Chris Bohjalian - Skeletons at the Feast

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"Rich in character and gorgeous writing." – Jodi Picoult
In January 1945, in the waning months of World War II, a small group of people begin the longest journey of their lives: an attempt to cross the remnants of the Third Reich, from Warsaw to the Rhine if necessary, to reach the British and American lines.
Among the group is eighteen-year-old Anna Emmerich, the daughter of Prussian aristocrats. There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family's farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred – who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.
As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna's and Callum's love, as well as their friendship with Manfred – assuming any of them even survive.
Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century's greatest tragedies – while creating, perhaps, a masterpiece that will haunt readers for generations.

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“You look like you're ready to leave,” Mutti said.

Elfi nodded. She was wearing her gray flannel traveling skirt, her most comfortable walking shoes, and a heavy cardigan sweater she had knit that winter with the very last of their wool. It was thick enough to keep her warm in the early morning and dusk this time of the year, but she could tie it around her waist during the heat of the day. She was also bringing with her a winter coat, because she knew well how cold it could still get once the sun had gone down. She fully expected more snow, and Mutti and Anna had described for her the ordeal they had survived before they had arrived here in February.

“But, if you want, I will stay. You know that, don't you?” she asked. “Sonje will, too.”

Mutti considered her cousin, her square face with the lines furrowing deep along her eyes and around her lips. Her hair was in that odd translucent phase, no longer blond but not yet gray or white, and it was pulled back tightly now into a bun. She had grown only a little wide with age, in part-like Mutti-because of the deprivations they had been enduring for a little more than two years.

“I do,” she told Elfi. “I know you'd both stay. But you have the chance to go now, and so you should.” People had been leaving Stettin ever since Kolberg had been surrounded, and now that Kolberg had surrendered, they were fleeing in massive, less orderly numbers. This was especially true since the German troops had begun to withdraw from Altdamm, just east of the Oder. Elfi and Sonje were planning to leave on what people were suggesting might be the very last train to depart Stettin. It was supposed to arrive around five o'clock, and so Elfi had said that she wanted to be on the platform no later than noon: Although much of the city had started west days ago, there were still plenty of people left, and it was very likely that a crowd was already forming at the station.

“What will you do?” Elfi asked her.

She had been thinking about this for much of the past couple of days, as Theo's condition had worsened and she had realized that the boy couldn't possibly travel. What, precisely, would she do? And the answer was simple. She would stay here. Elfi and Sonje would head west, catching a train that would take the two women to the comparable safety of central or northern Germany. What, in any event, was left of central or northern Germany. But they would go and she would stay. She wished Callum and Anna would leave, too, but-for the moment, anyway-they were refusing. They wouldn't leave her and Theo. She thought this was a decision more foolish than noble. It was far more probable that the Russians would hurt the two of them than her and her son. A middle-aged woman and an ailing little boy.

“Irmgard?”

She looked up. Since Rolf had been gone, she was called that so infrequently that it always gave her a small start. Sometimes she forgot that she was not simply Mutti. Mother. That she had other guises and roles and personalities.

“When will you follow us?” Elfi was asking.

“As soon as we're able,” she answered, and the idea crossed her mind that they were just playacting. Going through the motions. They were both pretending to believe that they honestly thought they would be reunited within days. That she and her children and Callum would harness the horses to the wagons and set out any day now, too. Or, perhaps, leave the horses to the Russians and find a train yet. Perhaps there would be another one tomorrow. Or the day after. Then she asked, “Has Sonje packed?”

Elfi nodded. “We won't wait for lunch to leave. We shouldn't.”

“No, of course you shouldn't,” Mutti agreed, and she reached for her son's hand, and when she did she felt a pang dart across her chest. The skin was cold. The very flesh was cold. She tried to control her breathing, to reassure herself that it might just be that the fever finally had broken and Theo's temperature was starting to fall. But she was the boy's mother, and she knew this was different. This was the cold you felt in the extremities when people were dying. When the heart was growing selfish and cocooning for the chest and the head whatever warmth it could offer, and allowing the fingers and toes, the hands and the feet, to fend for themselves. Quickly she tucked Theo's hand beneath the quilt and rubbed it between both of her palms.

In the hallway she heard Callum and Anna starting down the stairs, chatting about something. A part of her wanted to cry out to them that Theo was dying and to be still. To be silent. To mourn. But another part of her wanted to rise to her feet and order them out of the house. To insist they go west right now with Elfi and Sonje. Because Rolf and Werner and Helmut were gone-she had hoped for weeks that a letter might arrive, but none ever had, not from her husband or either of her sons-and now, before her eyes in this bed by the lake, Theo was leaving, too.

Instead, however, she sat quietly with Theo's cold hand between hers and felt Elfi's dry kiss on her suddenly moist cheek.

“You're crying,” Elfi said.

“I know.”

“Why don't we bundle Theo up and just bring him with us? We'll wrap him in quilts.”

Mutti realized her cousin hadn't any idea why she was tearing, and she hadn't the energy to tell her. Besides, then Elfi would stay behind with her. She would remain here because Theo's death was imminent, and then she would expect her cousin to accompany her and Sonje. After all, there would no longer be any reason for her to stay.

But the opposite was true, too, wasn't it? Once Theo was gone, what reason would there be for her to go? She'd have no reasons left to live but selfish ones. It would mean that everyone else but Anna was, it seemed, dead. And Anna had her paratrooper to care for her now; she no longer needed her mutti. No one would. Hers had been a life of service, and now there would be no one left to serve. Soon enough they would all run out of places to run, anyway; there would be no west remaining. Already the Reich was an hourglass, and the enemies were pressing hard against the upper and lower globes.

“You know we can't do that,” she murmured simply to Elfi. “But we'll catch up with you as soon as we can. I promise.” At breakfast they had created an elaborate list of all the people they knew and all the places they might go in Berlin, Neubrandenburg, and Rostock. All the places where they might seek refuge and where they might find one another.

“All right then,” Elfi agreed, and awkwardly-because Mutti would not stand up and risk releasing Theo's cold, cold hand-Elfi embraced her. A moment later Sonje came in to say good-bye, too, and to thank her for letting her come with her from Klara's. Again, Mutti didn't rise from the chair or release Theo's fingers. Then she heard Callum and Anna saying their farewells to the two women downstairs, their voices largely, but not completely, muffled by the stairway and the corridor that separated them.

She presumed that Anna would join her in a moment. Either sit with her, as she did for a large part of each day, or spell her, which she did, too, when Mutti needed to stretch her legs.

Outside the window she watched a pair of seagulls shooting down from the sky toward the rocky shore at the base of the cliff.

Then she closed her eyes and rested her head on the pillow beside Theo, praying in her mind that this one child be spared, though she realized that-for the first time in her life-she didn't believe there was anybody there who might listen.

WHEN THEO DIED, the train with Elfi and Sonje-six cars, each one overflowing with women and children and men who were either wounded or very, very old-was three hours to the west of the city. It was so crowded that many of the passengers had to either hold their suitcases over their heads or balance them on their shoulders because there wasn't room on the floor. It had arrived a little past seven at night and didn't stay long.

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