RAY BRADBURY
3-Book Collection
Fahrenheit 451 The Martian Chronicles The Illustrated Man
Copyright Contents Cover Title Page Copyright Fahrenheit 451 The Martian Chronicles The Illustrated Man About the Author Also by Ray Bradbury About the Publisher
Harper Voyager
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
Fahrenheit 451
First published in Great Britain by Rupert Hart-Davis Ltd 1954
Previously published in paperback by Grafton 1967
HarperCollins Science Fiction & Fantasy and Flamingo 1993
Voyager Classics 2001 and by Voyager 2004, 2013
Copyright © Ray Bradbury 1953
Cover design: designedbydavid.co.uk
The Martian Chronicles
First published in Great Britain by Rupert Hart-Davis Ltd 1951 under the title The Silver Locusts and by Panther Books 1977, publication also entitled The Silver Locusts
Flamingo 1995 and by Voyager 2001, 2008
Copyright © Ray Bradbury 1951
Cover Images © NASA (map/texture); Shutterstock.com(figures).
Cover layout design: HarperCollins Publishers Ltd 2014
The Illustrated Man
First published in Great Britain by Rupert Hart-Davis Ltd 1952
Published in paperback as a Flamingo Modern Classic in 1995
(reprinted 6 times) and by Voyager in 2008
Previously published in paperback by Grafton 1977
(reprinted 8 times)
Copyright © Ray Bradbury 1952
Cover illustration based on images © Shutterstock.com
Cover layout design: HarperCollins Publishers Ltd 2014
Ray Bradbury asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBNs:
Fahrenheit 451 : 9780007496969
The Martian Chronicles : 9780007496976
The Illustrated Man : 9780007496983
Bundle Edition (Containing Fahrenheit 451 , The Martian Chronicles , and The Illustrated Man ) © April 2015 ISBN: 9780008118365
Version: 2015-02-24
Contents
Cover
Title Page RAY BRADBURY 3-Book Collection Fahrenheit 451 The Martian Chronicles The Illustrated Man
Copyright
Fahrenheit 451
The Martian Chronicles
The Illustrated Man
About the Author
Also by Ray Bradbury
About the Publisher
FAHRENHEIT 451
RAY BRADBURY
This one, with gratitude,is forDON CONGDON
Contents
Cover
Title Page FAHRENHEIT 451 RAY BRADBURY
Dedication This one, with gratitude,is forDON CONGDON
Epigraph Epigraph ‘If they give you ruled paper, write the other way.’ – Juan Ramón Jiménez
Introduction to the 50th Anniversary Edition
Part One
Part Two
Part Three
Afterword
‘If they give you ruled paper, write the other way.’
– Juan Ramón Jiménez
FAHRENHEIT 451:the temperature at which book-paper catches fire and burns
Introduction to the 50th Anniversary Edition
by Ray Bradbury
March 12, 2003
What is there new to be said about Fahrenheit 451 ? I have written three or four introductions in the past thirty years trying to explain where the novel came from and how it finally arrived.
The first thing to be said is that I feel very fortunate to have survived long enough to join with people who have been paying attention to the novel in this past year.
The novel was a surprise then and is still a surprise to me.
I’ve always written at the top of my lungs and from some secret motives within. I have followed the advice of my good friend Federico Fellini who, when asked about his work, said, ‘Don’t tell me what I’m doing, I don’t want to know.’
The grand thing is to plunge ahead and see what your passion can reveal.
During the past fifty years I have written a short 25,000-word early version of the novel entitled The Fireman , which appeared in Galaxy Science Fiction magazine, and several years later added another 25,000 words for its publication by Ballantine Books.
Occupying a house with a new baby daughter, we had to consider my trying to find somewhere that was a bit quieter to do my work. I had no money at that time to rent an office, but wandering around UCLA one day I heard typing in the basement of the library and went down to see what was going on. I found that there was a room with twelve typewriters that could be rented for ten cents per half-hour. Excited at the prospect, I brought a bag of dimes with me and moved into the typing room.
I didn’t know what the various students were writing at their typewriters and they hardly knew, nor did I know, what I was writing.
If there is any excitement to the novel at all, I think it can best be explained by the fact that every two hours or so during the next week and a half I ran up- and downstairs and in and out of the stacks, grabbing books off the shelf, trying to find proper quotes to put in the book. I am not a researcher and my memory is not all that accurate for things that I’ve read in the past, so the quotes that you find in the book were those wonderful accidents where pulling a book off the shelf and opening it just anywhere at all I found an amazing sentence or paragraph that could occupy a position in the novel.
This early version took exactly nine days and I spent $9.80 on it, not realizing that the book had some sort of long life ahead.
In the years since its first publication I have written a full two-act play and spent two summers in Connecticut writing an opera based on its text. The book seems to have a life that goes on recreating itself.
If I try to find its genesis in the years prior to 1950 I would imagine one would turn to certain stories like ‘Burning Bright’ and a few other tales that appeared in my early books.
The main thing to call attention to is the fact that I’ve been a library person all of my life. I sold newspapers until I was twenty-two and had no money to attend college, but I spent three or four nights a week at the local library and fed on books over a long period of time.
Читать дальше