Philip Roth - The Plot Against America

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When the renowned aviation hero and rabid isolationist Charles A. Lindbergh defeated Franklin Roosevelt by a landslide in the 1940 presidential election, fear invaded every Jewish household in America. Not only had Lindbergh, in a nationwide radio address, publicly blamed the Jews for selfishly pushing America towards a pointless war with Nazi Germany, but, upon taking office as the 33rd president of the United States, he negotiated a cordial 'understanding' with Adolf Hitler, whose conquest of Europe and whose virulent anti-Semitic policies he appeared to accept without difficulty. What then followed in America is the historical setting for this startling new novel by Pulitzer-prize winner Philip Roth, who recounts what it was like for his Newark family – and for a million such families all over the country – during the menacing years of the Lindbergh presidency, when American citizens who happened to be Jews had every reason to expect the worst.

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But the intimidating presence of Uncle Monty, with the ever-present cigarette dangling from the corner of his mouth, was such that not even Alvin, in those early days, could tell him to shut up and go away. On that particular afternoon Alvin couldn't begin to mimic the brash defiance that had enabled him to hop like a marvel across the Penn Station concourse upon arriving back home as an amputee.

"France," Alvin hollowly replied to the big question.

"Worst country in the world," Monty told him, and with no lack of certainty. As a twenty-one-year-old in the summer of 1918, Monty had himself fought in France against the Germans in the second bloody Battle of the Marne, and then in the Argonne Forest when the Allies broke through on the Germans' western front, and so, of course, he knew everything about France.

"I'm not asking you where," Monty said, "I'm asking you how."

"How," repeated Alvin.

"Spit it out, kid. It'll do you good."

He knew that too-what would do Alvin good.

"Where were you," he asked, "when you got hit? And don't tell me 'the wrong place.' All your life you been in the wrong place."

"We were waiting for the boat to get us out."

Here he closed his eyes as though hoping never to open them again. But instead of stopping right there, as I was praying for him to do-"Shot a German," he suddenly said.

"And?" said Monty.

"He was out there screaming for the rest of the night."

"So? So? Go on. So he was screaming. So what?"

"So near dawn, before the boat's due in, I crawled over to where he was. Maybe fifty yards away. By then he was already dead. But I crawled around to the top of him and I shot him twice in the head. Then I spit on the son of a bitch. And in that second they threw the grenade. I got it in both legs. On one of my legs the foot was twisted around. Broken and twisted. That one they could fix. They operated and fixed it. They put a cast on it. They straightened it out. But the other was gone. I looked down and I saw one foot backwards and one leg dangling. The left leg just about amputated already."

There it was, and nothing like the heroic reality that I had so shallowly imagined.

"Out in no man's land all alone," Monty told him, "could be you were hit by one of your own. It's not yet light, it's half-light, a guy hears gunfire, he panics-bingo, he yanks the pin."

As for that surmise, Alvin had nothing to say.

Anyone else might have understood and relented, if only because of the perspiration beading Alvin's forehead and the droplets pooled in the hollow of his throat and the fact that he still wouldn't open his eyes. But not my uncle-he understands and doesn't relent. "And how come you didn't get left there? After pulling that stunt, how come they didn't just leave you to die?"

"There was mud everywhere" was Alvin's vacant reply. "The ground was mud. All I remember is that there was mud."

"Who saved you, misfit?"

"They took me. I must have been out of it. Came and took me."

"I'm trying to picture your brain, Alvin, and I can't. Spits. He spits. And that's the story of how he loses a leg."

"Some things you don't know why you do them." It was I who was speaking. What did I know? But I was telling my uncle, "You just do them, Uncle Monty. You can't not."

"You can't not, Phillie, when you're a professional misfit." To Alvin he said, "So now what? You going to lay there living off disability checks? You going to live like a sharpie off your luck? Or would you maybe consider supporting yourself like the rest of us dumb mortals do? There's a job at the market for you when you're up out of bed. You start at the bottom, hosing down the floor and grading tomatoes, you start at the bottom with the buggy-luggers and the schleppers, but there's a job there working for me, and a paycheck every week. You pocket half the take at the Esso station, but I'll go with you anyway because you're still Jack's kid, and for my brother Jack I do anything. I wouldn't be where I am without Jack. Jack taught me the produce business and then he died. Just like Steinheim wanted to teach you the building business. But nobody can teach you, misfit. Throws the keys in Steinheim's face. Too big for Abe Steinheim. Only Hitler is big enough for Alvin Roth."

In the kitchen, in a drawer with the potholders and the oven thermometer, my mother kept a long stiff needle and heavy thread to truss up the Thanksgiving turkey after it was stuffed. It was the only instrument of torture, aside from the wringer, that I could think of that we owned, and I wanted to go in and get it and use it to shut my uncle's mouth.

At the bedroom door, before leaving for the market, Monty turned back to summarize. Bullies love to summarize. The redundant upbraiding summary-nothing to equal it outside the old-fashioned flogging. "Your buddies risked everything to save you. Went in and dragged you out under fire. Didn't they? And for what? So you could spend the rest of your life shooting craps with Margulis? So you can play seven-card stud up at the schoolyard? So you can go back and pump gas and steal Simkowitz blind? You make every mistake in the book. Everything you do you do wrong. Even shooting Germans you do wrong. Why is that? Why do you throw keys at people? Why do you spit? Someone who is already dead-and you spit? Why? Because life wasn't handed to you on a silver platter like it was handed to the rest of the Roths? If it wasn't for Jack, Alvin, I wouldn't be standing here wasting my breath. There is nothing you have earned. Let's be clear about that. Nothing. For twenty-two years you have remained a disaster. I'm doing this for your father, sonny, not for you. I'm doing it for your grandmother. 'Help the boy,' she tells me, so I'm helping you. Once you figure out how you want to make your fortune, come around on your pegleg and we'll talk."

Alvin didn't cry, didn't curse, didn't holler, even after Monty was out the back door and into his car and he could have unleashed his every evil thought. He was too far gone to roar that day. Or even to crack. Only I did, after he refused to open his eyes and look at me when I begged him to; only I cracked, alone later in the one place in our house where I knew I could go to be apart from the living and all that they cannot not do.

5

March 1942-June 1942
Never Before

HERE'S HOW Alvin came to have it in for Sandy.

Before leaving him alone on the morning of his first Monday back, my mother had made Alvin promise to use his crutches to get around on until one of us was home to fetch for him. But Alvin so despised being on crutches that he refused even by himself to submit to the stability they provided. At night, when we were in our beds and the lights were out, Alvin would get me laughing by explaining why crutching wasn't so simple as my mother thought. "You go to the bathroom," Alvin said, "and they're always falling. They're always clattering. They're always making a fucking noise. You go to the bathroom, you've got these crutches, you try to get your cock, and you can't get your cock because your crutches are in the way. You gotta get rid of the crutches. Then you're standing on one leg. That's not so good. You lean one way or another, you splatter all over the place. Your father tells me to sit down to piss. Know what I say? 'I'll sit when you do, Herman.' Fucking crutches. Standing on one leg. Taking your dick out. Jesus. Pissing is hard enough to do as it is." I'm laughing uncontrollably now not only because the story is especially funny as he half whispers it in the darkened room, but because never before has a man revealed himself to me this way, using the prohibited words so freely and openly cracking toilet jokes. "Come on," Alvin says, "own up to it, kiddo-pissing's not something that's as easy as it looks."

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