Michael Cunningham - A Home at the End of the World

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From Michael Cunningham, the Pulitzer Prize-winning author of
, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise “their” child together and, with an odd friend, Alice, create a new kind of family.
masterfully depicts the charged, fragile relationships of urban life today.
The film adaptation of
premiered in July 2004. Directed by Michael Mayer, with the screenplay by Michael Cunningham, the movie stars Sissy Spacek, Robin Wright Penn, Colin Farrell, and Dallas Roberts.

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“The funny thing is,” I said, “I used to feel guilty for not being more adventuresome. I’d hear other men talking about how they’d turned four tricks in a night and think, ‘I’m the most repressed gay man who ever lived.’ I mean, most of the guys I went with, I knew I’d probably never see again. But I always had to feel like maybe I’d want to see them again, like in some way it was remotely possible that we might fall in love. Even though we never did.” Erich looked into his wine and said something inaudible.

“Hmm?”

He said, “Well, do you think we’re, you know, falling in love?”

I had never seen anyone so embarrassed. His whole head glowed crimson, and the wine in his glass quivered.

I believed I knew what he wanted. He wanted to collapse into love. Life was too frightening. Renown was withheld despite his constant efforts, and the future we’d all counted on could be revoked with a nagging cough, a violet bloom on a shin.

“No,” I said. “I care about you. But no.”

He nodded. He didn’t speak.

“Are you in love with me?” I asked, though I knew the answer. He wanted desperately to be in love with someone. I fulfilled the fundamental age, height, and weight requirements. But his desire didn’t attach directly to me. It was not quite personal.

He shook his head. We sat for a while in silence, and then I reached over and took his hand. I had to be tender with him because I hated him; because I had it in me to scream at him for being ordinary, for failing to change my life. I was frightened, too; I, too, wanted to fall in love. I stroked Erich’s hand. The turntable, set to repeat, started the Coltrane album again. Erich tried out a laugh, but swallowed it along with a deep draught of wine.

I could have murdered him, though his only crimes were lack of focus and dearth of wit. I could have skewered his heart with a kitchen fork because he was a peripheral character promoted by circumstances to a role he was ill equipped to play. I can’t deny this: I thought I deserved better.

Without speaking, we stood up and went to bed. It was our single incidence of psychic accord—ordinarily we explained our simplest acts in lavish detail. But that night we took our wineglasses and went without speaking to his bed, undressed, and lay down in one another’s arms.

“These are scary times,” I said.

“Yes. Yes, they are.”

We lay for a while without discussing the last remaining event in our sensual histories—the fact that we had not exercised bodily precautions together. Now it was too late to protect ourselves from one another. There was no rational accounting, beyond the fact that even four years ago, when we’d met, the disease had still seemed the province of another kind of man. Of course we’d known about it. Of course we’d been scared. But no one we knew personally had gotten sick. We’d believed—with a certain effort of will—that it befell men whose blood was thinned by too many drugs, who had sex with a dozen people every night. Erich had had a good record collection, and framed photographs of skinny brothers and sisters posing by a lake, in a wallpapered living room, and beside a glossy red Camaro. He talked about going to auditions, and about finding a better job. He had seemed too busy to be available to early death. I couldn’t say how he’d worked out the equation in his own head, because this did not seem to be a conversation we were capable of holding. We let a lengthy, silent embrace stand in for it. Then, with a new gravity, we made love as the Coltrane record played itself over and over and over again.

Several days later, Bobby told me about himself and Clare. I had been to see Arthur in the hospital. His pneumonia was clearing—he’d expressed optimism about the future, and a conviction that the cessation of alcohol and the adoption of a macrobiotic diet would improve his health a hundred percent. Although there was still important work to do at the office, I hadn’t the heart for it. I went home instead, to spend the evening with Bobby and Clare.

When I arrived they were in the kitchen together, making dinner. Our kitchen accommodated two people about as generously as a phone booth would, but they had managed somehow to wedge themselves in. From the living room I heard Clare’s laughter. Bobby said, “You’ve got to, like, move your butt another inch or I can’t get this out of the oven.”

I called, “Hello, dears.”

“Jonathan,” Clare said in a high, humorous voice. “Oh my Lord, he’s home.”

They must have tried to leave the kitchen at the same time, and gotten stuck. I heard more laughter, and a grunt from Bobby. Clare came into the living room first. She wore a yellow bowling shirt with a strand of red glass beads. Bobby followed, in his T-shirt and black jeans.

“Hi, honey,” Clare said. “What a surprise. Did the paper burn down?”

“No, I just missed you both. I’m taking the night off. Want to go bowling or something?”

Clare kissed my cheek, and Bobby did, too. “We were making, like, chicken and biscuits,” he said.

“Like none of our mothers actually made,” Clare added. “I don’t know about you, but where I come from, home cooking was a Hungry Man Salisbury-steak TV dinner. Chicken with cream gravy seems so exotic and foreign.”

“Jon’s mother was a great cook,” Bobby told her. “She never bought anything, you know, frozen. Or canned.”

“Right,” Clare said. “And she dove for her own pearls and trapped her own minks. Jonathan, dear, would you like a cocktail?”

“Love one,” I said. “What if we made a pitcher of martinis?”

We had taken to drinking martinis. We’d bought three stemmed glasses, and kept jars of green olives in the refrigerator.

“Great,” Bobby said. “We can, um, drink a toast.”

“You know me. I’ll drink to anything. Isn’t this Guy Fawkes Day, or something?”

“Well,” Bobby said. He grinned with cordial embarrassment.

“Is there something more specific to toast?” I said.

“I’m going to make those martinis,” Clare said. “You two wait right here.”

She went back to the kitchen. “What’s up, sport?” I asked Bobby when we were alone.

He kept on grinning, and looked at the floor as if he saw secrets printed on the carpet. Bobby had no capacity for subterfuge. He could fail to answer a question but could not answer it falsely. Whether it was morality or simple lack of imagination, I couldn’t say. Sometimes the two are so closely related as to be indistinguishable.

“Jonny,” he said. “Clare and I—”

“Clare and you what?”

“We’ve started, that is we’ve fallen. You know.”

“No. I don’t know.”

“Yeah. You do.”

“You mean you’re sleeping together?” I said.

He lifted his gaze from the floor, but couldn’t meet my eyes. He was smiling and wincing at once, with a sense of barely contained hilarity, as if he was waiting for me to realize I’d forgotten to put my pants on.

“Well,” he said after a moment. “Aw, Jonny. We’re, like, in love. Isn’t it amazing?”

“It is. It’s truly amazing.”

I hadn’t expected my own voice to sound so cold and peevish. I had meant to respond in a firm but kindly voice—to cut through the romantic nonsense. At the tone in my voice, Bobby looked uncertainly at me, his smile frozen.

“Jon,” he said. “Now we’re, like, really a family.”

“What?”

“The three of us. Man, don’t you see how great it is? I mean, it’s like, now all three of us are in love.”

Clare came out with martinis on the tray that had become part of our cocktail ritual. The tray was a battered old souvenir of Southern California, featuring oranges the color of manila envelopes and black-lipped, skirted beauties lolling with aloof, disappointed expressions on a pale turquoise beach.

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