Jonathan Franzen - Freedom

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Freedom: краткое содержание, описание и аннотация

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Patty and Walter Berglund were the new pioneers of old St. Paul—the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter—environmental lawyer, commuter cyclist, total family man—she was doing her small part to build a better world.
But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz—outré rocker and Walter's college best friend and rival—still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become "a very different kind of neighbor," an implacable Fury coming unhinged before the street's attentive eyes?
In his first novel since 
, Jonathan Franzen has given us an epic of contemporary love and marriage. 
 comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of 
's characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

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Not the least of Patty’s reasons to avoid a wedding was the fact that Richard would have to be Walter’s best man. Her thinking here was partly obvious and partly had to do with her fear of what would happen if Richard ever met her middle sister. (The autobiographer will now finally man up and say the sister’s name: Abigail.) It was bad enough that Eliza had had Richard; to see him hooking up with Abigail, even for one night, would have just about finished Patty off. Needless to say, she didn’t mention this to Dorothy. She said she guessed she just wasn’t a very ceremonial person.

As a concession, she did take Walter to meet her family in the spring before she married him. It pains the autobiographer to admit that she was a tiny bit embarrassed to let her family see him, and, worse, that this may have been another reason why she didn’t want a wedding. She loved him (and does love him, does love him) for qualities that made abundant sense to her in their two-person private world but weren’t necessarily apparent to the sort of critical eye that she was sure her sisters, Abigail in particular, would train on him. His nervous giggle, his too-readily reddening face, his very niceness: these attributes were dear to her in the larger context of the man. A source of pride, even. But the unkind part of her, which exposure to her family always seemed to bring out in force, couldn’t help regretting that he wasn’t six-foot-four and very cool.

Joyce and Ray, to their credit, and perhaps in their secret relief that Patty had turned out to be heterosexual (secret because Joyce, for one, stood ready to be strenuously Welcoming to Difference), were on their very best behavior. Hearing that Walter had never been to New York, they became gracious ambassadors to the city, urging Patty to take him to museum exhibitions that Joyce herself had been too busy in Albany to have seen, and then meeting up with them for dinner at Times -approved restaurants, including one in SoHo, which was then still a dark and exciting neighborhood. Patty’s worry that her parents would make fun of Walter gave way to the worry that Walter would take their side and not see why they were unbearable to her: would begin to suspect that the real problem was Patty, and would lose that blind faith in her goodness which already, in less than a year with him, she had rather desperately come to count on.

Thankfully Abigail, who was a high-end restaurant hound and insisted on turning several of the dinners into awkward fivesomes, was in peak disagreeable form. Unable to imagine people gathering for some reason besides listening to her, she prattled about the world of New York theater (by definition an unfair world since she had made no progress in it since her understudy breakthrough); about the “sleazy slimeball” Yale professor with whom she’d had insuperable Creative differences; about some friend of hers named Tammy who’d self-financed a production of Hedda Gabler in which she (Tammy) had brilliantly starred; about hangovers and rent control and disturbing third-party sexual incidents that Ray, refilling and refilling his own wineglass, demanded every prurient detail of. Midway through the final dinner, in SoHo, Patty got so fed up with Abigail’s shanghaiing of the attention that ought to have been lavished on Walter (who had politely attended to every word of Abigail’s) that she flat-out told her sister to shut up and let other people talk. There ensued a bad interval of silent manipulation of tableware. Then Patty, making comical gestures of drawing water from a well, got Walter talking about himself. Which was a mistake, in hindsight, because Walter was passionate about public policy and, not knowing what real politicians are like, believed that a state assemblywoman would be interested in hearing his ideas.

He asked Joyce if she was familiar with the Club of Rome. Joyce confessed that she was not. Walter explained that the Club of Rome (one of whose members he’d invited to Macalester for a lecture two years earlier) was devoted to exploring the limits of growth. Mainstream economic theory, both Marxist and free-market, Walter said, took for granted that economic growth was always a positive thing. A GDP growth rate of one or two percent was considered modest, and a population growth rate of one percent was considered desirable, and yet, he said, if you compounded these rates over a hundred years, the numbers were terrible: a world population of eighteen billion and world energy consumption ten times greater than today’s. And if you went another hundred years, with steady growth, well, the numbers were simply impossible. So the Club of Rome was seeking more rational and humane ways of putting the brakes on growth than simply destroying the planet and letting everybody starve to death or kill each other.

“The Club of Rome,” Abigail said. “Is that like an Italian Playboy Club?”

“No,” Walter said quietly. “It’s a group of people who are challenging our preoccupation with growth. I mean, everybody is so obsessed with growth, but when you think about it, for a mature organism, a growth is basically a cancer, right? If you have a growth in your mouth, or a growth in your colon, it’s bad news, right? So there’s this small group of intellectuals and philanthropists who are trying to step outside our tunnel vision and influence government policy at the highest levels, both in Europe and the Western Hemisphere.”

“The Bunnies of Rome,” Abigail said.

“Nor- fock -a Virginia!” Ray said in a grotesque Italian accent.

Joyce loudly cleared her throat. En famille , when Ray became silly and dirty because of wine, she could simply retreat into her private Joycean reveries, but in her future son-in-law’s presence she had no choice but to be embarrassed. “Walter is talking about an interesting idea,” she said. “I’m not particularly familiar with this idea, or with this . . . club. But it’s certainly a very provocative perspective on our world situation.”

Walter, not seeing the little neck-slicing gesture that Patty was making, pressed on. “The whole reason we need something like the Club of Rome,” he said, “is that a rational conversation about growth is going to have to begin outside the ordinary political process. Obviously you know this yourself, Joyce. If you’re trying to get elected, you can’t even talk about slowing the growth rate, let alone reversing it. It’s total political poison.”

“Safe to say,” Joyce said with a dry laugh.

“But somebody has to talk about it, and try to influence policy, because otherwise we’re going to kill the planet. We’re going to choke on our own multiplication.”

“Speaking of choking, Daddy,” Abigail said, “is that your private bottle there, or can we have some, too?”

“We’ll get another,” Ray said.

“I don’t think we need another,” Joyce said.

Ray raised his Joyce-stilling hand. “Joyce—just—just—calm down. We’re fine here.”

Patty, with a frozen smile, sat looking at the glamorous and plutocratic parties at other tables in the restaurant’s lovely discreet light. There was, of course, nowhere better in the world to be than New York City. This fact was the foundation of her family’s satisfaction with itself, the platform from which all else could be ridiculed, the collateral of adult sophistication that bought them the right to behave like children. To be Patty and sitting in that SoHo restaurant was to confront a force she had not the slightest chance of competing with. Her family had claimed New York and was never going to budge. Simply never coming here again—just forgetting that restaurant scenes like this even existed—was her only option.

“You’re not a wine drinker,” Ray said to Walter.

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