising Nutria for Fun and Profit ! Do The Survival Handbook of Dating and Sex ! And Jimmy, the ever-ready song-and-dance man, would oblige. Sometimes he’d make up books that didn’t exist— Healing Diverticulitis Through Chanting and Prayer was one of his best creations—and nobody would spot the imposture.

He’d turned that paper topic into his senior dissertation, later. He’d got an A.

There was a bullet-train connection between Martha Graham and Watson-Crick, with only one change. Jimmy spent a lot of the three-hour trip looking out the window at the pleeblands they were passing through. Rows of dingy houses; apartment buildings with tiny balconies, laundry strung on the railings; factories with smoke coming out of the chimneys; gravel pits. A huge pile of garbage, next to what he supposed was a high-heat incinerator. A shopping mall like the ones at HelthWyzer, only there were cars in the parking lots instead of electric golf carts. A neon strip, with bars and girlie joints and what looked like an archeological-grade movie theatre. He glimpsed a couple of trailer parks, and wondered what it was like to live in one of them: just thinking about it made him slightly dizzy, as he imagined a desert might, or the sea. Everything in the pleeblands seemed so boundless, so porous, so penetrable, so wide-open. So subject to chance.

Accepted wisdom in the Compounds said that nothing of interest went on in the pleeblands, apart from buying and selling: there was no life of the mind. Buying and selling, plus a lot of criminal activity; but to Jimmy it looked mysterious and exciting, over there on the other side of the safety barriers. Also dangerous. He wouldn’t know the ways to do things there, he wouldn’t know how to behave. He wouldn’t even know how to pick up girls. They’d turn him upside down in no time, they’d shake his head loose. They’d laugh at him. He’d be fodder.

The security going into Watson-Crick was very thorough, unlike the sloppy charade that took place at Martha Graham: the fear must have been that some fanatic would sneak in and blow up the best minds of the generation, thus dealing a crippling blow to something or other. There were dozens of CorpSeCorps men, complete with sprayguns and rubber clubs; they had Watson-Crick insignia, but you could tell who they really were. They took Jimmy’s iris imprint and ran it through the system, and then two surly weightlifters pulled him aside for questioning. As soon as it happened he guessed why.

“You seen your runaway mother lately?”

“No,” he said truthfully.

“Heard from her? Had a phone call, another postcard?” So they were still tracking his snail mail. All of the postcards must be stored on their computers; plus his present whereabouts, which was why they hadn’t asked where he’d come from.

No again, he said. They had him hooked up to the neural-impulse monitor so they knew he wasn’t lying; they must also have known that the question distressed him. He was on the verge of saying And if I had I wouldn’t tell you, apeface, but he was old enough by then to realize that nothing would be served by that, and it was likely to land him on the next bullet train back to Martha Graham, or worse.

“Know what she’s been doing? Who she’s hanging out with?”

Jimmy didn’t, but he had a feeling they themselves might have some idea. They didn’t mention the Happicuppa demonstration in Maryland though, so maybe they were less informed than he feared.

“Why are you here, son?” Now they were bored. The important part was over.

“I’m visiting an old friend for Thanksgiving Week,” said Jimmy. “A friend from HelthWyzer High. He’s a student here. I’ve been invited.” He gave the name, and the visitor authorization number supplied to him by Crake.

“What sort of a student? What’s he taking?”

Transgenics, Jimmy told them.

They pulled up the file to check, frowned at it, looked moderately impressed. Then they made a cellcall, as if they hadn’t quite believed him. What was a serf like him doing visiting the nobility? their manner implied. But finally they let him through, and there was Crake in his no-name dark clothing, looking older and thinner and also smarter than ever, leaning on the exit barrier and grinning.

“Hi there, cork-nut,” said Crake, and nostalgia swept through Jimmy like sudden hunger. He was so pleased to see Crake he almost wept.

Wolvogs

Compared with Martha Graham, Watson-Crick was a palace. At the entranceway was a bronzed statue of the Institute’s mascot, the spoat/gider—one of the first successful splices, done in Montreal at the turn of the century, goat crossed with spider to produce high-tensile spider silk filaments in the milk. The main application nowadays was bulletproof vests. The CorpSeCorps swore by the stuff.

The extensive grounds inside the security wall were beautifully laid out: the work, said Crake, of the JigScape Faculty. The students in Botanical Transgenics (Ornamental Division) had created a whole array of drought-and-flood-resistant tropical blends, with flowers or leaves in lurid shades of chrome yellow and brilliant flame red and phosphorescent blue and neon purple. The pathways, unlike the crumbling cement walks at Martha Graham, were smooth and wide. Students and faculty were beetling along them in their electric golf carts.

Huge fake rocks, made from a combo-matrix of recycled plastic bottles and plant material from giant tree cacti and various lithops—the living-stone members of the Mesembryanthemaceae—were dotted here and there. It was a patented process, said Crake, originally developed at Watson-Crick and now a nice little money-spinner. The fake rocks looked like real rocks but weighed less; not only that, they absorbed water during periods of humidity and released it in times of drought, so they acted like natural lawn regulators. Rockulators, was the brand name. You had to avoid them during heavy rainfalls, though, as they’d been known to explode.

But most of the bugs had now been ironed out, said Crake, and new varieties were appearing every month. The student team was thinking of developing something called the Moses Model, for dependable supplies of fresh drinking water in times of crisis. Just Hit It With a Rod, was the proposed slogan.

“How do those things work?’ asked Jimmy, trying not to sound impressed.

“Search me,” said Crake. “I’m not in NeoGeologicals.”

“So, are the butterflies—are they recent?” Jimmy asked after a while. The ones he was looking at had wings the size of pancakes and were shocking pink, and were clustering all over one of the purple shrubs.

“You mean, did they occur in nature or were they created by the hand of man? In other words, are they real or fake?”

“Mm,” said Jimmy. He didn’t want to get into the what is real thing with Crake.

“You know when people get their hair dyed or their teeth done? Or women get their tits enlarged?”

“Yeah?”

“After it happens, that’s what they look like in real time. The process is no longer important.”

“No way fake tits feel like real tits,” said Jimmy, who thought he knew a thing or two about that.

“If you could tell they were fake,” said Crake, “it was a bad job. These butterflies fly, they mate, they lay eggs, caterpillars come out.”

“Mm,” said Jimmy again.

Crake didn’t have a roommate. Instead he had a suite, accented in wood tones, with push-button venetians and air conditioning that really worked. It consisted of a large bedroom, an enclosed bath and shower unit with steam function, a main living-dining room with a pullout couch—that was where Jimmy would camp out, said Crake—and a study with a built-in sound system and a full array of compu-gizmos. It had maid service too, and they picked up and delivered your laundry. (Jimmy was depressed by this news, as he had to do his own laundry at Martha Graham, using the clanking, wheezy washers and the dryers that fried your clothes. You had to slot plastic tokens into them because the machines had been jimmied regularly when they’d taken coins.)

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