Hanif Kureishi - Something to Tell You

Most weekends were taken up with some kind of antinuclear protest. During the week there were Labour Party branch meetings held in draughty halls on run-down estates. If I went, it was because everyone else went; I wanted to know what was going on. It was serious work. The old guard, the working-class stalwarts who smoked pipes and spoke interminably in difficult accents-and had many personal memories of Harold Wilson-along with the eccentrics, the codgers, the plain crazies and those who had nowhere else to go in the evenings, were being replaced by the people I knew.

These were young, smart lawyers, housing officers, radicals from provincial universities. A few of these “activists” were actually Trots or Commies, clinging to respectability and the possibility of real power; others were channelling their ambition into conventional political careers. The idea was to move the Party to the left by integrating radical elements that had emerged during the mid-70s: gays, blacks, feminists. Michael Foot was elected leader of the Party, followed by Neil Kinnock. The Party was beginning to modernise but still wasn’t electable. To become that, it was the left politics which had to go. How we all despised Thatcher, but she led the way.

I was amazed by the bitterness, viciousness and cruelty of small-time politics. Even here idealism was, as it always is, an excuse for quite extreme aggression. I leafleted local estates, and “knocked up” during local elections. Sometimes we were invited into the flats. I’d never seen such places before in the city, and I can tell you, it was an education.

In the house I didn’t say much to anyone, staying in my room and reading. Usually there were political visitors. These were the days before the working class were considered to be consumerist trash in cheap clothes with writing on them, when they still retained the dignity of doing essential but unpleasant work.

Striking miners were popular with the gays; the Greenham women, in London for fundraisers, were favoured by the lesbians, though, apparently, they had to be bathed first; for the rest of us there were the Nicaraguans. (Several of our circle went to Managua to help out; I considered it myself but heard it involved a lot of digging.) I liked the company, liked knowing there were people around. It was the first time I’d had a place of my own, somewhere I had to pay for.

Miriam and I had returned, not long before, from our “roots” visit to Father in Pakistan, hating each other, hating everything. Not only did I not know what I was going to do, I was in bad mental trouble. I was beginning to realise that I’d thought, after the Ajita catastrophe, that the Pakistan trip would be a turning point. If I couldn’t find Ajita there-how could I?-I would at least find my father, along with a sense of direction, some strength and my best self. What Miriam and I did in fact return with would take years to absorb.

I should have guessed I’d end up messing about with books. I found a monotonous but easy job in the British Library, where I was a sort of earthworm with arms, fetching books for readers from the miles of book-stacked tunnels under Bloomsbury. I spent my day in the intestines of the gloomy building, surrounded by rotting printed paper, emerging occasionally into the light and space of the magnificent Reading Room in the British Museum. “I am a mole and I live in a hole!” I sang, or droned, as I worked.

My eyes, and those of my fellow workers, had become used to only low artificial light. We book-miners despised the readers, their self-importance, leisure and flirtatiousness with one another. Didn’t they realise this was a library? Though we might be peculiar, freakish even-we were the footnotes to the body of their text-didn’t they ever think of what we did for them, how we kept them supplied? Bent-backed, I liked shoving along a trolley in the depths of the earth, in what Keats called “dark passages.” Some of the people I worked with had laboured in the valley of books for thirty years, stifled and safe, nesting in forests of tomes. There was no better place to be buried alive.

One of the scholars working in the Reading Room-on Coleridge’s Notebooks and the poet’s love of The Arabian Nights-I had known at university. He had taught friends of mine. He walked on sticks, and his body was shrunken and misshapen, as much by the steroids he took as by the illness. Often we’d have lunch in cafés in Bloomsbury, and one time he complimented me on my long, luxuriant hair. I said I wasn’t growing it for reasons of fashion but because I couldn’t sit in a barber’s chair, couldn’t let myself be touched.

“Even by a woman?”

“Well…yes-especially by a woman.”

“You don’t have a girlfriend?” he asked.

“I did. But she went away and she’s not coming back. I thought she would. But it looks like she really isn’t.”

“I’m sure women like you. If I looked like you, I wouldn’t be sitting in the library all day. I sit down because I can’t walk properly. My broken body is going to hell.”

“Libraries are sexual places,” I said. “It’s the quiet, the whispering. You readers don’t see us watching you, but we know what’s going on. We notice who leaves the building with who, and we gossip about it. Still, tell me what you would be doing instead.”

“Having it off, of course,” he said. “As it is, the only people who touch me are prostitutes, something you don’t need. I’m sure there are women who would pay you.” He talked about himself and his own problems for a while. Then he said, “Do you have any other symptoms?”

“Symptoms?”

“States of mind which prevent you leading a relatively rewarding life.”

I explained that I had begun to stop still in the street, unable to move at all, either backwards or forwards. Recently I had stood in the same place for an hour-suspended, paralysed, dead-reading and rereading an advertisement, unable to get to work on time. If I was actually in motion, I found myself yelling at people in my mind. I wanted to fight them, wanted to get beaten up.

Mostly my mad stuff was inside me, but I would shove people on the bus; someone punched me in a pub. I wasn’t far from becoming one of those lunatics who mutter and shout at themselves at bus stops. I had to leave work early in order to lock myself in my room because I believed, and didn’t believe, that when I was outside others could hear my thoughts, that my head was transparent like a goldfish bowl.

In the evening, as you do, I’d catch glimpses of rats, birds and alligators from the corner of my eye. In my dreams, bears would dance with me, buggering me from behind. Live chickens would be stuffed down the back of my shirt.

I found one day, soon after beginning the job, that I was unable to walk; a spinal disc was perforated. I had an operation, shared a hospital ward with the limbless, and learned to walk again. Living even at the most basic level was becoming more arduous.

The oddest thing was, I felt my experiences were not taking place in the world but beyond it, in a void. There were no words for my suffering. Like the undead, the internal voices of hatred would knock on my door forever, seeking an impossible peace. If I was so ill, and getting worse, as I believed I was, how would I ever lead a useful life?

My friend said, “From our talks, I am aware that the art you like is modernism, the exploration of extreme mind states, of neurosis and psychosis. I, too, have spent my life with such books, but reading Kafka or Bruno Schulz can only take you so far. You will find in books characters who are like you. But you will never find yourself in a book unless you write it yourself. It is the wrong place to search. To switch metaphors, you can’t get out of a locked room without the right key.”