Ivan Doig - Work Song

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"If America was a melting pot, Butte would be its boiling point," observes Morrie Morgan, the itinerant teacher, walking encyclopedia, and inveterate charmer last seen leaving a one-room schoolhouse in Marias Coulee, the stage he stole in The Whistling Season. A decade later Morrie is back in Montana, as the beguiling narrator of Work Song.
Lured like so many others by "the richest hill on earth," Morrie steps off the train in Butte, copper-mining capital of the world, in its jittery heyday of 1919. But while riches elude Morrie, once again a colorful cast of local characters – and their dramas -seem to seek him out: a look-alike-sound-alike pair of retired Welsh miners; a streak-of lightning waif so skinny he is nicknamed Russian Famine; a pair of mining company goons; a comely landlady propitiously named Grace; and an eccentric boss at the public library, the mere whisper of whose nickname inspires an unbookish terror in all who hear it. When Morrie crosses paths with a lively former student, now engaged to a young union leader, he is caught up in the mounting clash between the ironfisted mining company, radical "outside agitators," and the beleaguered miners. And as tensions above and below reach the explosion point, Morrie finds a unique way to give voice to those who truly need one.
So, while Work Song is rich in many of the ingredients that readers have liked so much in the earlier novel, it has its own undertow of circumstance, humor, and drama – and through it all, Morrie in his inimitable way calls the tune of "the music of men's lives."

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“Morrie? I’ve never seen any of the world except Butte. I-I want to go with you.”

Something like a galvanic shock went through me. Could I have heard right? Her tremulous look took the question away. Mutely I gestured to the two vacant spots at the table.

Those she took care of with boardinghouse dispatch. “Griff and Hoop could scrape by on their own. They pretty much run the place anyway.”

Still wordless, I touched a finger to skin.

“No sign of hives whatsoever,” she reported bravely, “yet.”

“Ah,” I recovered my voice. “This is most serious, Grace. We must examine this matter before we do anything rash. Let us say you board the train with me tomorrow-”

She nodded tensely.

“-in full sight of this town and everyone you have ever known-”

She could not help sending a lip-biting glance toward the wedding photograph of Arthur Faraday, on duty at the sideboard.

“-in which case,” I finished, “we should perhaps do it as man and wife.”

Grace blinked.

“Or, if you prefer,” I spread my hands in offer, “woman and husband.”

My proposal took full effect. She covered her mouth with her hand as if a hiccup wanted out. When the hand came away, there was a rosy glow of anticipation on her face, dimple and all. “You mean it?”

“I do. As you shall hear me repeat at an altar, if you so wish.”

“Grace Morgan?” she tested out with a lilt very close to music. “I’ll need to make a clean start on the name.”

I gave her a smile that went back to the beginning before this one. “You wouldn’t be the first.”

ACKNOWLEDGMENTS

My imagined Butte and its Richest Hill and Morrie’s beloved library could not have taken shape in these pages without the unflinching help of librarians in the right places: Rich Aarstad, Ellie Arguimbau, Karen Bjork, Jodie Foley, Lory Morrow, Barbara Pepper-Rotness, Brian Shovers, and Zoe Ann Stoltz of the Montana Historical Society; Anne M. Mattioli and Christine Call of the Butte-Silver Bow Public Library; and Sandra Kroupa, Rare Book Curator of the University of Washington Libraries. My heartfelt thanks to them all.

I’m similarly indebted to the cadre of talented souls who vitally aided in one way or another in the making of this book: Liz Darhansoff, Charles Hulin, Marshall J. Nelson, Becky Saletan, Elaine Trevorrow, Marcella Walter, Mark Wyman; and Carol Doig, this lucky thirteenth time.

Ivan Doig

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