Edwidge Danticat - The Dew Breaker

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The Dew Breaker: краткое содержание, описание и аннотация

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PEN/Faulkner Award for fiction (nominee)
From the universally acclaimed author of Breath, Eyes, memory and Krik?Krak! (both Opera's Book Club selections), a powerful new work of fiction that explores the trials and reconciliations in the life of a man known as a 'dew breaker,' a torturer, whose past crimes in the country of his birth, lie hidden beneath his new American relaity. In Haiti in the dictatorial 1960's, Manhattan in the 1970s, Brooklyn and Queens today, we meet the dew breaker's family, neighbours, and victims. An unforgettable, deeply resonant book – of love, remorse, history, and hope, of rebellions both personal and political – The Dew Breaker proves once more that in Edwidge Danticat we have a major American writer.
“Breathtaking… With terrifying wit and flowered pungency, Edwidge Danticat has managed over the past 10 years to portray the torment of the Haitian people… In The Dew Breaker, Danticat has written a Haitian truth: prisoners all, even the jailers.” – The New York Times Book Review
“Danticat [is] surely one of contemporary fiction’s most sensitive conveyors of hope’s bittersweet persistence in the midst of poverty and violence.” – The Miami Herald
“Thrillingly topical… [The Dew Breaker] shines… Danticat leads her readers into the underworld. It’s furnished like home.” – Los Angeles Times Book Review
“Stunning… Beautifully written fiction [that] seamlessly blend[s] the personal and political, [and] asks questions about shame and guilt, forgiveness and redemption, and the legacy of violence… haunting.” – USA Today
“Fascinating… Danticat is a fine and serious fiction writer who has slowly grown as an artist with each book she has written.” – Chicago Tribune
“In its varied characters, its descriptive power and its tightly linked images and themes, [The Dew Breaker] is a rewarding and affecting read, rich with insights not just about Haiti but also about the human condition.” – San Francisco Chronicle
“[The Dew Breaker] is, most profoundly, about love’s healing powers. From its marvelous descriptions of place to the gentle opening up of characters, this is a book that engages the imagination.” – Elle
“With her grace and her imperishable humanity… [Danticat] makes sadness beautiful.” – The New York Observer
“Danticat has an emotional imagination capable of evoking empathy for both predator and prey.” – Entertainment Weekly
“With characteristic lyricism and grace, Danticat probes the painful legacy of a time when sons turned against their fathers, children were orphaned, and communities were torn apart.” – The Philadelphia Inquirer
“Delicate and poetic… Danticat [is] more than a storyteller, she’s a writer… Her voice is like an X-Acto knife-precise, sharp and perfect for carving out small details.” – Minneapolis Star Tribune
“Filled with quiet intensity and elegant, thought-provoking prose… An elegiac and powerful novel with a fresh presentation of evil and the healing potential of forgiveness.” – People
“[Danticat] fuses the beauty and tragedy of her native land, a land her characters want to forget and remember all at once.” – Ebony
“In these stories Edwidge Danticat continues to speak eloquently for those who in losing their sorrowful homeland have lost their voices.” – The Boston Globe
“Haitian-American writer Edwidge Danticat presents simple truths… this, the novelist seems to be saying, is how you understand; here is the primer for survival.” – The Atlanta Journal-Constitution

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A group of women got up and quickly walked out. Those passersby who’d simply stopped in to rest filed out behind them, not quite understanding what was going on but sensing somehow that it could lead to trouble, that they might be fingered as anti-patriots merely for listening to what was being said.

Léon, the shoeshine man, wiped a tear from his eye, remembering his own son who was one of those men who roamed the night in denim uniforms and carried people away to their deaths. His son might have been one of those he’d emptied the slop jars on and who had shot in his direction in return, for a good Volunteer, it was said, should be able to kill his mother and father for the regime.

Even though Léon hated what his son did, he still had to let his boy come home now and then for the boy’s mother’s sake and still had to acknowledge that maybe it was because of his boy that he’d not yet been arrested.

The preacher continued talking about his wife, remembering how her lips were so memorable, bright pink against her very dark face, how the space between her mouth and nose was cupped, shaped like a seashell, how the tip of her nostrils seemed to dip into the shell whenever she smiled, and how he’d done his best that day to try and make her smile, just to see that one last time.

He had loved his wife as soon as he saw her-his voice was growing hoarse and tired-he’d had no family in the city when he came to her father’s church at fourteen. He said as much to her when he met her at the first service he attended in this church, and she insisted that her parents take him in.

He converted from Catholicism so he could sit in this church with her, becoming a minister so her parents-he was so glad that she was now with them in Heaven-he became a minister so her parents would let him marry her.

He was still speaking out his reverie when his stepsister Anne walked in and out of the congregation within seconds. Anne was returning from her first cosmetology class. He’d signed her up that morning, her third in the city. He could tell from the cool, distant look on her face that she knew nothing of the immediate threat, the killers lurking about, his possible arrest. His sister-for his father and her mother had ordered them to always call each other frè, sè, “brother,” “sister”-had remained in their home village until a few days ago. In the seventy-two hours she’d been with him, however, he’d told and retold her of the day of his wife’s death and now it was too much. She was angry, angry at him for spending so much of his time and energy on the people in government, tired of his delusions to one day unseat them and set the masses free when he’d simply walked away from his own family, his old life, the place where the brother, with whom she shared a mother and he a father, had drowned. She would now go to his house and wait for him, to tell him all this once he returned. Besides, she was hungry and wanted to get something to eat.

His sister’s quick appearance and departure did not break the preacher’s flow of reminiscences, however. A half hour later, as the preacher was still recounting the sad tale of his wife’s death, a fat man, whose very large head was crowned with a deep widow’s peak, burst through the church’s front door. Behind the fat man was a group of Volunteers, all dressed in denim uniforms and wearing dark glasses whose front surfaces were like mirrors, distorting the room into curvatures and the churchgoers into miniatures. The men waved their handguns and rifles at the congregation and told them to keep their heads down, their foreheads pressed against the pews in front of them. The fat man wobbled down the aisle toward the preacher, held a.38 in one hand and with the other grabbed the preacher’s neck, wrapping his long, plump fingers around the preacher’s Adam’s apple, putting extra pressure on the preacher’s voice box to keep him from speaking. The extra force was not necessary, for the preacher had spent months preparing himself for a moment such as this, imagining what he would or would not do in this exact situation, and now that the moment had come, he was glad that his body was cooperating, no unexpected pulmonary attacks, no sudden bowel movements.

A few of the Volunteers joined the fat man and the preacher at the altar. Two of them grabbed the preacher’s arms and swung them around behind his back and held them there. The preacher winced in pain only once as the fat man and the others shoved him toward the front door.

The street outside the church was suddenly empty, all the merchants and children gone, all doors padlocked, with no light streaming out.

The preacher imagined his neighbors trembling in their hiding places, wondering if they would be visited next. But tonight, it seemed, was his night, and his alone.

The preacher was thrown in the back of a truck. A group of Miliciens piled on top of him. He raised his feet close to his chest as they shoved him from side to side, pounding rifle butts on random parts of his body. His face was now pressed against the metal undulations of the truck bed, boot soles and heels raining down on him, cigarette butts being put out in his hair, which sizzled and popped like tiny grains of rock salt in an open fire. He was hit with jolts of shock from what felt like portable electric devices pressed against the heels of his now bare feet.

He welcomed the sudden jerk of the truck taking off to race down the empty streets, because it provided a brief interruption of the assaults. He felt a flurry of hands sweep over his face. Some raised his head, and for a moment he caught a glimpse of the unfamiliar faces surrounding him, many now with the dark glasses off.

A dusty black rag was wrapped around his eyes, then tied in rigid knots around the back of his head. Now that his eyes were covered, he craved to see.

The truck suddenly stopped. The men nearest to him exchanged a few words with the people in a car up front. It seemed to him that the conversation was about where to take him, the nearby military barracks or the prison, Casernes or Fort Dimanche. It was said that if one went to the former there was a small chance of coming out alive, but the latter was literally a sepulcher from which no one was ever expected to resurface.

He thought he heard Casernes, the barracks. The truck was off again, and the blows resumed for the rest of his journey. He lost track of his own movements, his body cringing at every strike.

The truck stopped once more, and he felt the truck bed slowly rise as the Miliciens jumped off.

He heard a woman scream, “Jean! Jean! Is that you?” And if his name had been Jean, he would have thought himself already dead, being called forward by his wife from the other side.

He tried for the first time to loosen his hand and foot restraints so that he could perhaps move closer to the empty space where the woman’s voice was coming from.

A shot was fired somewhere. In the air? At him? At the woman calling Jean? He didn’t feel the expected hot burst of flames anywhere on his skin. Someone dragged him by the legs, pulled him forward, removing his jacket, and then he felt himself falling from the back of the truck onto the concrete. He fell on his face, crushing his forehead. His blood quickly soaked the blindfold, a warm veil of red covering the darkness over his eyes. He was being dragged by the legs over the rise of a curb. With each yank forward, a little bit of him was bruised, peeled away. He felt as though he was shedding skin, shedding voice, shedding sight, shedding everything he’d tried so hard to make himself into, a well-dressed man, a well-spoken man, a well-read man. He was leaving all that behind now with bits of his flesh in the ground, morsel by morsel being scraped off by pebbles, rocks, tiny bottle shards, and cracks in the concrete.

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