Hanif Kureishi - Something to Tell You

“What or where is the key?” I almost shouted. “Have you got it in your pocket? Open the door!”

He said the key might be this fellow Tahir Hussein.

The next day he obtained Hussein’s phone number for me, adding that he was much talked about. I said a lot of people were talking about me, but I was paranoid. I had no idea who was talking about Tahir Hussein. It was probably a small literary metropolitan elite, all of whom had been at university together. That was how it worked in England. But I was sane enough to realise that, without help, I would fall into a black hole. For weeks I didn’t call this man, continuing to believe I could survive alone and that my illness would disappear magically.

Another day: the morning, before work at the library. I am standing on the street. People are bent forward; they look like tables, running. Everyone had purpose, somewhere to go. When they arrived, they would have plenty to say to each other. Didn’t I, too, have plans? But-I almost said I had forgotten what they were. No. It was not that I had mislaid my plans in a far part of my mind. The future no longer had any force over me. I was too dizzy, with wild surges of mad feeling. My wish was to faint, to become unconscious. You cannot will a faint, I know that, any more than you can will a dream, a laugh or a fart. How I wanted some release from this suffering, to which even death seemed preferable. I wasn’t driven towards suicide. I wanted only to be rid of this swirling whirring.

At that moment I saw ahead of me a red London phone booth, with a gap or trench open before it, into which I waded. I came up in the booth; I was surprised to find it working; surprised to find I had change; surprised to find it ringing and answered by Tahir himself. I was particularly surprised to be invited to see him.

He had said he would take me on. I could see him the next day. He gave me his address and said simply, “Come tomorrow morning at eight and we will begin.”

If I’d had to wait more than a week, I wouldn’t have turned up. Waiting was another of my phobias. Surely I would die before the appointment? Also, I knew therapy would be expensive, exhausting most of my small income. But I couldn’t see what else to do, and having nothing didn’t hurt me; it was what I was worth.

But would I ever tell him the truth?

When I walked into that room where my life changed, although I’d studied some Freud at university and also when I was in Pakistan, I had little idea what an analysis involved, and there was no one I could ask.

In the lefty house where I lived, I kept Civilisation and Its Discontents under the bed, along with my favourite pornos, Game and Readers’ Wives, though with an E. P. Thompson paperback on top of them. This was because, among the young intelligentsia, class was the paradigm. As a useful concept, it was easier to deal with, and less dangerous than sexuality. The problems of the proletariat were not caused by being born a human being and living in families but by class conflict. Once these were solved by social change, most problems would evaporate. Any difficulties left over could be solved by Maoist group discussions.

The Left could be puritanical: in the heaven of the far future, there would be more than enough fucking, but right now the priority was that everyone pushed for change. Freud was reviled as a white, bourgeois, patriarchal pig, and psychoanalysis was considered to be exhausted as a theory. What woman would admit to, or even accept the idea of, envying our little penises?-though that, of course, was exactly what feminism was. As Adorno wrote, “In Freudian psychoanalysis, nothing is more true than its exaggerations.”

Nonetheless, R. D. Laing-popularly known as “the Two Ronnies,” after the television comedians-was still admired by students, mad behaviour was often idealised, and numerous therapies, a mixture of Vienna and California, were emerging. I knew Lennon and Ono had screamed and rolled around with Janov, and that the great Plastic Ono Band album had been the result. But I didn’t see what any of this could do for me. What of the quietly mad, the ordinary and unphotogenically disconcerted?

Tahir Hussein told me that not knowing anything about technique was the best way to approach analysis. To drive a car you didn’t have to know what was under the bonnet.

“You’re the mechanic of souls?” I said.

He invited me to lie down on the couch and say whatever came into my mind. I did this immediately, determined not to miss the full Freudian experience. His chair was behind my head, but by his breathing I could tell he was leaning towards me, scratching his chin, waiting to hear. “The thing is…” I said.

I began: hallucinations, panic attacks, inexplicable furies, frantic passions and dreams. It seemed only a minute before he said we had to finish. When I was outside, standing on the street knowing I would return in a couple of days, waves of terror tore through me, my body disassembled, exploding. To prevent myself collapsing, I had to hold on to a lamppost. I began to defecate uncontrollably. Shit ran down my legs and into my shoes. I began to weep; then I vomited-vomiting the past. My shirt was covered in sick. My insides were on the outside; everyone could see me. It wasn’t pretty and I had ruined my suit, but something had started. I came to love my analyst more than my father. He gave me more; he saved my life; he made and remade me.

After a few sessions, when I asked him how he thought I would pay for my analysis, he only said, “You will get the money.”

This did concentrate my mind. I noticed that the man who had given me Tahir Hussein’s phone number always studied the racing papers at lunchtime but never bet on horses, even though, as he put it, he believed he could make a lot of money that way. I told him my situation so far with Tahir Hussein and asked again for his help. “Easy,” he said, giving me a tip for the following day. I slung everything I had on the nag, about two hundred pounds, saved to pay my rent, and won over two thousand pounds, which I spent on my treatment. I went three mornings a week. It was serious and intense, the first time I’d taken myself seriously, as though normally what happened to me was not worth noting, and it wasn’t a moment too soon.

My academic friend had told me that one of the virtues of psychoanalysis in England was that it had been developed not only by women but by people of all nationalities, by which he meant European. Unusually for an analyst, Tahir Hussein was a Pakistani Muslim. Tahir had a smart flat at a smart address, in South Kensington. Even as I walked there, I felt rays of hatred emanating from passersby.

Tahir’s place was full of pots and rugs and furniture that had to be polished, paintings that had to be insured and sculpture that had to be plugged in. He was extravagant too. I’d almost expected a quiet guy in a suit and bow tie. But Tahir was something of a show-off, dressed in postwar ethnic gear. He’d wear salwar kameez, a kaftan, hippy trousers, even a fez, and those slippers which curled up at the toe. I’d say, at times, that he looked more like a magician at the end of a pier than a doctor.

Nevertheless, he had the complete exotic-doctor presence and charisma. Dark-skinned, with long, greying hair, he was imperious, handsome, imposing. He must have been aware that he could seem ridiculous. Few would doubt he was arrogant, cruel, alcoholic and more than a little narcissistic. But I guess he reserved the right to be himself, as much himself as he could be. For him, as for the other hip shrinks, it wasn’t the work of analysis to make people respectable conformists but to let them be as mad as they wanted, living out and enjoying their conflicts-even if it meant suffering more-without being self-destructive. I caught on early when he quoted Pascal: “Men are so fundamentally mad that not to be mad would amount to another form of madness.”