Philip Roth - The Plot Against America

"What does Mr. Steinheim say?" Sandy asks him.

"He says, 'The guy has five million. That's all he has. Still young and in his prime, with a chance someday to be worth fifty, sixty, maybe as much as a hundred million, and he tells me, "I'm taking it all off the table. I'm not you, Abe. I'm not hanging around for the heart attack. I have enough to call it a day and spend the rest of my life playing golf."' And what does Abe say? 'This is a man who is a total schmuck.' Every subcontractor when he comes into the office on Friday to collect money for the lumber, the glass, the brick, Abe says, 'Look, we're out of money, this is the best I can do,' and he pays them a half, a third-if he can get away with it, a quarter-and these people need the money to survive, but this is the method that Abe learned from his father. He's doing so much building that he gets away with it and nobody tries to kill him."

" Would somebody try to kill him?" Sandy asks.

"Yeah," Alvin says, "me."

"Tell us about the wedding anniversary," I say.

"The wedding anniversary," he repeats. "Yeah, he sang fifty songs. He hires a piano player," Alvin tells us, exactly the way he tells the tale of Abe at the piano every time I ask to hear it, "and no one gets a word in, no one knows what is going on, all the guests spend the whole night eating his food, and he is standing in his tux by the piano singing one song after another, and when they leave he's still at the piano, still singing songs, every popular song you can think of, and he doesn't even listen when they say goodbye."

"Does he scream and yell at you?" I ask Alvin.

"At me? At everybody. He screams and yells wherever he goes. I drive him to Tabatchnick's on Sunday mornings. The people are lined up to buy their bagels and lox. We walk in and he's screaming-and there's a line of six hundred people, but he's yelling, 'Abe is here!' and they move him to the front of the line. Tabatchnick comes running out of the back, they push everyone aside, and Abe must order five thousand dollars' worth of stuff, and we drive home and there is Mrs. Steinheim, who weighs ninety-two pounds and knows when to get the hell out of the way, and he phones the three sons and they're there in five seconds flat, and the four of them eat a meal for four hundred people. The one thing he spends on is food. Food and cigars. You mention Tabatchnick's, Kartzman's, he doesn't care who is there, how many people-he gets there and buys out the whole store. They eat up every single slice of everything every Sunday morning, sturgeon, herring, sable, bagels, pickles, and then I drive him over to the renting office to see how many apartments are vacant, how many are rented, how many are being fixed up. Seven days a week. Never stops. Never takes a vacation. No manana-that's his slogan. It drives him crazy if anybody misses a minute of work. He cannot go to sleep without knowing that the next day there are more deals that will bring more money-and the whole damn thing makes me sick. The man to me is one thing only-a walking advertisement for the overthrow of capitalism."

My father called Alvin's complaints kid stuff, and to be kept to himself on the job, especially after Abe decided that he was going to send Alvin to Rutgers. You're too smart, Abe told Alvin, to be so dumb, and then something happened beyond anything that my father could realistically have hoped for. Abe gets on the phone to the president of Rutgers and starts shouting at him. "You're going to take this boy, where he finished in high school is not the issue, the boy is an orphan, potentially a genius, you're going to give him a full scholarship, and I'll build you a college building, the most beautiful in the world-but not so much as a shithouse goes up unless this orphan boy goes to Rutgers all expenses paid!" To Alvin he explains, "I've never liked to have a formal chauffeur who was a chauffeur who was an idiot. I like kids like you with something going for them. You're going to Rutgers, and you'll come home and drive me in the summers, and when you graduate Phi Beta Kappa, then the two of us sit down and talk."

Abe would have had Alvin beginning as a freshman in New Brunswick in September 1941 and, after four years of college, coming back as a somebody into the business, but instead, in February, Alvin left for Canada. My father was furious with him. They argued for weeks before finally, without telling us, Alvin took the express train from Newark's Penn Station straight up to Montreal. "I don't get your morality, Uncle Herman. You don't want me to be a thief but it's okay with you if I work for a thief." "Steinheim's not a thief. Steinheim's a builder. What he's doing is what they do," my father said, "what they all have to do because the building trade is a cutthroat business. But his buildings don't fall down, do they? Does he break the law, Alvin? Does he?" "No, he just screws the workingman every chance he gets. I didn't know your morality was also for that." "My morality stinks," said my father, "everybody in this city knows about my morality. But the issue isn't me. It's your future. It's going to college. A four-year free college education." "Free because he browbeats the president of Rutgers the way he browbeats the whole goddamn world." "Let the president of Rutgers worry about that! What is the matter with you? You really want to sit there and tell me that the worst human being ever born is a man who wants to make you an educated person and find you a place in his building company?" "No, no, the worst human being ever born is Hitler, and frankly I'd rather be fighting that son of a bitch than waste my time with a Jew like Steinheim, who only brings shame on the rest of us Jews by his goddamn-" "Oh, don't talk to me like a child-and the 'goddamn's I can live without too. The man doesn't bring shame on anyone. You think if you worked for an Irish builder it would be better? Try it-go work for Shanley, you'll see what a lovely fellow he is. And the Italians, would they be better, you think? Steinheim shoots his mouth off-the Italians shoot guns." "And Longy Zwillman doesn't shoot guns?" "Please, I know all about Longy-I grew up on the same street with Longy. What does any of this have to do with Rutgers?" "It has to do with me, Uncle Herman, and being indebted to Steinheim for the rest of my life. Isn't it enough that he has three sons that he's already destroying? Isn't it enough that they have to attend every Jewish holiday with him and every Thanksgiving with him and every New Year's Eve with him-I have to be there to be shouted at too? All of them working in the same office and living in the same building and waiting around for only one thing-to split it all up on the day he dies. I can assure you, Uncle Herman, their grief won't last long." "You're wrong. Dead wrong. There is more to these people than just money." " You're wrong! He holds them in his hand with the money! The man is totally berserk, and they stay and take it for fear of losing the money!" "They stay because they're a family. All families go through a lot. A family is both peace and war. We're going through a little war right now. I understand it. I accept it. But that's no reason to give up the college you missed out on and that now you can have and to run off half-cocked to fight Hitler instead." "So," said Alvin, as though at last he had the goods not only on his employer but on his family protector as well, "you're an isolationist after all. You and Bengelsdorf. Bengelsdorf, Steinheim-they make a good couple." "Of what?" my father asked sourly, having finally run out of patience. "Of Jewish fakes." "Oh," said my father, "against the Jews now too?" "Those Jews. The Jews who are a disgrace to the Jews-yes, absolutely!"

The argument went on for four consecutive nights, and then, on the fifth, a Friday, Alvin didn't report to eat, though the idea had been to keep him showing up regularly for dinner until my father wore him down and the boy came to his senses-the boy whom my father had single-handedly changed from a callow good-for-nothing into the family's conscience.