Edwidge Danticat - The Dew Breaker

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The Dew Breaker: краткое содержание, описание и аннотация

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PEN/Faulkner Award for fiction (nominee)
From the universally acclaimed author of Breath, Eyes, memory and Krik?Krak! (both Opera's Book Club selections), a powerful new work of fiction that explores the trials and reconciliations in the life of a man known as a 'dew breaker,' a torturer, whose past crimes in the country of his birth, lie hidden beneath his new American relaity. In Haiti in the dictatorial 1960's, Manhattan in the 1970s, Brooklyn and Queens today, we meet the dew breaker's family, neighbours, and victims. An unforgettable, deeply resonant book – of love, remorse, history, and hope, of rebellions both personal and political – The Dew Breaker proves once more that in Edwidge Danticat we have a major American writer.
“Breathtaking… With terrifying wit and flowered pungency, Edwidge Danticat has managed over the past 10 years to portray the torment of the Haitian people… In The Dew Breaker, Danticat has written a Haitian truth: prisoners all, even the jailers.” – The New York Times Book Review
“Danticat [is] surely one of contemporary fiction’s most sensitive conveyors of hope’s bittersweet persistence in the midst of poverty and violence.” – The Miami Herald
“Thrillingly topical… [The Dew Breaker] shines… Danticat leads her readers into the underworld. It’s furnished like home.” – Los Angeles Times Book Review
“Stunning… Beautifully written fiction [that] seamlessly blend[s] the personal and political, [and] asks questions about shame and guilt, forgiveness and redemption, and the legacy of violence… haunting.” – USA Today
“Fascinating… Danticat is a fine and serious fiction writer who has slowly grown as an artist with each book she has written.” – Chicago Tribune
“In its varied characters, its descriptive power and its tightly linked images and themes, [The Dew Breaker] is a rewarding and affecting read, rich with insights not just about Haiti but also about the human condition.” – San Francisco Chronicle
“[The Dew Breaker] is, most profoundly, about love’s healing powers. From its marvelous descriptions of place to the gentle opening up of characters, this is a book that engages the imagination.” – Elle
“With her grace and her imperishable humanity… [Danticat] makes sadness beautiful.” – The New York Observer
“Danticat has an emotional imagination capable of evoking empathy for both predator and prey.” – Entertainment Weekly
“With characteristic lyricism and grace, Danticat probes the painful legacy of a time when sons turned against their fathers, children were orphaned, and communities were torn apart.” – The Philadelphia Inquirer
“Delicate and poetic… Danticat [is] more than a storyteller, she’s a writer… Her voice is like an X-Acto knife-precise, sharp and perfect for carving out small details.” – Minneapolis Star Tribune
“Filled with quiet intensity and elegant, thought-provoking prose… An elegiac and powerful novel with a fresh presentation of evil and the healing potential of forgiveness.” – People
“[Danticat] fuses the beauty and tragedy of her native land, a land her characters want to forget and remember all at once.” – Ebony
“In these stories Edwidge Danticat continues to speak eloquently for those who in losing their sorrowful homeland have lost their voices.” – The Boston Globe
“Haitian-American writer Edwidge Danticat presents simple truths… this, the novelist seems to be saying, is how you understand; here is the primer for survival.” – The Atlanta Journal-Constitution

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When there was nothing left in his stomach, Rosalie leaned toward him and said, “You’re not well. I’ll take you home.”

“I’ll get there myself,” he said.

Then Rosalie signaled for the gatekeeper, whom the wardens had nicknamed Legba, to open the gates to let him out.

“You should be all right,” Rosalie said, patting him on the back. “I’ll think of something to explain all this.”

He didn’t feel reassured. Ultimately she would do what was best for her, taking responsibility if the president changed his mind once again and applauded the preacher’s death or leaving the blame on him if she was reproached.

He walked out through the front gate thinking he was going to be shot in the back, either by his colleagues or by Legba, the gatekeeper. However, he managed to cross the threshold alive.

Once he was out on the street, he felt for his face, finding his fingertips delving inside his own flesh, as though he’d been wearing a rubber mask that was peeling away. Following the contour of the prison wall, he continued walking until he thought he was out of the range of fire, then stood at the corner on the edge of the block where the prison ended and the rest of the neighborhood began.

What would he do now? Where would he go? He should go to a hospital, but would he be safe there?

He felt another urge to retch, but even as his body tried its best to pour out his stomach contents, nothing came out. Then something hit him, something like a large, blind animal fleeing at a hundred miles per hour.

It was a woman, a madwoman it seemed. She was wearing a white satin nightgown that looked like a full slip. The nightgown was entirely soaked with sweat that glued it to her bony body. Her short hair was wild, as though each strand were standing up in protest, her eyes filled with rage and confusion.

After she’d slammed her body into his, she stopped and looked up at his lacerated face. He hoped she wasn’t someone he’d harmed or nearly killed, someone who’d been in the torture chamber adjacent to his office, for he wanted sympathy, compassion from her. He wanted her to have pity on him, take him to her house and bandage him. Even if she despised him for some reason or another, he wanted her to help him, so he quickly mouthed the word “Tanpri,” Please, and heard the same word come out of her mouth at the same time, and he remembered how his mother used to say that when you spoke the exact same words as someone else at the exact same time, it meant that the two of you would die on the same day. He hoped that his plea merging with hers wouldn’t lead to her dying sooner than she was supposed to. Who was she, anyway? Was she a mother, a wife, a sister who was keeping a vigil for someone? Was she the one who called out “Jean” each time a new prisoner was brought in, the one in whose direction the officers and militiamen often shot?

He felt dizzy and, forgetting his own massive size and the fact that he could easily slam her down to the ground with his weight, he leaned toward her. She opened her arms and somehow managed to catch him and hold him upright. She was still looking closely at his face, her hands reaching over to touch his wounds in a way that seemed both healing and curious. She grabbed his head and sobbed in his hair.

“In there,” she said. “I need to go in there.”

“People who go in there,” he said slowly, “don’t come out.”

At that moment he would have done anything to keep her with him. Besides, he wasn’t lying. If she went in there, at that time of night, the men would make her all kinds of false promises, then have their way with her.

“Let’s go,” he said. “Quickly.”

She looked at his face again, reached up and picked a few large splinters out of the wound, then followed him.

His home wasn’t too far away. They walked fast, hurrying past the soccer stadium and the cemetery. Her body stiffened and she seemed to hold her breath until they passed the cemetery. He decided not to question her about that. Perhaps if she weren’t a little mad, she wouldn’t have been helping him at all.

10

When he got home, he stumbled onto the bare mattress on his bedroom floor and fell asleep. He didn’t care whether or not he bled to death, didn’t care about the cuts on his swelling face. He was happy she was there to watch him sleep or maybe even crawl up next to him and share his bed. In the morning, he would make all the important decisions that needed to be made, but for now all he wanted to do was slip into the kind of slumber from which it seemed there would be no awakening.

11

His face had stopped bleeding, but it was now covered with several layers of blood. She watched as the tint of the blood faded from bright red to dark brown to almost black.

The sun was coming up with a gentleness that surprised her. It was the reverse of what was happening to his face. First the black mist dulled to gray, then to the slight orange tint of a sunrise, then finally to the sheerness of glass.

From his louvered window, she watched an early-morning funeral procession on its way to the cemetery. There was no fanfare, no musical band accompanying the hearse and the family members walking behind it. Perhaps these people, who looked as though they were muffling their sobs with their dark handkerchiefs, were indigents who couldn’t afford a more elaborate afternoon funeral and were so ashamed of this that they preferred to bury their loved one when most people were still asleep.

Once the funeral procession had passed, she looked around his house for something to clean his even more enlarged face. The house was mostly empty save for the mattress he was lying on, a few pieces of clothing scattered here and there, some toiletries in the bathroom, and a few rusty forks and spoons in his kitchen. There was nothing with which to dress his wound. So she decided to go out and find a few pieces of ginger, a small bottle of honey, and some yerba buena with which to make an infusion for him.

On the street she did her best to avoid the cemetery. There were a few people out already, hurrying as if they were late for appointments made for the night before. She lowered her head as these people walked by her, staring.

There were only a few vendors in the open market when she arrived. The first one she approached, a skeletal dwarf with a large head, had a radio on, which was reporting some news from the night before. He had the ginger, yerba buena, and honey she needed, but she had no money to pay for anything. She didn’t even have any clothes on, aside from her nightgown.

The vendor told her she could have these things if she would come back later and pay him. They weren’t expensive, just five gourdes total, for everything.

“Are you buying these for a sick person?” he asked.

She nodded.

It occurred to her that maybe he was giving them to her because he thought she was a healer or a madwoman who all of a sudden was sobbing.

12

He was dreaming. Once again he was a boy in Léogâne, and he and his mother were working together in her garden. It was a cool morning and the sun was just rising, a golden mist surrounding them.

The earth was warm and moist when he touched it, the seedbeds smelling of decaying vegetable peel. As the sun rose higher in the sky, he could hear cocks crowing, dogs barking, birdcalls, and wings flapping, and his father gently moving toward his mother and himself to quietly watch them work before heading out to one of his early-morning mason lodge meetings.

Once more he was alone in the garden with his mother. Her long thick black hair, freed from the dark rag she usually kept it wrapped in, rose and fell on her shoulders in the morning breeze. Around them the seeds they’d planted together had magically taken root and were turning into trees-mango, papaya, guava, and avocado trees. From among the roots, herbs, and healing weeds, his mother reached down and plucked a bundled fern, a fèy wònt, a mimosa pudica or shame plant. She took one of his hands and guided it toward the tiny leaflets. When his index finger touched the prickly spine, the little leaves collapsed onto themselves as if to shut him out. She motioned for him to wait a while, for she never spoke in his dreams, and magically the leaves turned outward and reopened. She encouraged him to try this a few more times, tapping the shame plant to watch it close, then open and close once more. Then she handed him a sprig, motioning for him to hold on to it.

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