Nikolai Gogol - Dead Souls

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Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale; as a paean to the Russian spirit and as a remorseless satire of imperial Russian venality, vulgarity, and pomp. As Gogol's wily antihero, Chichikov, combs the back country wheeling and dealing for "dead souls"--deceased serfs who still represent money to anyone sharp enough to trade in them--we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov's proposition. This lively, idiomatic English version by the award-winning translators Richard Pevear and Larissa Volokhonsky makes accessible the full extent of the novel's lyricism, sulphurous humor, and delight in human oddity and error.

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Chapter Ten

Having gathered at the house of the police chief, known to the reader already as the father and benefactor of the town, the officials had occasion to observe to each other that they had even grown thinner as a result of all these cares and anxieties. Indeed, the appointment of the new Governor-general, and the receipt of those documents of such serious content, and those God-knows-what rumors—all this left a visible imprint on their faces, and the frock coats of many of them had become visibly looser. Everything gave way: the head magistrate got thinner, the inspector of the board of health got thinner, the prosecutor got thinner, and some Semyon Ivanovich, who was never called by his last name, and who wore on his index finger a seal ring that he used to let the ladies look at—even he got thinner. Of course, as happens everywhere, there turned up some who did not quail or lose their presence of mind, but they were very few. Just the postmaster alone. He alone was unchanged in his constantly even character and had the custom of always saying on such occasions: "We know about you, Governor-general! There's maybe three or four of you have come to replace each other, but as for me, my dear sir, I've been sitting in the same place for thirty years now." To this the other officials usually observed: "That's fine for you, Sprechen-sie-Deych Ivan Andreych, yours is a mailing business: receiving and sending correspondence; so you might cheat on occasion by locking the office an hour early, or bilk some merchant for sending a letter at the wrong time, or else send some package that oughtn't to be sent—here, of course, anyone can be a saint. But just let the devil start turning up under your hands every day, so that you don't want to take it, but he just sticks it there. You, naturally, couldn't care less, you have just one boy, but we, brother, have the much-blessed Praskovya Fyodorovna, so that every year brings something: now a Praskushka, now a Petrusha—here, brother, it's a different tune." So spoke the officials, but whether it is indeed possible to hold out against the devil is not for the author to judge. In the council that gathered this time, the absence of that necessary thing which simple folk call sense was very noticeable. Generally we are somehow not made for representative meetings. In all our gatherings, from the peasant community level up to all possible learned and other committees, unless they have one head to control everything, there is a great deal of confusion. It is even hard to say why this is so; evidently the nation is like that, since the only meetings that succeed are those arranged for the sake of carousing or dining, to wit: clubs and all sorts of vauxhalls on a German footing. [46] The original Vauxhall was a seventeenth-century pleasure garden in London. Russian adopted the name as a common noun referring to an outdoor space for concerts and entertainment, with teahouse, tables, and so on. Yet there is a readiness for anything, you might say, at any moment. Suddenly, as the wind blows, we start societies, charitable or for the encouragement of God knows what. The goal may be beautiful, but nothing will come of it for all that. Maybe it is because we are suddenly satisfied at the very beginning, and think that everything has already been done. For instance, having started some charitable society for the poor and donated considerable sums, we at once give a dinner for all the foremost dignitaries of the town to celebrate this praiseworthy action, spending, of course, half of all the donated money on it; the rest goes straightaway to rent a splendid apartment for the committee, with heating and doorkeepers, and then there are five and a half roubles left for the poor from the entire sum, and even here not all the members agree about their distribution, and each one trots out some gammer of his own. However, the meeting that gathered this time was of a completely different sort; it was formed as a result of necessity. The matter did not concern some poor people or strangers, the matter concerned each official personally, it was the matter of a calamity that threatened them all equally; which meant that, willy-nilly, there had to be more unanimity, closeness. But, for all that, it ended with devil knows what. Not to speak of the disagreement common to all councils, the opinions of those assembled displayed some even inconceivable indecisiveness: one said that Chichikov was a forger of government banknotes, and then himself added, "Or maybe he's not"; another affirmed that he was an official of the Governor-general's chancellery, and immediately went on, "Though, devil knows, it's not written on his forehead." Against the conjecture that he was a robber in disguise, everyone rose up in arms; they found that besides an appearance that in itself was trustworthy to begin with, there was nothing in his conversation to suggest a man of violent behavior. All at once the postmaster, who had stood for a few moments immersed in some reflection, cried out unexpectedly, either as a result of a sudden inspiration that visited him, or something else:

"Do you know who he is, gentlemen?"

The voice in which he uttered it contained in itself something so stupendous that it made them all cry out simultaneously:

"Who?"

"He, gentlemen, my dear sir, is none other than Captain Kopeikin!" [47] Kopeikin is the name of a robber in folklore; it derives from kopeika, the hundredth part of a rouble, anglicized as "kopeck." Gogol offered to change the name if his publisher ran into trouble from the censors.

And when straightaway they all asked with one voice: "Who is this Captain Kopeikin?" the postmaster said:

"So you don't know who Captain Kopeikin is?"

They all replied that they had no knowledge of who Captain Kopeikin was.

"Captain Kopeikin," the postmaster said, opening his snuffbox only halfway for fear one of his neighbors might get into it with his fingers, in the cleanness of which he had little faith and even had the custom of muttering: "We know, my dear, you may go visiting God knows what parts with your fingers, and snuff is a thing requiring cleanliness"—"Captain Kopeikin," the postmaster said, after taking a pinch, "no, but as a matter of fact, if someone was to tell it, it would, in a certain way, make a whole poem, quite amusing for some writer."

All those present expressed a desire to know this story, or, as the postmaster put it, in a certain way, whole poem, quite amusing for some writer, and he began thus:

THE TALE OF CAPTAIN KOPEIKIN

"After the campaign of the year 'twelve, my good sir," thus the postmaster began, though sitting in the room were not one sir but a whole six, "after the campaign of the year 'twelve, Captain Kopeikin was sent back along with the other wounded. It was either at Krasny or else at Leipzig, but anyway, if you can imagine, he had an arm and a leg blown off. Well, they hadn't yet made any of those, you know, arrangements for the wounded; this invalid fund or whatever, if you can picture it, was, in a certain way, introduced much later. Captain Kopeikin sees he ought to work, only, you understand, all he's got is his left hand. He tried going home to his father; the father says, 'I've got nothing to feed you with'—if you can picture it—'I barely have bread for myself So my Captain Kopeikin decided to set out for Petersburg, my good sir, to petition the sovereign and see if he could obtain some imperial charity, 'because look, thus and so, in a certain way, so to speak, I sacrificed my life, spilled my blood . . . ' Well, anyway, you know, with some government transport or wagon train— in short, my good sir, he somehow dragged himself to Petersburg. Well, if you can picture it, this some such one—Captain Kopeikin, that is—suddenly found himself in a capital the likes of which, so to speak, doesn't exist on earth! Suddenly there's a world before him, so to speak, a sort of field of life, a fairytale Scheherazade. Suddenly, if you can picture it, there's some such Nevsky Prospect, or, you understand, some Gorokhovy Street, devil take it! or some such Liteiny Street; there's some such spire sticking up in the air; the bridges there hang like the devil, if you can picture it, that is, not touching anywhere—in short, it's Semiramis, sir, [48] Semiramis, legendary queen of Assyria and Babylonia, is credited with founding the city of Babylon, famous for its hanging gardens, which were one of the seven wonders of the ancient world. that's the whole of it! He knocked about trying to rent a place, only it all put too much of a pinch on him—all those curtains, shades, devilish stuff, you understand, rugs—a whole Persia; trampling on capitals with your feet, so to speak.

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