Jonathan Franzen - Freedom

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Freedom: краткое содержание, описание и аннотация

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Patty and Walter Berglund were the new pioneers of old St. Paul—the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter—environmental lawyer, commuter cyclist, total family man—she was doing her small part to build a better world.
But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz—outré rocker and Walter's college best friend and rival—still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become "a very different kind of neighbor," an implacable Fury coming unhinged before the street's attentive eyes?
In his first novel since 
, Jonathan Franzen has given us an epic of contemporary love and marriage. 
 comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of 
's characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

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“I know! And I am truly grateful for it.”

“OK, but then don’t complain if I have my own life and my own friends and don’t feel like suddenly rearranging everything for you. You get all the benefits of me taking care of myself, the least you can do is not make me feel guilty about it.”

“Jessie, though, we’re talking about one night. It’s silly to make such a big deal of it.”

“Then don’t make a big deal of it.”

Jessica’s self-control and coolness toward her seemed to Patty a just punishment for how rule-bound and cold to her mother she herself had been at nineteen. She was feeling so bad about herself, indeed, that almost any punishment would have seemed appropriate to her. Saving her tears for later—feeling as if she didn’t deserve whatever emotional advantage she might have gained by crying, or by running off in a sulk to the train station—she exercised her own self-control and ate an early dining-hall dinner with Jessica and her roommate. She behaved like a grownup even though she felt that Jessica was the real grownup of the two of them.

Back in St. Paul, she continued her plunge down the mental-health mine shaft, and there were no more e-mails from Richard. The autobiographer wishes she could report that Patty didn’t send him any e-mails, either, but it should be clear by now that her capacity for error, agonizing, and self-humiliation is boundless. The one message she feels OK about sending was written after Walter gave her the news that Molly Tremain had killed herself with sleeping pills in her Lower East Side apartment. Patty was her best self in that e-mail and hopes that it’s how Richard remembers her.

The rest of the story of what Richard was doing that winter and spring has been told elsewhere, notably in People and Spin and Entertainment Weekly after the release of Nameless Lake and the emergence of a “cult” of Richard Katz. Michael Stipe and Jeff Tweedy were among the worthies who came forward to endorse Walnut Surprise and confess to having been longtime closet Traumatics listeners. Richard’s scruffy, well-educated white male fans may not have been so young anymore, but quite a few of them were now influential senior Arts editors.

As for Walter, the resentment you feel when your favorite unknown band suddenly goes on everybody’s playlist was multiplied by a thousand. Walter was proud, of course, that the new record was named after Dorothy’s lake, and that so many of the songs had been written in that house. Richard had also mercifully crafted the lyrics of each song so that the “you” in them, who was Patty, could be mistaken for dead Molly; this was the angle that he directed interviewers to take, knowing that Walter read and saved every scrap of press his friend ever got. But Walter was mostly disappointed and hurt by Richard’s moment in the sun. He said he understood why Richard hardly ever called him anymore, he understood that Richard had a lot on his plate now, but he didn’t really understand it. The true state of their friendship was turning out to be exactly as he’d always feared. Richard, even when he seemed to be most down, was never really down. Richard always had his secret musical agenda, an agenda that did not include Walter, and was always ultimately making his case directly to his fans, and keeping his eyes on the prize. A couple of minor music journalists were diligent enough to phone Walter for interviews, and his name could be found in some out-of-the-way places, most of them online, but Richard, in the interviews that Walter read, referred to him simply as “a really good college friend,” and none of the big magazines mentioned him by name. Walter wouldn’t have minded getting a little more credit for having been so morally and intellectually and even financially supportive of Richard, but what really hurt him was how little he seemed to matter to Richard, compared to how much Richard mattered to him. And Patty of course couldn’t offer him her best proof of how much he actually did matter to Richard. When Richard managed to find time to connect with him on the phone, Walter’s hurt poisoned their conversations and made Richard that much less inclined to call again.

And so Walter became competitive. He’d been lulled into believing himself the big brother, and now Richard had set him straight yet again. Richard may have privately sucked at chess and long-term relationships and good citizenship, but he was publicly loved and admired and celebrated for his tenacity, his purity of purpose, his gorgeous new songs. It all made Walter suddenly hate the house and the yard and the small Minnesotan stakes he’d sunk so much of his life and energy into; Patty was shocked by how bitterly he belittled his own accomplishments. Within weeks of the release of Nameless Lake , he was flying to Houston for his first interview with the megamillionaire Vin Haven, and a month after that he began to spend his work weeks in Washington, D.C. It was obvious to Patty, if not to Walter himself, that his resolve to go to Washington and create the Cerulean Mountain Trust and become a more ambitious international player was fueled by competition. In December, when Walnut Surprise played with Wilco at the Orpheum on a Friday night, he didn’t even fly back to St. Paul in time to see them.

Patty gave that show a miss herself. She couldn’t bear to listen to the new record—couldn’t get past the past tense of the second song—

There was nobody like you
For me. Nobody
I live with nobody. Love
Nobody. You were that body
That nobody was like
You were that body
That body for me
There was nobody like you

and so she did her best to follow Richard’s lead and relegate him to the past. There was something exciting, something almost Fiend of Athens, in Walter’s new energy, and she succeeded in hoping that the two of them might begin life afresh in Washington. She still loved the house on Nameless Lake, but she was done with the house on Barrier Street, which hadn’t been enough to hold Joey. She visited Georgetown for one afternoon, on a pretty blue fall Saturday when a Minnesotan wind was tossing the turning trees, and said, yeah, OK, I can do this. (Was she also conscious of the proximity of the University of Virginia, where Joey had just enrolled? Was her grasp of geography maybe not as bad as she’d always thought?) Incredibly, it was not until she actually arrived for good in Washington—not until she was crossing Rock Creek in a taxi with two suitcases—that she remembered how much she’d always hated politics and politicians. She walked into the house on 29th Street and saw, in a heartbeat, that she’d made yet another mistake.

*It occurred to Patty, on the bus ride from Chicago to Hibbing, that maybe the reason Richard had spurned her was that she wasn’t into his music and he was annoyed by this. Not that there was anything she could have done about it.

2004

MOUNTAINTOP REMOVAL

When it became unavoidable that Richard Katz return to the studio with his eager young bandmates and start recording a second Walnut Surprise album—when he’d exhausted all modes of procrastination and flight, first playing every receptive city in America and then touring progressively more remote foreign countries, until his bandmates rebelled at adding Cyprus to their Turkish trip, and then breaking his left index finger while fielding a paperback copy of Samantha Power’s seminal survey of world genocide flung too violently by the band’s drummer, Tim, across a hotel room in Ankara, and then retreating solo to a cabin in the Adirondacks to score a Danish art film and, in his utter boredom with the project, seeking out a coke dealer in Plattsburgh and taking 5,000 euros of Danish government arts funding up his nose, and then going AWOL for a stretch of costly dissipation in New York and Florida which didn’t end until he was busted in Miami for DWI and possession, and then checking himself into the Gubser Clinic in Tallahassee for six weeks of detox and snide resistance to the gospel of recovery, and then recuperating from the shingles he’d taken insufficient care to avoid contracting during a chicken-pox outbreak at the Gubser, and then performing 250 hours of a greeably mindless community service at a Dade County park, and then simply refusing to answer his phone or check his e-mail while he read books in his apartment on the pretext of shoring up his defenses against the chicks and drugs that his bandmates all seemed able to enjoy without too seriously overdoing it—he sent Tim a postcard and told him to tell the others that he was dead broke and going back to building rooftop decks full-time; and the rest of Walnut Surprise began to feel like idiots for having waited.

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