Joshua Ferris - Then We Came to the End

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For anyone who has ever worked in an office, hating everything and everyone in it, yet fell apart when it was time to leave — this book is for you. Heartbreaking, yet hysterically funny,
is the definitive novel about the contemporary American workplace.
With an irresistibly casual writing style, Ferris makes readers a part of his fictional advertising agency from the moment we open the book. Through numerous impromptu conversations, colleagues come alive. We learn that Larry and Amber have had an affair, and that Amber is pregnant. We know that Chris Yop is panicking because he exchanged his office chair without permission, and that Joe Pope is universally despised because he got promoted and now everyone has to listen to him. No one likes Karen Woo because she's always trying to seem smarter than everyone else. And the head boss, Lynn, has cancer, but she doesn't want anyone to know. We understand that the agency is in trouble, and that the unstable Tom Mota is being laid off. We realize that anyone could be next. And we're dying to know what's going to happen.
By the time readers finish the book, they'll swear that Ferris has spent time in their own offices. And they'll thank him for capturing so knowingly what makes it so horrible, and what makes it our own.

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Joshua Ferris

Then We Came to the End

To Elizabeth

Is it not the chief disgrace in the world, not to be a unit; — not to be reckoned one character; — not to yield that peculiar fruit which each man was created to bear, but to be reckoned in the gross, in the hundred, or the thousand, of the party, the section, to which we belong. .

— Ralph Waldo Emerson

You Don’t Know What’s in My Heart

WE WERE FRACTIOUS AND overpaid. Our mornings lacked promise. At least those of us who smoked had something to look forward to at ten-fifteen. Most of us liked most everyone, a few of us hated specific individuals, one or two people loved everyone and everything. Those who loved everyone were unanimously reviled. We loved free bagels in the morning. They happened all too infrequently. Our benefits were astonishing in comprehensiveness and quality of care. Sometimes we questioned whether they were worth it. We thought moving to India might be better, or going back to nursing school. Doing something with the handicapped or working with our hands. No one ever acted on these impulses, despite their daily, sometimes hourly contractions. Instead we met in conference rooms to discuss the issues of the day.

Ordinarily jobs came in and we completed them in a timely and professional manner. Sometimes fuckups did occur. Printing errors, transposed numbers. Our business was advertising and details were important. If the third number after the second hyphen in a client’s toll-free number was a six instead of an eight, and if it went to print like that, and showed up in Time magazine, no one reading the ad could call now and order today. No matter they could go to the website, we still had to eat the price of the ad. Is this boring you yet? It bored us every day. Our boredom was ongoing, a collective boredom, and it would never die because we would never die.

Lynn Mason was dying. She was a partner in the agency. Dying? It was uncertain. She was in her early forties. Breast cancer. No one could identify exactly how everyone had come to know this fact. Was it a fact? Some people called it rumor. But in fact there was no such thing as rumor. There was fact, and there was what did not come up in conversation. Breast cancer was controllable if caught in the early stages but Lynn may have waited too long. The news of Lynn brought Frank Brizzolera to mind. We recalled looking at Frank and thinking he had six months, tops. Old Brizz, we called him. He smoked like a fiend. He stood outside the building in the most inclement weather, absorbing Old Golds in nothing but a sweater vest. Then and only then, he looked indomitable. When he returned inside, nicotine stink preceded him as he walked down the hall, where it lingered long after he entered his office. He began to cough, and from our own offices we heard the working-up of solidified lung sediment. Some people put him on their Celebrity Death Watch every year because of the coughing, even though he wasn’t an official celebrity. He knew it, too, he knew he was on death watch, and that certain wagering individuals would profit from his death. He knew it because he was one of us, and we knew everything.

We didn’t know who was stealing things from other people’s workstations. Always small items — postcards, framed photographs. We had our suspicions but no proof. We believed it was probably not for the loot so much as the excitement — the shoplifter’s addictive kick, or maybe it was a pathological cry for help. Hank Neary, one of the agency’s only black writers, asked, “Come on, now — who would want my travel toothbrush?”

We didn’t know who was responsible for putting the sushi roll behind Joe Pope’s bookshelf. The first couple of days Joe had no clue about the sushi. Then he started taking furtive sniffs at his pits, and holding the wall of his palm to his mouth to get blowback from his breath. By the end of the week, he was certain it wasn’t him. We smelled it, too. Persistent, high in the nostrils, it became worse than a dying animal. Joe’s gorge rose every time he entered his office. The following week the smell was so atrocious the building people got involved, hunting the office for what turned out to be a sunshine roll — tuna, whitefish, salmon, and sprouts. Mike Boroshansky, the chief of security, kept bringing his tie up to his nose, as if he were a real cop at the scene of a murder.

We thanked each other. It was customary after every exchange. Our thanks were never disingenuous or ironic. We said thanks for getting this done so quickly, thanks for putting in so much effort. We had a meeting and when a meeting was over, we said thank you to the meeting makers for having made the meeting. Very rarely did we say anything negative or derogatory about meetings. We all knew there was a good deal of pointlessness to nearly all the meetings and in fact one meeting out of every three or four was nearly perfectly without gain or purpose but many meetings revealed the one thing that was necessary and so we attended them and afterward we thanked each other.

Karen Woo always had something new to tell us and we hated her guts for it. She would start talking and our eyes would glaze over. Might it be true, as we sometimes feared on the commute home, that we were callous, unfeeling individuals, incapable of sympathy, and full of spite toward people for no reason other than their proximity and familiarity? We had these sudden revelations that employment, the daily nine-to-five, was driving us far from our better selves. Should we quit? Would that solve it? Or were those qualities innate, dooming us to nastiness and paucity of spirit? We hoped not.

Marcia Dwyer became famous for sending an e-mail to Genevieve Latko-Devine. Marcia often wrote to Genevieve after meetings. “It is really irritating to work with irritating people,” she once wrote. There she ended it and waited for Genevieve’s response. Usually when she got Genevieve’s e-mail, instead of writing back, which would take too long — Marcia was an art director, not a writer — she would head down to Genevieve’s office, close the door, and the two women would talk. The only thing bearable about the irritating event involving the irritating person was the thought of telling it all to Genevieve, who would understand better than anyone else. Marcia could have called her mother, her mother would have listened. She could have called one of her four brothers, any one of those South Side pipe-ends would have been more than happy to beat up the irritating person. But they would not have understood. They would have sympathized, but that was not the same thing. Genevieve would hardly need to nod for Marcia to know she was getting through. Did we not all understand the essential need for someone to understand? But the e-mail Marcia got back was not from Genevieve. It was from Jim Jackers. “Are you talking about me?” he wrote. Amber Ludwig wrote, “I’m not Genevieve.” Benny Shassburger wrote, “I think you goofed.” Tom Mota wrote, “Ha!” Marcia was mortified. She got sixty-five e-mails in two minutes. One from HR cautioned her against sending personal e-mails. Jim wrote a second time. “Can you please tell me — is it me, Marcia? Am I the irritating person you’re talking about?”

Marcia wanted to eat Jim’s heart because some mornings he shuffled up to the elevators and greeted us by saying, “What up, my niggas?” He meant it ironically in an effort to be funny, but he was just not the man to pull it off. It made us cringe, especially Marcia, especially if Hank was present.

In those days it wasn’t rare for someone to push someone else down the hall really fast in a swivel chair. Games aside, we spent most of our time inside long silent pauses as we bent over our individual desks, working on some task at hand, lost to it — until Benny, bored, came and stood in the doorway. “What are you up to?” he’d ask.

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