Ivan Doig - Work Song

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Work Song: краткое содержание, описание и аннотация

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"If America was a melting pot, Butte would be its boiling point," observes Morrie Morgan, the itinerant teacher, walking encyclopedia, and inveterate charmer last seen leaving a one-room schoolhouse in Marias Coulee, the stage he stole in The Whistling Season. A decade later Morrie is back in Montana, as the beguiling narrator of Work Song.
Lured like so many others by "the richest hill on earth," Morrie steps off the train in Butte, copper-mining capital of the world, in its jittery heyday of 1919. But while riches elude Morrie, once again a colorful cast of local characters – and their dramas -seem to seek him out: a look-alike-sound-alike pair of retired Welsh miners; a streak-of lightning waif so skinny he is nicknamed Russian Famine; a pair of mining company goons; a comely landlady propitiously named Grace; and an eccentric boss at the public library, the mere whisper of whose nickname inspires an unbookish terror in all who hear it. When Morrie crosses paths with a lively former student, now engaged to a young union leader, he is caught up in the mounting clash between the ironfisted mining company, radical "outside agitators," and the beleaguered miners. And as tensions above and below reach the explosion point, Morrie finds a unique way to give voice to those who truly need one.
So, while Work Song is rich in many of the ingredients that readers have liked so much in the earlier novel, it has its own undertow of circumstance, humor, and drama – and through it all, Morrie in his inimitable way calls the tune of "the music of men's lives."

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I looked hopefully toward the mezzanine, but for once, Sandison was not on hand to roar “Quiet!” at the offender. Peculiar characters are drawn to a library like bees to a flower garden, so I turned to this one with the most authoritative air I could, and, indicating I was nearly finished with what I was at, murmured, “If you’ll wait in the foyer, ma’am, I’ll be with you in just a minute.”

“Hsst!” The warning hiss from Smithers came a little late. In an ingratiating tone, he was saying: “How are you today, Mrs. Sandison? ”

“Ah. Actually, we can finish this later,” I told Smithers, and quickly ushered the visiting personage into the mineralogy section, the nearest room not in use.

Now that we had privacy, Dora Sandison paused to study me, which did not take her long. Even her eyes were gray, and they were the sort that did not miss a trick. She was as tall as her husband, and acted taller. I had heard the library staff refer to the Sandisons as the grandee and the grandora, and could understand why. “I regret taking you away from your other task,” she said, her expression indicating nothing of the sort. “However, the evening group of which I am a member has a most pressing need.”

“I’m sorry to hear that,” I responded warily, trying to imagine which of the clubs that met in the basement auditorium would attract such a personality. The Theosophists, to unravel the mysteries of the Divinity? The League of Nations supporters, to correct the habits of governments?

She surprised me with a conspiratorial smile. “We require music stands.”

“Music-? ”

“The Gilbert and Sullivan Libretto Study Group is not provided with music stands, if you can believe that.”

“I see.” A sense of caution grew in me. “Surely this is the kind of request that your husband has dealt with, up until now?”

“Oh, horsefeathers,” she brushed away my concern. “You know how Sandy is about such things.”

Now I really did see. I could just about recite what Sandison’s response to a request solely on behalf of Gilbert and Sullivan aficionados would have been. “Don’t they have hands? Holding a piece of sheet music in front of their noses shouldn’t strain them too much.”

“My husband, bless his soul,” she went on in a confiding tone, “sometimes carries matters too far. He takes the ridiculous view that answering the needs of a group I coincidentally am a member of would constitute preferential treatment, can you imagine?”

I chuckled nervously. “There is the point, Mrs. Sandison, that no other group has seen the need for such, um, equipment.”

She snorted, very much like Sandison himself. “That is their failing rather than ours, then,” she instructed me with a glint in her eye that wouldn’t be argued with. “We sorely lack such equipment, as you call it, to hold our libretto sheets when the member whose turn it is takes our group through the intricacies of the lyrics of the chosen operetta. For example, ‘Strike the concertina’s melancholy string! Blow the spirit-stirring harp like anything! Let the piano’s martial blast rouse the echoes of the past! ’ ” During this demonstration she waved her arms in my face as vigorously as a semaphore flagger.

She paused and caught her breath. “You can surely understand,” she said as if I’d better, “the presenter needs to be free to gesture, or the spirit of Gilbert and Sullivan is lost.”

Sometimes it is wise to bend before the gale. “I’ll see what can be done about music stands.”

She smiled slyly again. “I’m so glad Sandy put a reasonable person in charge of such matters.”

With that, Dora Sandison departed in as grand a fashion as she had arrived, and I was left with the equipment problem. I searched the building high and low, but the marvelous holdings of the Butte Public Library did not include music stands. Somehow a purchase would have to be made, and I groaned at what was ahead of me, knowing how tight Sandison was with a dollar when the purchase of anything other than a book was involved.

“Sandy? If I could have a minute of your time?” Grumpily he left off reading a rare books catalogue and creaked around in his desk chair to face me. “Spit it out, Morgan.”

“We have a request from an evening group for some freestanding smallish reading racks to hold the sheets of paper they work from, and-”

“Hah. You’ve been hearing from the Giblet and Mulligan Society about those damn music stands. My wife is in that group, and I’ve told her the same thing I’ll tell you: the library can’t show favoritism to any one bunch.”

“Naturally not. But those rather modest implements would be of use to other groups as well.”

“What for? Don’t they have-”

“-they do have hands, but there are occasions when they would welcome some kind of device to hold certain items.” I groped for some sort of example. “The Ladies’ and Gentlemen’s Literary and Social Circle, for instance, when they wish to have photo displays to go with their discussion of the works of Robert Louis Stevenson. The mystical castle in Edinburgh.” My fingers conjured that citadel in the air. “The sinister backstreets of London where Jekyll transmogrifies into Hyde.” I turned my hands into claws and made a grotesque face.

Sandison watched my little performance incredulously. “That’s what goes on with that la-de-da bunch? Dry-goods clerks and young women afraid they’ll be old maids sit there and actually follow Stevenson’s stories from scene to scene?”

“Stranger things have happened,” I said, true as far as it went.

He smacked a hand to his desktop, a sound like a shot. “That’s genius for you. What a writer.” I was given the kind of look a cowboy probably received for coming late to the corral. “Why didn’t you tell me this before, Morgan? Go on over to Simonetti’s music store and buy the things.” He jerked open his bottom drawer, dug into the small strongbox that held petty cash, and handed me some money. I waited for him to jot down the sum or have me sign for it or however he handled a disbursement, but he simply waved me out of his sight and went back to pawing through the list of books he craved.

Out on the street in the freshness of the day, and having survived both Sandisons, I sauntered along with snatches of song in me; Gilbert and Sullivan can do that to you. The Montana weather for once was as perfect as could be, sunshine slanting between the tall buildings, checkerboarding the busy street, passersby in their downtown clothes brightening or dimming according to warmth or shade. The street tableau of shoppers and strollers seemed removed from talk of a strike, even though the Hill and its clashes were never far off. The day was so fine I tried to put such thoughts away and simply enjoy being out on my errand.

Emerging from the music store with my arms full of music stands I felt like an itinerant choirmaster, but Butte apparently saw stranger sights every day and no one paid me much attention. I was passing a haberdashery when my own eye was caught by the window display. An Arrow collar mannequin was admiring itself in a mirror; I could do without the collar, but draped on the mannequin torso was an exemplary suit-blue serge, librarianly. I stopped to admire the cut and material, smiling to myself as I thought of something Casper would say when about to commit an extravagance: “How’s a guy ever going to be rich if he doesn’t practice at it?” Riches were still eluding me-I needed to do something about that at some point-but my library wages were adding up a trifle, and that suit beckoned, come payday.

Turning to go, I glimpsed past the mannequin into the mirror and froze in my tracks. In the reflection, I could see across the street, half a block down, to where two bulky figures were assiduously studying the plate-glass display of a pet store. They were not the type to be in the market for parakeets.

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