Jonathan Franzen - Freedom

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Freedom: краткое содержание, описание и аннотация

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Patty and Walter Berglund were the new pioneers of old St. Paul—the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter—environmental lawyer, commuter cyclist, total family man—she was doing her small part to build a better world.
But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz—outré rocker and Walter's college best friend and rival—still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become "a very different kind of neighbor," an implacable Fury coming unhinged before the street's attentive eyes?
In his first novel since 
, Jonathan Franzen has given us an epic of contemporary love and marriage. 
 comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of 
's characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

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“You guys were nice to stay,” he said to the Berglunds. “I know you’ve got to get up early.”

“It was great! You were great!” Patty said.

“Seriously, I think this is your best record yet,” Walter said. “These are terrific songs. It’s another big step forward.”

“Yeah.” Richard, distracted, was scanning the back of the club, looking to see if any of the Sick Chelseas were lingering. Sure enough, one was. Not the conventionally pretty bassist whom Patty would have put her money on, but the tall and sour and disaffected-looking drummer, which of course made more sense as soon as Patty thought about it. “There’s somebody waiting to talk to me,” Richard said. “You’re probably going to want to head right home, but we can all go out together if you want.”

“No, you go,” Walter said.

“Really wonderful to hear you play, Richard,” Patty said. She put a friendly hand on his arm and then watched him walk over to the sour drummer.

On the way home to Ramsey Hill, in the family Volvo, Walter raved about the excellences of Insanely Happy and the debased taste of an American public that turned out by the millions for the Dave Matthews Band and didn’t even know that Richard Katz existed .

“Sorry,” Patty said. “Remind me again what’s wrong with Dave Matthews?”

“Basically everything, except technical proficiency,” Walter said.

“Right.”

“But maybe especially the banality of the lyrics. ‘Gotta be free, so free, yeah, yeah, yeah. Can’t live without my freedom, yeah, yeah.’ That’s pretty much every song.”

Patty laughed. “Do you think Richard was going to go have sex with that girl?”

“I’m sure he was going to go try,” Walter said. “And, probably, succeed.”

“I didn’t think they were very good. Those girls.”

“No, they weren’t. If Richard has sex with her, it won’t be a referendum on their talent.”

At home, after checking on the kids, she put on a sleeveless top and little cotton shorts and came after Walter in bed. This was very unusual of her, but thankfully not so unheard-of as to provoke comment and examination; and Walter needed no persuading to oblige her. It wasn’t a big deal, just a little late-evening surprise, and yet in autobiographical retrospect it now looks almost like the high point of their life together. Or maybe, more accurately, the endpoint: the last time she remembers feeling safe and secure in being married. Her closeness to Walter at the 400 Bar, the recollection of the scene of their very first meeting, the ease of being with Richard, their friendly warmth as a couple, the simple pleasure of having such an old and dear friend, and then afterward the rare treat, for both of them, of her sudden intense desire to feel Walter inside her: the marriage was working . And there seemed to be no compelling reason for its not continuing to work, maybe even work better and better.

A few weeks later, Dorothy collapsed at the dress store in Grand Rapids. Patty, sounding like her own mother, expressed concern to Walter about the hospital care she was getting, and was tragically vindicated when Dorothy went into multiple organ failure and died. Walter’s grief was both over-general, encompassing not merely his loss of her but the stunted dimensions of her entire life, and somewhat muted by the fact that her death was also a relief and liberation to him—an end to his responsibility for her, a cutting of his main tether to Minnesota. Patty was surprised by the intensity of her own grief. Like Walter, Dorothy had always believed the best about her, and Patty was sorry that for someone as generous-spirited as Dorothy an exception couldn’t have been made to the rule that everybody ultimately dies alone. That Dorothy in her eternally trusting niceness had had to pass through death’s bitter door unaccompanied: it just pierced Patty’s heart.

She was pitying herself, too, of course, as people always do in pitying others for their solitary dying. She attended to the funeral arrangements in a mental state whose fragility the autobiographer hopes at least partly explains her poor handling of her discovery that an older neighbor girl, Connie Monaghan, had been preying on Joey sexually. The litany of the mistakes that Patty proceeded to make in the wake of this discovery would exceed the current length of this already long document. The autobiographer is still so ashamed of what she did to Joey that she can’t begin to make a sensible narrative out of it. When you find yourself in the alley behind your neighbor’s house at three in the morning with a box cutter in your hand, destroying the tires of your neighbor’s pickup truck, you can plead insanity as a legal defense. But is it a moral one?

For the defense: Patty had tried, at the outset, to warn Walter about the kind of person she was. She’d told him there was something wrong with her.

For the prosecution: Walter was appropriately wary. Patty was the one who tracked him down in Hibbing and threw herself at him.

For the defense: But she was trying to be good and make a good life! And then she forsook all others and worked hard to be a great mom and homemaker.

For the prosecution: Her motives were bad. She was competing with her mom and sisters. She wanted her kids to be a reproach to them.

For the defense: She loved her kids!

For the prosecution: She loved Jessica an appropriate amount, but Joey she loved way too much. She knew what she was doing and she didn’t stop, because she was mad at Walter for not being what she really wanted, and because she had bad character and felt she deserved compensation for being a star and a competitor who was trapped in a housewife’s life.

For the defense: But love just happens. It wasn’t her fault that every last thing about Joey gave her so much pleasure.

For the prosecution: It was her fault. You can’t love cookies and ice cream inordinately and then say it’s not your fault you end up weighing three hundred pounds.

For the defense: But she didn’t know that! She thought she was doing the right thing by giving her kids the attention and the love her own parents hadn’t given her.

For the prosecution: She did know it, because Walter told her, and told her, and told her.

For the defense: But Walter couldn’t be trusted. She thought she had to stick up for Joey and be the good cop because Walter was the bad cop.

For the prosecution: The problem wasn’t between Walter and Joey. The problem was between Patty and Walter, and she knew it.

For the defense: She loves Walter!

For the prosecution: The evidence suggests otherwise.

For the defense: Well, in that case, Walter doesn’t love her, either. He doesn’t love the real her. He loves some wrong idea of her.

For the prosecution: That would be convenient if only it were true. Unfortunately for Patty, he didn’t marry her in spite of who she was, he married her because of it. Nice people don’t necessarily fall in love with nice people.

For the defense: It isn’t fair to say she doesn’t love him!

For the prosecution: If she can’t behave herself, it doesn’t matter if she loves him.

Walter knew that Patty had cut the tires of their horrible neighbor’s horrible truck. They never talked about it, but he knew. The fact that they never talked about it was how she knew he knew. The neighbor, Blake, was building a horrible addition on the back of the house of his horrible girlfriend, Connie Monaghan’s horrible mother, and Patty that winter was finding it expedient to drink a bottle or more of wine every evening, and then waking up in a sweat of anxiety and rage in the middle of the night, and stalking the first floor of the house in pounding-hearted lunacy. There was a stupid smugness to Blake which in her sleep-deprived state she equated with the stupid smugness of the special prosecutor who’d made Bill Clinton lie about Monica Lewinsky and the stupid smugness of the congressmen who’d recently impeached him for it. Bill Clinton was the rare politician who didn’t seem sanctimonious to Patty—who didn’t pretend to be Mr. Clean—and she was one of the millions of American women who would have slept with him in a heartbeat. Flattening horrible Blake’s tires was the least of the blows she felt like striking in her president’s defense. This is in no way intended to exculpate her but simply to elucidate her state of mind.

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