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Robert Silverberg: The Feast of St. Dionysus

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Robert Silverberg The Feast of St. Dionysus

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The Feast of St. Dionysus

by Robert Silverberg

Sleepers, awake. Sleep is separateness; the cave of solitude is the cave of dreams, the cave of the passive spectator. To be awake is to participate, carnally and not in fantasy, in the feast; the great communion.

Norman O. Brown: Love’s Body

This is the dawn of the day of the Feast. Oxenshuer knows roughly what to expect, for he has spied on the children at their catechisms; he has had hints from some of the adults; he has spoken at length with the high priest of this strange apocalyptic city; and yet, for all his patiently gathered knowledge, he really knows nothing at all of today’s event. What will happen? They will come for him, Matt who has been appointed his brother, and Will and Nick, who are his sponsors. They will lead him through the labyrinth to the place of the saint, to the god-house at the city’s core. They will give him wine until he is glutted, until his cheeks and chin drip with it and his robe is stained with red. And he and Matt will struggle, will have a contest of some sort, a wrestling match, an agon: whether real or symbolic, he does not yet know. Before the whole community they will contend. What else, what else? There will be hymns to the saint, to the god—god and saint, both are one, Dionysus and Jesus, each an aspect of the other. Each a manifestation of the divinity we carry within us, so the Speaker has said. Jesus and Dionysus, Dionysus and Jesus, god and saint, saint and god, what do the terms matter? He had heard the people singing:

This is the god who burns like fire
This is the god whose name is music
This is the god whose soul is wine

Fire. Music. Wine. The healing fire, the joining fire, in which all things will be made one. By its leaping blaze he will drink and drink and drink, dance and dance and dance. Maybe there will be some sort of sexual event, an orgy, perhaps, for sex and religion are closely bound among these people: a communion of the flesh opening the way toward communality of spirit.

I go to the god’s house and his fire consumes me
I cry the god’s name and his thunder deafens me
I take the god’s cup and his wine dissolves me

And then? And then? How can he possibly know what will happen, until it has happened? “You will enter into the ocean of Christ,” they have told him. An ocean? Here in the Mojave Desert? Well, a figurative ocean, a metaphorical ocean. All is metaphor here. “Dionysus will carry you to Jesus,” they say. Go, child, swim out to God. Jesus waits. The saint, the mad saint, the boozy old god who is their saint, the mad saintly god who abolishes walls and makes all things one, will lead you to bliss, dear John, dear tired John. Give your soul gladly to Dionysus the Saint. Make yourself whole in his blessed fire. You’ve been divided too long. How can you lie dead on Mars and still walk alive on Earth?

Heal yourself, John. This is the day.

From Los Angeles the old San Bernardino Freeway rolls eastward through the plastic suburbs, through Alhambra and Azusa, past the Covina Hills branch of Forest Lawn Memorial-Parks, past the mushroom sprawl of San Bernardino, which is becoming a little Los Angeles, but not so little. The highway pushes onward into the desert like a flat, grey cincture holding the dry, brown hills asunder. This was the road by which John Oxenshuer finally chose to make his escape. He had had no particular destination in mind but was seeking only a parched place, a sandy place, a place where he could be alone: he needed to re-create, in what might well be his last weeks of life, certain aspects of barren Mars. After considering a number of possibilities he fastened upon this route, attracted to it by the way the freeway seemed to lose itself in the desert north of the Salton Sea. Even in this overcivilized epoch a man could easily disappear there.

Late one November afternoon, two weeks past his fortieth birthday, he closed his rented apartment on Hollywood Boulevard; taking leave of no one, he drove unhurriedly toward the freeway entrance. There he surrendered control to the electronic highway net, which seized his car and pulled it into the traffic flow. The net governed him as far as Covina; when he saw Forest Lawn’s statuary-speckled hilltop coming up on his right, he readied himself to resume driving. A mile beyond the vast cemetery a blinking sign told him he was on his own, and he took the wheel. The car continued to slice inland at the same velocity, as mechanical as iron, of 140 kilometers per hour. With each moment the recent past dropped from him, bit by bit.

Can you drown in the desert? Let’s give it a try, God. I’ll make a bargain with you. You let me drown out there. All right? And I’ll give myself to you. Let me sink into the sand; let me bathe in it; let it wash Mars out of my soul; let it drown me, God; let it drown me. Free me from Mars and I’m m all yours, God. Is it a deal? Drown me in the desert and I’ll surrender at last. I’ll surrender.

At twilight he was in Banning. Some gesture of farewell to civilization seemed suddenly appropriate, and he risked stopping to have dinner at a small Mexican restaurant. It was crowded with families enjoying a night out, which made Oxenshuer fear he would be recognized. Look, someone would cry, there’s the Mars astronaut, there’s the one who came back! But of course no one spotted him. He had grown a bushy, sandy moustache that nearly obliterated his thin, tense lips. His body, lean and wide-shouldered, no longer had an astronaut’s springy erectness; in the nineteen months since his return from the red planet he had begun to stoop a little, to cultivate a roundedness of the upper back, as if some leaden weight beneath his breastbone were tugging him forward and downward. Besides, spacemen are quickly forgotten. How long had anyone remembered the names of the heroic lunar teams of his youth? Borman, Lovell, and Anders. Armstrong, Aldrin, and Collins. Scott, Irwin, and Worden. Each of them had had a few gaudy weeks of fame, and then they had disappeared into the blurred pages of the almanac, all, perhaps, except Armstrong: children learned about him at school. His one small step: he would become a figure of myth, up there with Columbus and Magellan. But the others? Forgotten. Yes. Yesterday’s heroes. Oxenshuer, Richardson, and Vogel. Who? Oxenshuer, Richardson, and Vogel. That’s Oxenshuer right over there, eating tamales and enchiladas, drinking a bottle of Double-X. He’s the one who came back. Had some sort of breakdown and left his wife. Yes. That’s a funny name, Oxenshuer. Yes. He’s the one who came back. What about the other two? They died. Where did they die, daddy? They died on Mars, but Oxenshuer came back. What were their names again? Richardson and Vogel. They died. Oh. On Mars. Oh. And Oxenshuer didn’t. What were their names again?

Unrecognized, safely forgotten, Oxenshuer finished his meal and returned to the freeway. Night had come by this time. The moon was nearly full; the mountains, clearly outlined against the darkness, glistened with a coppery sheen. There is no moonlight on Mars except the feeble, hasty glow of Phobos, dancing in and out of eclipse on its nervous journey from west to east. He had found Phobos disturbing; nor had he cared for fluttery Deimos, starlike, a tiny rocketing point of light. Oxenshuer drove onward, leaving the zone of urban sprawl behind, entering the true desert, pockmarked here and there by resort towns: Palm Springs, Twenty-nine Palms, Desert Hot Springs. Beckoning billboards summoned him to the torpid pleasures of whirlpool baths and saunas. These temptations he ignored without difficulty. Dryness was what he sought.

Once he was east of Indio he began looking for a place to abandon the car; but he was still too close to the southern boundaries of Joshua Tree National Monument, and he did not want to make camp this near to any area that might be patrolled by park rangers.

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