Sofi Oksanen - Purge

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"A truly stunning novel, both heartbreaking and optimistic." – Lara Vapnyar
Soon to be published in twenty-five languages, Sofi Oksanen's award-winning novel Purge is a breathtakingly suspenseful tale of two women dogged by their own shameful pasts and the dark, unspoken history that binds them.
When Aliide Truu, an older woman living alone in the Estonian countryside, finds a disheveled girl huddled in her front yard, she suppresses her misgivings and offers her shelter. Zara is a young sex-trafficking victim on the run from her captors, but a photo she carries with her soon makes it clear that her arrival at Aliide's home is no coincidence. Survivors both, Aliide and Zara engage in a complex arithmetic of suspicion and revelation to distill each other's motives; gradually, their stories emerge, the culmination of a tragic family drama of rivalry, lust, and loss that played out during the worst years of Estonia's Soviet occupation.
Sofi Oksanen establishes herself as one the most important voices of her generation with this intricately woven tale, whose stakes are almost unbearably high from the first page to the last. Purge is a fiercely compelling and damning novel about the corrosive effects of shame, and of life in a time and place where to survive is to be implicated.

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The chicken keeper’s son ran past. Jaan took off after him. A cloud of dust flew up and Aliide sneezed. Then she heard familiar steps, a familiar rhythm. A greeting rang out like a trombone, and she didn’t need to raise her head, she knew that voice, it was the voice of the man who had come to get Linda from the neighboring room in the basement of town hall.

“Welcome to your new job,” came the shout from the office. “This is our new head bookkeeper.”

Aliide had to sit down. The strength ran out of her legs and into the dust. The projectionist noticed her faintness and put down the electric motor he was holding, the mechanic continued to entertain the milkmaid, and the projectionist led Aliide to a bench, bent over her, and asked what was wrong. The fly of his moleskin pants hung in front of her nose, his curious, teasing gaze above it. Aliide told him that she was dizzy from the heat, that it happened sometimes. He went to get her some water. She rested her head on her knees, her hands, crossed over her knees, trembled, and her legs began to shake with them. The chrome-tanned boots passed by an arm’s length away from her, kicking up dust for her to breathe. She held her arms tightly around her legs and pressed her thighs against the bench to stop the shaking. Her lungs were dry with dust, her internal moisture flowed as sweat from under her arms onto the bench, and a little moan escaped her as she tried to get some oxygen, but all she got was dust, particles that swirled dry inside her lungs. The projectionist came back with a glass of water. Aliide’s hand splashed half the water from the glass, and he had to hold it for her while she drank. He shouted to someone that there was nothing to worry about; she was just faint from the heat. Aliide tried to nod, although her skin was so hot that she felt it itching, pulling her into a heap, and the little birds in the trees chirped and ripped pieces out of the blue sky with their little beaks, rip, gulp, rip, spit, with their little round black eyes, and every dusty breath she took made them jump.

The movie men drove her home in the truck. The milkmaid came along-supposedly the boys needed someone to show them the way back to the office. The milkmaid’s sweat was concentrated in the suffocating interior of the truck and the hem of her milking coat stuck to Aliide’s leg. The girl was unable to stop laughing in her excitement, the chirp chirp occasionally turning bolder, and at those times her head would swing right into Aliide’s, their ears nearly touching. The milkmaid had hair growing in her ears. Balls of earwax had stuck to the hairs. They moved in the wind as the girl lamented what had happened to Theodor Kruus’s daughter- hanged herself-a young girl-how could she do such a thing? Maybe she just missed her parents. They came to a rather bad end, difficult people, although the daughter was really very nice, and she hadn’t been taken away. She would never have believed that such a nice girl could have parents like that. Chirp.

When the truck had disappeared down the main road, Aliide felt the pressure on her chest lighten a little, and she leaned against the stone foundation of the barn. There was milking to do; she would manage. After that she would think about what she should do. A curlew gave a lonely cry, and the edge of the forest seemed to be watching her. She went to get her milking coat, threw it on, washed her hands, and stumbled into the barn. She should concentrate on everyday things, like the rustle of the straw, the compassionate eyes of the animals caressing her, the good feel of the pail in her hand, ah, such smooth wood. She buried the bottoms of her feet in the litter; Maasi’s tail swung back and forth. Aliide scratched her between her horns. Maybe the man hadn’t recognized her. She had put down her head so quickly. And there had been so many people interrogated, continuously-none of those men would remember all of their names and faces. It was good to be in the barn. The gaze of the animals didn’t have to be avoided, and her hands never trembled when she was with them; she never made Maasi nervous with shaking hands, and she could whisper in Maasi’s ear, anything she wanted. Maasi’s tongue would never speak the language of people. The sturdy juniper legs of the milking stool supported her, the cow snorted into the meal bucket, zing zing, the milk sprayed into the pail, zing zing, life went on, the animals needed her. She couldn’t get discouraged. She had to think of a solution.

Outside the barn, her lungs tightened again, and she couldn’t sleep that night. What if the man recognized her? Her wheezing breath sounded like a mouse in a trap. Martin woke up. She told him to go to sleep, but no, he stayed up, watching as her lungs struggled for oxygen. The night crept by. Aliide couldn’t get any air; she had a chrome-tanned boot resting on her chest and she couldn’t get it off.

She didn’t dare fall asleep because she feared she would talk in her sleep, yell, rave, be exposed somehow, in her suffocating dreams, just like she had in that basement when they pushed her head in the slop bucket. What if the man had heard her name at the office and remembered that? But no, she was Aliide Truu now, she wasn’t Aliide Tamm anymore.

In the morning, Martin looked concerned and lingered at the door for a long time. He didn’t want to leave her alone. Aliide shooed him away, grinned, said that the kolkhoz radio project needed him more than she did-how would the people be informed about the atomic bomb if there was no radio? She wasn’t going to take ill here at home, there was nothing to worry about. When she’d gotten Martin on his way, she tore the strained smile off her face, washed her hands, doused her face in the washbasin, and staggered into the barn. She would have liked to leave off milking for the whole day, but she didn’t, she just dumped the bucket into the refrigeration tank with a splash, not even filtering it- she simply forgot. She wasn’t up to bringing the milk to the dairy or going to the kolkhoz office to work. She went into the front room, drank half a bottle of tonic, and spent the morning sobbing. Then she made herself a bath and washed her hair, warmed the water even though the weather was so hot that she normally wouldn’t have made a fire in the stove at all. Her pores gasped, her breath wheezed. That man would remember her eventually. She couldn’t work at the office anymore. She would get crazy papers, anything- Martin could help her. The man didn’t know Martin, did he? Flies buzzed and she slapped at them with the flyswatter. Sweat poured over her like a spring. She knocked flies off the lamp, the chair, the beer barrel, the scissors, the washtub, and the saw that hung on the wall.

She couldn’t go back there, ever.

Hans wouldn’t get anything hot to eat that day. She found flies’ eggs under the meat dish in the pantry.

A note from the medical committee exempted Aliide from having to do even light work for a year. After the year was over, the exemption could be renewed as the situation demanded.

Once she had the asthma papers, the air returned to Aliide’s lungs at full capacity; intoxicating oxygen and the aroma of peonies and fresh grass, even the faint scent of sauna chamomile, hummed in her breast. The shrill chirp of the little birds didn’t hurt her ears, and neither did the caw of the crows by the dung heap. She puttered around in the yard until she could see the stars and she remembered the way she had sometimes felt years before, remembered what lightness felt like. If only she could always feel that way. Pelmi sat with his dish by the barn door, waiting for the dregs of the milk and the froth. The weather was improving. Pelmi’s milk always went sour in bad weather.

1980s

Läänemaa, Estonian Soviet Socialist Republic
Diagnosis

As the 1986 May Day parade approached, Aliide was sure that Martin’s leg wouldn’t withstand such doings, but Martin disagreed and took part in the festival enthusiastically- with Aliide on his arm. Lenin fluttered handsomely against the red fabric, his gaze toward the future, and Martin had the same steadfast, forward-looking expression. A fine mood floated among the flags and the people, and the air was heavy with blossoms and beating drums.

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