Philip Roth - The Prague Orgy

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In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism.
The Prague Orgy, consisting of entries from protagonist Nathan Zuckerman's notebooks recording his sojourn among these outcast artists, completes the trilogy and epilogue
. It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art.
This Vintage edition is the first paperback publication of the epilogue.

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And your father, is he proud of you and does he think you are all you should be? Certainly Novak is all he thinks he should be — perceives perfectly what everybody should be. One conviction seems to follow from the other.

“My father is a simple machinist, now long retired, and do you know how he has made his contribution to the survival of Czech culture and the Czech people and the Czech language — even of Czech literature? A contribution greater than your lesbian whore who when she opens her legs for an American writer represents to him the authentic Czech spirit. Do you know how my father has expressed his love of country all his life? In 1937 he praised Masaryk and the Republic, praised Masaryk as our great national hero and saviour. When Hitler came in he praised Hitler. After the war he praised Benes when he was elected prime minister. When Stalin threw Benes out, he praised Stalin and our great leader Gottwaid. Even when Dubèek came in, for a few minutes he praised Dubèek. But now (hat Dubcek and his great reform government are gone, he would not dream of praising them. Do you know what he tells me now? Do you want to hear the political philosophy of a true Czech patriot who has lived in this little country for eighty-six years, who made a decent and comfortable little home for his wife and his four children, and who lives now in dignified retirement, enjoying, as he has every right to enjoy, his pipe, and his grandchildren, and his pint of beer, and the company of his dear old friends? He says to me, ‘Son, if someone called Jan Hus nothing but a dirty Jew, I would agree.’ These are our people who represent the true Czech spirit — these are our realists . People who understand what necessity is. People who do not sneer at order and see only the worst in everything. People who know to distinguish between what remains possible in a little country like ours and what is a stupid, maniacal delusion — people who know how to submit decently to their historical misfortune’. These are the people to whom we owe the survival of our beloved land, and not to alienated, degenerate, egomaniacal artistes!”

Customs a breeze — my possessions combed over so many times while still in the dresser at the hotel that my bags are put right on through at the weigh-in counter and I’m accompanied by the plainclothesmen straight to passport control. I have not been arrested, I will not be tried, convicted, and jailed; Dubèek’s fate isn’t to be mine, nor is Bolotka’s, Olga’s, or Zdenek Sisovsky’s. I am to be placed on board the Swissair flight bound nonstop for Geneva, and from there I’ll catch a plane for New York.

Swissair. The most beautiful word in the English language.

Yet it makes you furious to be thrown out. once the fear has begun to subside. “What could entice me to this desolate country,” says K… “except the wish to stay here?”—here where there’s no nonsense about purity and goodness, where the division is not that easy to discern between the heroic and the perverse, where every sort of repression foments a parody of freedom and the suffering of their historical misfortune engenders in its imaginative victims these clownish forms of human despair — here where they’re careful to remind the citizens (in case anybody gets any screwy ideas) “the phenomenon of alienation is not approved of from above.” In this nation of narrators I’d only just begun hearing all their stories; I’d only just begun to sense myself shedding mv story. as wordlessly as possible snaking away from the narrative encasing me. Worst of all. I’ve lost that astonishingly real candy box stuffed with the stories I came to Prague to retrieve. Another Jewish writer who might have been is not going to be; his imagination won’t leave even the faintest imprint and no one else’s imagination will be imprinted on his, neither the policemen practicing literary criticism nor the meaning-mad students living only for art.

Of course my theatrical friend Olga. for whose routine I have been playing straight man. wasn’t necessarily making Prague mischief when she disclosed that the Yiddish author’s war was endured in a bathroom, surviving on cigarettes and whores, and that when he perished it was under a bus. And maybe it was Sisovsky’s plan to pretend in America that the father’s achievement was his. Yet even if Sisovsky’s stories, those told to me in New York, were tailored to exploit the listener’s sentiments, a strategically devised fiction to set me in motion, that still doesn’t mitigate the sense of extraneous irrelevancy I now feel. Another assault upon a world of significance degenerating into a personal fiasco, and this time in a record tony-eight hours! No, one’s story isn’t a skin to be shed — it’s inescapable, one’s body and blood. You go on pumping it out till you die. the story veined with the themes of your life, the ever-recurring story that’s at once your invention and the invention of you. To be transformed into a cultural eminence elevated by the literary deeds he performs would not seem to be my fate. A forty-minute valedictory from the Minister of Culture on artistic deviance and filial respect is all I have been given to carry home. They must have seen me coming.

I also have to wonder if Novak’s narrative is any less an invention than Sisovsky’s. The true Czech patriot to whom the land owes its survival may well be another character out of mock-autobiography, yet another fabricated father manufactured to serve the purposes of a storytelling son. As if the core of existence isn’t fantastic enough, still more fabulation to embellish the edges.

A sleek, well-groomed, dark-eyed man. slight, sultry, a Persian-looking fellow of about my own age, is standing back of the passport desk, alongside the on-duty army officer whose job is to process foreigners out of the country. His hourglass blue suit looks to have been styled specially for him in Paris or Rome — nothing like the suits I’ve seen around here, either in the streets or at the orgies. A man of European sophistication, no less a ladies’ man. I would guess, than Novak’s whoremaster Bolotka. Ostentatiously in English he asks to see the gentleman’s papers. I pass them to the soldier, who in turn hands them to him. He reads over the biographical details — to determine, you see, if I am fiction or fact — then, sardonically, examining me as though I am now utterly transparent, comes so close that I smell the oil in his hair and the skin bracer that he’s used after shaving. “Ah yes,” he says, his magnitude in the scheme of things impressed upon me with that smile whose purpose is to make one uneasy, the smile of power being benign, “Zuckerman the Zionist agent,” he says, and returns my American passport. “An honor.” he informs me. “to have entertained you here, sir. Now back to the little world around the corner.”

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