Sofi Oksanen - Purge

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"A truly stunning novel, both heartbreaking and optimistic." – Lara Vapnyar
Soon to be published in twenty-five languages, Sofi Oksanen's award-winning novel Purge is a breathtakingly suspenseful tale of two women dogged by their own shameful pasts and the dark, unspoken history that binds them.
When Aliide Truu, an older woman living alone in the Estonian countryside, finds a disheveled girl huddled in her front yard, she suppresses her misgivings and offers her shelter. Zara is a young sex-trafficking victim on the run from her captors, but a photo she carries with her soon makes it clear that her arrival at Aliide's home is no coincidence. Survivors both, Aliide and Zara engage in a complex arithmetic of suspicion and revelation to distill each other's motives; gradually, their stories emerge, the culmination of a tragic family drama of rivalry, lust, and loss that played out during the worst years of Estonia's Soviet occupation.
Sofi Oksanen establishes herself as one the most important voices of her generation with this intricately woven tale, whose stakes are almost unbearably high from the first page to the last. Purge is a fiercely compelling and damning novel about the corrosive effects of shame, and of life in a time and place where to survive is to be implicated.

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The younger man wanted to come in. Aliide stepped aside, went to sit on the side of the table where she had put the plate of horseradish, and put the grater down on the plate. Her left hand lay open on the oilcloth; her right hand was in her lap. It was a short distance from there to the drawer.

The man sat down without being invited and asked for some water. KGB didn’t come into the kitchen-evidently he was walking around the house. Aliide suggested he help himself from the pail-fresh water from the pump. “We have good water and a deep well,” Aliide said.

The man got up and swigged back a pailful of water. The horseradish was making his eyes water, too, and he rubbed them, his gestures becoming more peevish. Aliide was tense, her heart tightened, but the man chatted about this and that, sauntered carelessly around the kitchen, stopped at the cupboard door and kicked it open. The door struck the wall, and the wall gave a little. The kick of the boot shook mud onto the floor. The man walked to the doorway but didn’t go any farther into the house, he came back in the kitchen, strode over to the refrigerator and looked at the papers on top of it, stepped toward the sideboard and picked objects up off the shelf-took the lids off of jars, turned a coffee cup around in his hands, a Finnish shampoo bottle, Imperial Leather soap. Then he lit a cigarette-a Marlboro -and told her he was with the police. “Pasha Aleksandrovich Popov,” he said, and handed

Aliide his identification papers.

“There are a lot of falsified papers around,” Aliide said, shoving the papers back at him.

“Yes, there are,” Pasha said, and laughed. “Skepticism is sometimes healthy. But you know it would be best for you to listen to me now. For your own safety.”

“There’s nothing dangerous here.”

“Have you seen a strange girl?”

Aliide said she hadn’t and complained of the uneventfulness of the countryside. The man sniffed and narrowed his eyes to force the water out of them. Horseradish burned in the air. Aliide answered his gaze; she didn’t look away, didn’t look away. His lower eyelids reddened, mucus accumulated in the corners of Aliide’s eyes, and the staring continued until the man went to the door and opened it. The wind blew inside. Aliide’s shoulder twitched. The man stood in the doorway for a moment facing the yard, his leather coat puffed up in the breeze; then he turned his cold, soothed eyes, took a stack of photos out of his pocket, and spread them on the table.

“Have you seen this woman? We’re looking for her.”

Zara didn’t dare to move. The voices carried poorly to the room where she was, but they did carry. She heard Aliide speak Russian when she opened the front door, greeting them, being polite. Pasha said that they had driven a long way and they were thirsty, and kept chatting about one thing and another. The voices approached and receded, and then Aliide asked if his friend liked gardening. Pasha didn’t understand. Aliide said she could see his friend through the window walking around her garden. Lavrenti was, of course, checking out the house. It must be Lavrenti. Or maybe Pasha had come with someone else. Not likely. Pasha was used to Lavrenti’s behavior; he was a little simple, but you shouldn’t take any notice of it. Aliide hoped he wouldn’t trample her flower beds.

“Don’t worry, he likes gardens.”

Pasha’s voice suddenly sounded very near. Zara froze. “So have you seen any strange girl around here?” Zara held her breath. The dust caught in her dry throat.

She couldn’t cough, couldn’t cough. Aliide answered that the area had been calm-an outsider would have been noticed immediately. Pasha repeated his question. Aliide was startled by his stubborn persistence. A young girl? A strange young girl? Why in the world would she have seen her? Pasha’s words were unclear. He said something about light hair. Aliide’s voice could be heard clearly. No, she hadn’t seen any light-haired girl here. Pasha had a photo of the girl with him. Which photo? Was he going all around the country showing people a picture of her? What kind of picture? Pasha’s voice came near again and Zara was afraid her pulse would be audible through the wall. Pasha had such sharp ears.

“Do you have some reason to assume that the girl would be here?”

Pasha moved farther away, it seemed. The voice coming through the wall was fragmented.

“Look…”

Pasha wasn’t showing her those photos, was he? But what other photos would he have of her? And when Aliide saw them…

Suddenly Zara belched. The taste of sperm spread through her mouth. She quickly closed her lips. Could they hear her in the kitchen? No, she could hear the even murmur of Pasha and Aliide’s continuing conversation through the wallpaper. Zara was waiting for Aliide’s shocked exclamation, because there was no other way she could react when she saw the photos. Had Pasha already spread them on the table, slowly, one at a time, or was he just going to hand them to Aliide all at once? No, she was sure he would put them on the table like a game of patience, make Aliide look at them. Aliide would stare at them and see the expression Pasha had taught Zara, mouth open, tongue stretched out, and all the pricks. And then Aliide would tell him about her-of course she would tell him, she would have to tell him, because once she saw the photos she would hate Zara. She would see that filth and want it out of her house. It was going to happen now, it had to happen-soon Pasha would open the door and laugh, standing against the light, and it would all be over.

Zara withdrew to the back of the tiny room, right up against the wall, and waited. The darkness was burning, the stubble on her head was standing on end. Aliide had seen the pictures. The humiliation tickled and swarmed tightly under Zara’s skin, as if she were covered with tense, halfhealed wounds. Soon the door would fly open. She had to close her eyes, deep within the room, to think herself to someplace else, she was a star, an ear on Lenin’s head, the hairs of Lenin’s whiskers, pasteboard whiskers on a pasteboard poster, she was a corner of the frame of the picture, a chipped plaster frame, bent, in a corner of the room. She was chalk dust on the surface of a chalkboard, in the safety of the schoolroom, she was the wooden tip of a pointer…

The photographs were printed on Western photo paper; they had a Western sheen. Zara’s bright red lips shone dim against the oilcloth. Her stiff eyelashes spread like petals against the pale blue pearlescence smeared on the skin around her eyes. She had pink, swollen pimples, although her skin looked otherwise dry and thin. Her knitted collar was flopped over like someone had been tugging on it. “I’ve never seen her,” Aliide said.

The man didn’t let that bother him. He continued, his words thudding like a large man’s boots.

“The whole world’s looking for her right now.” “Oh? I haven’t heard anything about it, and I always have the radio on.”

“It’s being kept quiet on purpose. To draw her out.

The less she imagines we’re looking for her the less careful she’ll be.”

“Ah.”

“Ma’am, this woman is a dangerous criminal.” “Dangerous?”

“She has committed multiple offenses.”

“What kind of offenses?”

“This woman killed her lover in his own bed. And in a very cold-blooded manner.”

KGB came back from the garden, stood standing behind the younger man, and dug some more photos out of the pocket of his leather coat. They laid them on the table on top of the photos of Zara.

“Here is his body. Please look at these pictures and think again. Have you seen this woman?”

“I’ve never seen her before.”

“Please look at the photos.”

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