Chris Bohjalian - Skeletons at the Feast

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"Rich in character and gorgeous writing." – Jodi Picoult
In January 1945, in the waning months of World War II, a small group of people begin the longest journey of their lives: an attempt to cross the remnants of the Third Reich, from Warsaw to the Rhine if necessary, to reach the British and American lines.
Among the group is eighteen-year-old Anna Emmerich, the daughter of Prussian aristocrats. There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family's farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred – who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.
As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna's and Callum's love, as well as their friendship with Manfred – assuming any of them even survive.
Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century's greatest tragedies – while creating, perhaps, a masterpiece that will haunt readers for generations.

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He asked virtually everyone in the car whether his parents or his sister might be somewhere on the train and he might be reunited with them at their destination, but no one could say. Everyone agreed that there had been plenty of couples roughly his parents' age and a great many girls who looked fourteen at the station-even some who, roughly, matched his description of Rebekah. Still, he hadn't seen any of them there and it didn't appear that anyone else had, either. At least not for sure. And Rebekah was a hard girl to miss. She was tall for her age, womanly, and-partly because they were practically being starved to death and partly because the Singers were naturally slender-thin. She had gorgeous, creosote black hair that reflected the sun like glass. If she were anywhere on this train, the men, at least, would have noticed.

It was evident to Uri after the first day that they were not going to be released from the cars until they arrived at the camp. Periodically the train stopped and a pair of soldiers would slide open the doors to see if anyone inside had died (no one did, at least that first day, not even any of the older people), and to allow one of the passengers to empty the buckets of excrement over the side. The soldiers certainly had no plans to do it. There wasn't room to lie down in the car, but Uri could sit if he curled his knees against his chest-though this, too, posed a certain hazard: It meant that his nose was close to the level of the arses and the pant legs of the people around him, and his own face and hair would brush up against the pee that had sopped into their wool trousers and the crap that had turned their underwear into unsalvageable diapers. Some of the people who had been brought to the train directly from their homes had a little food with them, and some were kind enough to share their crusts of pumpernickel or rye. But that was gone within hours. From then on, everyone grew more hungry and thirsty and frightened. And the smell from the buckets and, yes, from the people around him-the oldest people around him, he realized, were unable to squat to use the containers; others were simply too modest-grew unbearable. It wasn't merely the stench of sweat and fear, the acrid smell of the urine, or the feces that filled the pails, the pants, and the corners of the cattle car. It was the vomit. Increasingly, the stink alone was making people sick, and that was creating a vicious, malodorous circle.

During the second day, when the threshold of his own gag reflex had become downright heroic and he had grown inured to the touch of someone else's shit-soddened fabric, he would encourage the old people and the children to lean against him. Or sit against him. Or use his shoulders as a pillow or his knees as a hassock. And they did. No one, not even the children, had the energy to sing, but he would tell anyone who was interested stories about… anything. He would make up anecdotes about the ball-bearing factory, he would recall whatever he could about his aunt's service on the western front a quarter of a century earlier. Or his father's. There was an older fellow in the car who, it would turn out, had served in the same stretch of trenches as Uri's father, though the two men had never met. Sometimes people listened to Uri and he thought it might have helped a little bit. But he also knew he was merely throwing a glass of water on a house fire.

By the third day, he and some of the others were sure they were going to Auschwitz. Much to Uri's astonishment, there were actually grown-ups in the car who hadn't heard of the place. Oh, they knew of the concentration camps and the deportations. But they honestly believed-had, almost inconceivably, managed to reassure themselves-that this was all about resettlement. Not extermination.

It was this, he decided later, the fact that there were Jews-Jews, for God's sake!-who didn't believe what was happening that finally propelled him with his bucket of shit through the opened cattle car doors. It wasn't the reality that a wonderful old man who had consoled his wife with the sighs and murmurs of an angel had expired beside him, it wasn't the death of one of the car's two babies-he honestly missed the infant's howls because it meant the little one had died-and it wasn't even his own fear about what awaited him at the train's eventual destination. It was, in essence, what his mother had said: Someone had to survive this inferno and, indeed, it might as well be him.

And so when the train was starting to move once more (and, yes, there was that whistle), as a soldier was jogging beside the car and sliding the door shut-just as this middle-aged corporal of the Reich was using his own gimpy legs to jump back onto the train-Uri acted as if he were merely tossing one more pail of waste into the woods and weeds that lined the tracks. But this time he allowed his body to follow his arms. He landed on his side, drenching his shirt and his face in diarrheic muck, and rolled into the brush. He heard the guard screaming at him, the train accelerating. Almost simultaneously he was aware of the crackle of gunfire and felt something stinging his arm. But he knew they weren't about to stop the train for one shit-covered Jew, and the guard wasn't about to remain behind and miss the trip east. And so he kept pinwheeling, spinning like a rolling pin amid shrubs and high grass and spring weeds and then, much to his relief, among actual trees. There he stood and he started to run, and he didn't stop until the sound of the train (and its infernal whistle) had receded far into the distance.

He had no idea where he was, but he was nowhere near a railway station or a town and that was probably a pretty good sign. He leaned against what he thought, in the dusk, was an oak tree, and looked at his arm. His shirtsleeve was sliced open and his upper arm was bleeding, but the bullet had just grazed him. It was actually his right hip that hurt like hell. And his knees. Clearly he had banged up his hip and his knees when he'd fallen. Well, he thought, that's what you get when you dive from a rolling, accelerating train.

But, initially, he was still very glad that he had.

It was only after he had caught his breath and begun to concentrate on the sounds of the odd and unfamiliar animals he heard all around him-owls and bats and somewhere not terribly far away, a wolf-that he began to fear that he just might have deserted his family. Rebekah. Yes, she was tall and pretty, but she was only fourteen. And perhaps because there had been a child, another girl, born between him and his sister who had died within days of her birth, he and his parents had always doted on Rebekah to the point that she was really rather helpless. And what if she was on that train, in one of the other cars? His parents, too? The thought left him a little sickened, and he wasn't sure now what he would do next. He was, he realized, worse than a stranger in a strange land. He was a Jew in the east. And so the very first thing he did was to rip his star from his shirt. He'd figure out the rest-clothes, a name, a ration card for food-after he'd gotten some sleep.

AS THE EMMERICH FAMILY was preparing to leave the estate-Kaminheim was their name for their home, because the house had so many fireplaces, some of them the height and width of a pony-much to Anna's astonishment, Mutti was actually dusting. And, with the cook-the lone servant who remained-mopping the floor. And then beating throw rugs outside on the terrace in the icy January air. Apparently she believed that someday they might return, and then they would whisk the crisp white sheets off the couches and chairs-a magician's reveal-and their life would resume as if they had only been away on a holiday.

Anna presumed that her mother had been disabused of this notion by now, as they trekked through the snow in the woods and away from the caravan of refugees, trying to catch up to Helmut. But perhaps not. This was a woman, after all, who had always maintained a completely illogic faith in her führer and a naive ability to compartmentalize what she deemed his good and his bad attributes. Back in 1940, Anna recalled, the very summer when Jewish friends of her parents from Danzig would appear, homeless, on their door-step, Mutti had insisted on hanging in the parlor the signed, framed photo she owned of Hitler. They had taken the Jewish family in without a moment's hesitation, and Mutti had seen no inconsistency in celebrating the führer and offering shelter to her friends. Even now, after Soviet shells had pummeled her brother's estate a mere twenty-five kilometers farther east, she could still sound like a star-struck little girl when she talked of Hitler's blue eyes, or the entire afternoon she had spent on the Schlossplatz in 1940 because the man was staying at the Hotel Bellevue and she was hoping to steal a glance of him. She hadn't been alone. There had been very big crowds that day-including Mutti and her sister-in-law and some other women from the corner of Poland that, thanks to Hitler, recently had been returned to Germany-and they hadn't been disappointed. They had gotten to stand within yards of their leader when he had walked from the hotel to the Café Weber; they had, as one, thanked him for reuniting them with their country.

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