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Malcolm Bradbury: Doctor Criminale

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Malcolm Bradbury Doctor Criminale

Doctor Criminale: краткое содержание, описание и аннотация

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‘No,’ I said, ‘I don’t.’ He looked at me in bewilderment. ‘Then what do you really want of me?’ he asked. ‘Nothing, nothing at all,’ I said, ‘Except perhaps for a quote on Po-Mo.’ He sat for a moment, almost as if this dismayed him more than its opposite. ‘Excuse me if I am not grateful,’ he said then, ‘I know journalists, I am one myself. Like secret policemen they keep a record of everything, and then one day . . . For a journalist to succeed, in here must be a bit the dishonest person.’ ‘And for the philosopher?’ I asked. Criminale looked at the lake, and then said, ‘This is an interesting question. Yes, I think so. Remember, the philosopher is only the clown of thought. He is granted the role of wisdom, he must appear wise. Every age, every idea comes along and demands him, give us a describable portrait of reality. He tries, he considers, he picks up the tools of thought. But he is no different from anyone else. Dirty with history, a man after all. Perhaps against his intention, the thought betrays.’

‘But what betrays, the thought or the person?’ I asked. ‘Another very interesting question,’ said Criminale, not answer­ing it, but staring down at the weed-filled water, ‘Please give me your view.’ ‘I remember a phrase I read somewhere, was it in George Steiner?’ I said. ‘It might be, if you read him,’ said Criminale. ‘He remarked how often it is that the great scholar-thinker is also the great betrayer,’ I said. ‘The great betrayer,’ said Criminale, looking at me ironically, ‘You mean myself? Please, in 1956 I was young, and I misread history, a very difficult book. It is easy, let me warn you, you will do it too. One thing I have learned, my friend, there is no such thing as the future. The future is just what we invent in the present to put an order over the past. Don’t live for the future, you will only find the wrong faction and make the wrong friend. I made the usual mistake, I thought I knew what was bound to happen. You will make it too.’

‘But you make your mistakes in public,’ I said, ‘A philoso­pher, people read and believe you.’ ‘I have written big books, yes, contributed to philosophy, made novels too, you know,’ he said, ‘What now? Do I tear up my books because I looked at the clock and saw the wrong time there? All books are like that. You know, if my bedroom life had been just a little different, in 1956 I would have come to the West. Then I would go to America, write just those same books. Would you talk of betrayal then? Would you doubt the words? I made a mistake, I shared it with millions. Let us agree that, and say no more about it. It is not betrayal.’ ‘You didn’t just get history wrong,’ I said, There was Irini.’ ‘Well, let me tell you, because you clearly know nothing about it,’ said Criminale, ‘In certain rimes, maybe all times, love and friendship become impossible. If for forty years you too had lived a double life, you would understand.’

‘A double life?’ I asked. ‘A double life of course,’ said Criminale, ‘Over there in those days we lived in a time when the only rule was to lie. By the wrong emotion, the wrong gesture, you betrayed yourself. But if you knew how to lie, if you supported the regime in public, you were allowed your thoughts in private. If you allowed them to use your reputation, you were not called to the police station. If you stood up for their history, they permitted you your irony. We were a culture of cynics, we were corrupt and base, but it was the agreed reality. Those people loved great political thoughts, they loved Utopia, totality. The revolution of the proletariat, a madhouse. I had a higher life, I was better than that. But cynicism moves everywhere, even into love.’ ‘And thought too,’ I said. ‘Possibly,’ he said, ‘I see now what you want me to say. That my work is wrong, as corrupt as my world. Well, I cannot. Maybe the experience of a bad world also makes us think.’

‘I ought to go,’ I said, getting up, ‘I really do have an interview.’ ‘Wait,’ said Criminale, taking my arm, ‘You escape too lightly. I will teach you about betrayal} Let me tell you this: we all betray each other. Sometimes from malice, or fear. Sometimes from indifference, sometimes love. Sometimes for an idea, sometimes from political need. Sometimes because we cannot think of a good ethical reason why not to. Are you different?’ ‘I hope so,’ I said. ‘But don’t you think betrayal is all round us now?’ asked Criminale, ‘Isn’t this also a time of j’accuse, j’accuse?’ ‘I’m sorry?’ I said. ‘J’accuse, my father abused me, my mother failed me,’ said Criminale, ‘J’accuse, he invaded my sexual space, he made me an innuendo. J’accuse, I am his lover, he owes me a fortune. Go to America now. Three hundred million naked egos all trying to make a claim. Even rich celebrities like to be victims. What their parents did to them, terrible, they could even have become failures in life. No, as Nietzsche said, when an epoch dies, betrayal is everywhere. To make ourselves heroes of the new, we must murder the past. He also told us each time we try to become authors of ourselves, we become only the more alone. So my story is not perhaps so far away from your story.’

But that seemed far too easy. The past has to answer,’ I said, ‘In your story-real crimes were committed.’ ‘Yes, wrongs were done, but how is it now?’ said Criminale, ‘You tell me, you come from a-media-world.’ ‘Not any more,’ I said, ‘Actually I find I’m a verbal person not a visual person.’ ‘That is not how I mean,’ said Criminale, ‘You live in the media age, the age of simulation, as they all say at that congress. The age of no ideology, only hyperreality. Well, go to New York now, the Beirut of the Western world. The streets are filled with gangs and terrorists, the women rage with anger, everyone lives for themselves. You sit high in some fine apartment, great paintings on the walls, and down in the street people kill for drugs and kicks. Too little reality, also too much. Everywhere, wild fantasies, everyone wants a violent illusion. Life is a movie, death is a plot ending, no stories are real. And even the philosophers think in unrealities, they describe a world of no ethics, no humanism, no self. I know my age had bad ethics, now show me yours.’

‘You remember in your quarrel with Heidegger . . .’ I said. ‘Well?’ he said. ‘You said his mistake was thinking thought could evade history and stay pure. But if it can’t, what then?’ ‘Of course, if you like to think so, thought is corrupt, and nobody wins,’ said Criminale, Then of course there are no ethics, no realities, no philosophies, no myths, no art. The world is as empty as some people say, only chaos and randomness. We are non-existent selves, we start at the beginning again, with nothing at all. There is no Criminale, no one to blame, no anyone. But that is your problem,-not mine. Excuse me, I must go, I have lost my luggage. But I have met this very nice Russian lady who likes to take me shopping. See you about, as they say.’ He stood up and pulled on his jacket; I watched him go off, down the bendy path and through the clotted woods. I despised him, I admired him. I hated him, I loved him. I was outraged, I was charmed. When he spoke, I still wanted to listen.

As it happened, I didn’t talk to him again. There he was at the seminar dinner that night; his shopping trip had plainly gone well. He wore a very expensive new lightweight suit, a smart new shirt, gold cufflinks that had not been on his wrists that afternoon. Despite, maybe even because of our conversation then, or perhaps because of the companionship of the Russian lady, he was in excellent humour. His form was back; the Russian lady was at his side at table, touching his arm from time to time. I passed him as I moved towards a table in the further corner. The great trouble in Russia, you know, is their condoms are too thick,’ he was saying, ‘You need Western aid immediately.’ Later I saw him talking on and on, as he did, no doubt flitting, as he also did, from Plato to Gramsci, Freud to Fukuyama. The usual respectful crowd sat silent round him; I never saw him again.

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