Sofi Oksanen - Purge

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"A truly stunning novel, both heartbreaking and optimistic." – Lara Vapnyar
Soon to be published in twenty-five languages, Sofi Oksanen's award-winning novel Purge is a breathtakingly suspenseful tale of two women dogged by their own shameful pasts and the dark, unspoken history that binds them.
When Aliide Truu, an older woman living alone in the Estonian countryside, finds a disheveled girl huddled in her front yard, she suppresses her misgivings and offers her shelter. Zara is a young sex-trafficking victim on the run from her captors, but a photo she carries with her soon makes it clear that her arrival at Aliide's home is no coincidence. Survivors both, Aliide and Zara engage in a complex arithmetic of suspicion and revelation to distill each other's motives; gradually, their stories emerge, the culmination of a tragic family drama of rivalry, lust, and loss that played out during the worst years of Estonia's Soviet occupation.
Sofi Oksanen establishes herself as one the most important voices of her generation with this intricately woven tale, whose stakes are almost unbearably high from the first page to the last. Purge is a fiercely compelling and damning novel about the corrosive effects of shame, and of life in a time and place where to survive is to be implicated.

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“Hold the light, bitch!”

1948

Läänemaa, Estonian Soviet Socialist Republic
Aliide’s Bed Begins to Smell of Onions

Aliide chose Martin before he knew anything about her. She saw him at the dairy by chance. She had just come swinging down the steps after admiring the cotton wool displayed on the wall of the dairy office to show how pure their milk was. The others’ had been yellower, but their milk left the cotton just as white as always. It was really Ingel’s doing, she took the most care of the cows, but what did it matter? This was Aliide’s house, so they were her cows, too. She had puffed up her chest and it was still puffed up as she left the office and walked down the steps, when she heard a voice, an unfamiliar man’s voice. It was a hearty, decisive voice, very different from the voices of other men in the village, already frail with age or weakened from drinking from morning till night-because what else was there left for a man of their country to do but drink? Aliide went toward the road and tried to find the man that the voice had come from, and she found him. He was marching like a leader toward the dairy, and three or four men were following him, and Aliide saw how the tails of his coat thrust out like they were going to take off into the wind and how the others turned toward him when they spoke, but he didn’t turn to them when he answered, he just looked straight ahead, his brow raised, looking toward the future. And then Aliide knew that he was the man to rescue her, to safeguard her life. Martin. Martin Truu. Aliide tasted the name carefully as it was whispered around the village. It tasted good. Aliide Truu tasted even better; it melted fresh on her tongue like the first snow. Aliide easily guessed where she could find Martin Truu, or rather where Martin would find her-in the Red corner on the second floor of the manor house that had been made into a cultural center.

Aliide started staking him out, from between the busts of Lenin. She examined the books with their red covers in the shadow of the enormous red flag, and now and then as she read she would stare thoughtfully into the fireplace, its unacceptable ornamentation defaced. The ghosts of Baltic German manor ladies creaked under her feet, moist yawns darkened the wallpaper, and sometimes when she was there alone, the window squeaked like someone was trying to open it, the frame squeaked and a current of air blew toward her, although the window remained closed. She didn’t let it disturb her in spite of the fact that she still felt like she was in another person’s home, in the wrong place, in a gentleman’s house. It was a little like the feeling in the Russian church, which had been made into a grain warehouse. She had expected God to strike her with lightning when she was there, because she hadn’t risen up to oppose the men who had made grain bins out of the icons, and Aliide had tried to remember that it wasn’t her church; she couldn’t be expected to do anything about it. What could she have done? Now she just had to keep repeating to herself that the manor house belonged to the people now, for the use of the people, the ones who made it through all this, anyway. So she gazed dreamily at the smiling bust of Lenin, his head leaning on his hand, went up occasionally to examine the chart of quotas, and then went back to diligently leafing through Five Corners and Estonian Communists . Once, she dropped the book on the floor and had to pick it up from under the table and she noticed names carved into the bottom of the tabletop: Agnes, and a heart, and William. A knot in the wood where a branch had been stared out at her from the center of the heart. 1938. There was no one here named Agnes or William. The handsome rosewood table was stolen from somewhere, its embellishments had been cut away. Had Agnes and William got away, were they living happily, in love, somewhere in the West? Aliide pushed herself back upright and quickly memorized “The Tractor Song”:

Hurry, iron tractor! Hurry comrade! The field is boundless as a sea before us You and I travel across a vast land… Field and forest echo with our victory song.

It wasn’t enough to know it by heart. She should know it so well that she believed it. So that it sounded like a heartfelt creed. Could she do it? She had to. She thought about the teachings of Marx and Lenin-but wouldn’t it be better to let Martin teach her? The tractor driver’s song was simple enough. She shouldn’t let Martin think she was too clever.

Someone saw her in the Red corner and told Ingel. Ingel told Hans, and Hans didn’t speak to Aliide for a week. But Aliide didn’t care. What did Hans know about her life? What did Hans know about what it was like on the stone floor of the basement of town hall with the greatcoats’ urine trickling down your back? She did care a little, though, about his opinion, maybe even more than a little, but she needed someone, someone like Martin, and Martin started letting his eyes wander to the studious girl in the Red corner. One day Martin gave a talk, and Aliide went up to him, waited for the crowd to disperse, and said: “Teach me.”

She had rinsed her hair with vinegar the day before, it shone in the dimness, and she tried to give her eyes the unseeing expression of a newborn calf, helpless and unfocused, so that a desire to teach her would awaken in him immediately, and he would realize that she was fertile ground for what he had to say.

Martin Truu fell for the dewy calf eyes. He fell quite lightly. He came upon her, and he laid his great mentor’s hand on the small of her back, and he smelled.

1948

Läänemaa, Estonian Soviet Socialist Republic
How Aliide’s Step Became Lighter

As Aliide stepped out of the civil registration office, her steps were lighter than when she went in, and her back was straighter, because her hand rested on Martin’s arm now, and Martin was her husband, her legally wedded husband, and she was his legally wedded wife, Aliide Truu. What a lovely name! Although she received a certain guarantee of security by marrying Martin, there was another important thing she gained from the union. She became just like any other normal woman. Normal women get married and have children. She was one of them.

If she had remained unmarried, everyone would have thought that there was something wrong with her. They would have thought it even though there were very few men available. The Reds would have wondered if she had a lover in the forest. The others would have come to their own conclusions about why she didn’t suit anyone. Was there some reason that she was less of a woman, a woman who wasn’t suitable for a man or couldn’t handle being with a man? Some reason that she had been passed over? Someone might have made up a reason. The main thing was that once she married a man like Martin, no one could suggest that something had happened during her interrogation. No one would believe that a woman could go through something like that and then marry a Communist. No one would dare to talk about her-say, that one’s up for anything. Somebody ought to have a go at her. No one would dare, because she was Martin Truu’s wife, she was a respectable woman. And that was important-that no one would ever know.

She recognized the smell of women on the street, the smell that said that something similar had happened to them. From every trembling hand, she could tell-there’s another one. From every flinch at the sound of a Russian soldier’s shout and every lurch at the tramp of boots. Her, too? Every one who couldn’t keep herself from crossing the street when militiamen or soldiers approached. Every one with a waistband on her dress that showed she was wearing several pairs of underwear. Every one who couldn’t look you in the eye. Did they say it to those women, too-did they tell them that every time you go to bed with your husband, you’ll remember me?

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