David Wong - John Dies at the End

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It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity?
No. No, they can't.
John Dies at the End has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines the laugh out loud humor of the best R-rated comedy, with the darkest terror of H.P. Lovecraft. Hilarious, terrifying, engaging and wrench ing, John Dies at the End takes us for a wild ride with two slackers from the Midwest who really have better things to do with their time than prevent the apocalypse.

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“There,” said the large man. “The kittens will make your sad go away.”

The man looked back at the doorway we came through and, on its own, a door slid from the wall and clicked closed. The operation of the door was a whisper-quiet SSSSssss-fump . The inside of the door carried the same rough white texture, and the lines of the door disappeared once it was closed. I suddenly had the claustrophobia a bird fetus must feel at the moment before kicking its way out of the egg. The kitten scratched my chest and I opened my shirt to let it flop out onto my lap.

The man came around to the wall in front of us, an excited expression on his face that didn’t translate through his mask that well.

“I suppose you are wondering where you are.”

I raised my hand. “I’m going to say that we’re in an alternate universe of some kind.”

“That is correct. Do not think of it as a physical location. Think of it as another possible arrangement of the atoms in your universe to form something else. Today’s cloud is tomorrow’s puddle.”

“Yes,” I said. “That’s much clearer.”

Undaunted, the large man said, “But to perceive one world, and then the next, requires a point of connection or-”

“A wormhole?” said John, hoping to usher the guy along.

“I am unfamiliar with the term. Tell me, what was it like? Passing through?”

I shrugged and said, “I wasn’t really paying attention.”

John said, “Yeah, it wasn’t that great.”

The man waited for quite a long time for us to add something, but we did not. Finally he said, “We have been awaiting your coming, as you can see. We have worked for many years, suffered many tragic setbacks, in order to find and communicate with another plane such as yours. Some thought that travel from one to another was impossible, but here you are. Your world, you see, is a sort of twin to ours, an offspring born of the same litter.”

The man turned and gestured to the wall and the letter “Y” appeared in black. Suddenly I realized that the texture on the walls was moving and twitching and that it was not stucco or plaster. They were insects, clustered together to cover the entire surface of the room. They were the size of dimes and seemed to have the chameleon’s ability to change the color of their shells at will.

“Up until here,” said the man, pointing to the place where the trunk of the “Y” split into two branches, “our histories were identical. This spot represents the year 1864, as you would call it, or Year Minus Sixty-two, as we would call it. There was a man named Adam Rooney from Tennessee. In your world and ours. In your world, he was killed at age seventeen during the Civil War, gored while trying to crossbreed a bull and a Clydesdale. In our world, the man survived.”

The ranks of bugs on the wall changed colors again, turning shades of brown and tan and black, forming a rough portrait of an older man, smoking a pipe and looking out at the viewer through thick eyeglasses. He had a white Col o nel Sanders beard. “Mr. Rooney,” he continued, “was a genius. He went on to perform experiments with what he would call beastiology.”

“Yes,” John said. “People from our South are into that as well.”

The large man skipped a beat and continued, “This is the art of transforming naturally occurring life into forms that can be used by man to better the world. By 1881 Rooney had a self-shearing sheep and a species of snake that could harvest corn. By 1890 his group had an insectile flying machine. In 1902, or Year Minus Twenty-four in our terms, he created a primitive thinking machine from the brain of a pig.”

The image behind the man changed to a color depiction of several men standing over a vat of fluid. Inside it floated a twisted and deformed mass of what looked like brain tissue, about the size of a small dog. The men were wearing lab coats.

“I have studied your world for the last de cade, your language, your history. It is astonishing to me that you went to such unending lengths to build computation machines from metal and silicon switches when you have much more efficient versions inside your own skulls. Did this not occur to your scientists? By your year 1922, we had self-feeding, self-healing, self-growing and self-modifying computers, organic ones, that were approximately ten times as powerful as what you are using now in your world.”

The image shifted again, and this time a group of a dozen very proud-looking men were standing in front of a monster. The thing rose up behind them, no longer confined to a tank of fluid. It looked like a tree carved out of whale guts. It was a hideous twist of meat and fibers and strands that unspooled here and there like spiderweb. It stood as tall as a small tree, maybe twice as high as a man.

I got a dizzy spell, closed my eyes. A concussion? I clutched the kittens, one of them meowed. In just a few moments, I found I really did feel better.

“In 1926, or what we know as Year One, Mr. Rooney passed away. But something miraculous happened with the greatest of Mr. Rooney’s creations, the computation machine that had aided him with all of his other creations. On the very day Mr. Rooney passed, his creation became sentient.”

The large man gave a practiced pause in the middle of what I assumed was a prepared speech. This was where we were supposed to gasp in surprise, I guess. I nodded politely.

“It gave a name to itself,” said the large man, “and expressed desires and emotions. This was an astonishing surprise. This creation carried on Rooney’s work and conformed all of living nature to urge forth the advancement of mankind.”

Suddenly our vision was flooded with a view of an open, muddy field. The entire room had switched to a full-motion image, a panoramic view that made me dizzy. The image zoomed in on a long trench, like those used in World War I. The trench extended off in both directions and standing along the lip of the trench were men and women and children, lined up shoulder to shoulder. Some of the children were crying. Everyone was wearing clothes that were streaked brown and white and seemed to be made entirely of thin strips wrapped around and around their bodies. I thought for a moment that they were all wrapped in bacon.

The people seemed to obey an unheard command and all stepped down into the muddy trench. The children had to be dragged down against their will. Suddenly, puffs of dirt burst up from the ground around their bare feet and then the trench was filling with a dark flood. A close-in shot revealed the flood to be thousands and thousands of spiders, sharp bodies and yellow stripes. Bred for war.

There was a chorus of screams. The spiders swarmed over the victims, burrowing into skin and through ragged holes in muscle. I saw a spider burst out of one man’s eye, a half dozen tearing themselves out of holes in another man’s back, emerging from his gut and carry ing loops of intestine with them. Blood sprayed, limbs fell to the ground, bones were torn from legs and rib cages.

And then, the spiders were gone. The view lingered on the torn and bloodied victims and I realized that none had been killed. Instead, the spiders had left them in piles, hundreds and hundreds in a screaming, red, writhing mass, everyone missing limbs and baseball-sized chunks of flesh, men left blind and deaf and unable to move. No one came to their aid. The shot pulled back to reveal the trench stretched for miles in both directions, and the entire length now ran pink like a highway on a roadmap, the screams swelling up and up-

Then it was gone. The white room was back and the large man was standing before us, beaming with what I was pretty sure was pride. He said, “There are always those who resist progress.”

My eyes bounced around the room and I again had that suffocating feeling. No door. Hell, I couldn’t even point to the spot where the door had been. I looked over at John and he seemed to be trying to figure out if his chair could be used as a weapon. It looked rooted to the floor.

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