José Saramago - The History of the Siege of Lisbon

IT IS GENERALLY CONSIDERED a show of unsurpassable bravura when a man condemned to death himself gives the firing squad the order to shoot, and even the most peaceful or cowardly of us, attended by favourable circumstances, at some time must have dreamed of this glorious demise, especially if someone survived to tell the tale, for glories without anyone to narrate them are valued less. In fact, it is necessary to have come into the world with nerves of steel, or, if shaky and cracking, to be possessed of a patriotic or similar zeal beyond the ordinary, to cry out with a hoarse and then for ever afterwards silent voice, Fire, somehow alleviating the conscience of the assassins from any sense of guilt, while elevating our own conscience in one last glow to the sublime heights of sacrifice and total abnegation. It is possible that the common spectacle of such gestures, especially when transferred to the screen, contributes to an exaltation capable of turning the most mediocre person into a hero, only by chance absent from the scene of the drama, precisely because they decided to come to the cinema today, to see, one minute feigned, the next real, how the famous actor simulated death or how, with the realism of a documentary, an executed man without a name died for good. There is no hint of malice in this doubt, only what we assume to be true, that no one condemned to the electric chair, gallows, guillotine, garrote or stake will have given the order to switch on the current, open the trap-door, release the blade, turn the screw, or spark the match, perhaps because such deaths are so undignified, including those with the longest tradition in art, perhaps because they lack the military factor, the institution of arms, where heroism is more readily found, for even when the condemned man was no more than a common civilian, the shots he received in the chest turned out to be a ransom for his mediocrity and were the viaticum, the safe-conduct, thanks to which he will be permitted, when the time comes, to enter the paradise of heroes, without any wrangling over meaning and cause, for there one loses any notion of these differences on earth.

This lengthy circumlocution had no other justification than to show how, in all innocence, it can happen that a person gives voice to his own death, even if it should not be imminent, and how, in this case, words spoken in piety are transformed into enraged serpents that would not turn back for anything in this world. It was noon, and the muezzins had climbed up on to the balcony of the minarets to summon the faithful to prayer, because although the city is under siege and plunged into the turmoil of warfare, the rites of worship must not be neglected, and although the muezzin of the great mosque knew that he could be seen on all sides by the Christian soldiers, especially by those besieging the nearby Porta de Ferro, he remained unconcerned, firstly because he was not so close that he might be hit by a stray javelin, secondly because his own words would protect him from any danger, La ilaha ilia llah, he was about to cry out, Allah is the one and only God, and what good would it do him if he were not in the end. At this moment, positioned before the five gates, the Portuguese forces no sooner hear this cry than they launch a general and simultaneous attack, the first of the three strategic points, as we know, drawn up in the definitive plan of combat, as established by our good king after consulting his chief of staff. Out of habit, we might be tempted to describe this ironic touch of putting the order to attack into the mouths of the unsuspecting Moors as Machiavellian, but Machiavelli was not even born at this time nor did any of his ancestors, contemporary or preceding the conquest of Lisbon, distinguish themselves internationally in the art of deception. The utmost care has to be taken in the use of words, never using them before the epoch in which they came into the general circulation of ideas, otherwise we shall immediately be accused of an anachronism, which, amongst the reprehensible acts in the terrain of writing, is second only to plagiarism. In fact, if we had been as important a nation then as we are today, then it would not have been necessary to wait three centuries for Machiavelli to enrich the practice and vocabulary of political astuteness, and without further ado, we would describe this ingenious stroke as obsolete, Allah is the one and only God cries the muezzin, and, as one man, the Portuguese, shouting their heads off to summon their courage, advance steadily on the city gates, even though the most ordinary observer, so long as he is impartial, could not fail to notice a certain lack of conviction in the advancing armies, as if disbelieving that with so little they might get so far. It is true that the bows and the crossbows fired a veritable shower of arrows and other missiles over the battlements in order to drive back the guards and to give some respite to the assailants on the front line so that they might attempt to break down the gates with axes and hammers, while others, manning the heavy battering-rams, push them forward in a regular rhythm, but the Moors refused to give way, firstly because they were protected by the shelters they had built, and then, when these began to burn, set alight by flaming torches tied to the larger javelins, they came crashing down on to the heads of the Portuguese, who were forced to retreat, scorched like pigs after slaughter. Once they had put out some of the more dangerous fires, which meant that some of Mem Ramires's soldiers had to dive into the waters of the estuary, from where they emerged shivering and pleading for ointments, the artillery launched another barrage of missiles, this time more cautious, and preferring to use stones and missiles of hardened clay, for those fiendishly wicked Moors hit us back with our own munitions, causing at least one Portuguese soldier to die, showing that no man escapes his destiny, when a javelin was thrown back which he himself had been the first to aim.

From the balcony of the minaret, the muezzin heard the fateful turmoil, so different from the uproar of animated voices that had reached his ears in that very same spot, when the crusaders departed. This time he did not need to come rushing down to find out what was happening, he knew all too well that the battle was starting up again after the pause following the loss of the nearby suburb, but he was not worried, the cries he heard coming from his brethren were not those of despair and defeat, but of courage, that is how they sounded to him, and he knew he was right because, being blind, he had been compensated with the keenest of hearing which did not abandon him even in old age. On the other minarets throughout the city, the muezzins were probably hearing the same uproar, some six, eight, ten blind men assigned to other mosques and perched between heaven and earth in total darkness. All of them were responsible for this attack, they were the ones who had given the order, but, innocent as they were, they did not connect the words spoken with their obvious effect, each of them no doubt saying to himself, what a coincidence, and preferring to think, as the echoes of their holy summons to prayer continued to hover in the air, although already mingled with the howls and curses of the combatants, that it was as if the palpable presence of Allah were protecting the city, an enormous cupola made from the myriads of other vibrant little cupolas that were descending all the way down the slope from the castle as far as the river, while all around, the God of the Christians appears to have been lacking in enough shields to defend his sceptical soldiers from the missiles raining down from on high. Startled by the commotion, dogs are barking on these slopes, they run for shelter and start burying bones, their instinct must serve some purpose when even people endowed with judgment can foretell evil times ahead.