John Lanchester - Capital

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The internationally celebrated author of The Debt to Pleasure returns with this major, breakout novel – scathing and subversive, sharply witty and brilliantly observed as it follows the lives and fortunes of a group of people in London that becomes connected in unforeseen ways.
Pepys Road: an ordinary street in the capital. Today, through each letterbox along this ordinary street drops a card with a simple message: We Want What You Have. At forty, Roger Yount is blessed with an expensively groomed wife, two small sons and a powerful job in the city. Freddy Kano, teenage football sensation, has left a two-room shack in Senegal to follow his dream. Traffic warden Quentina has exchanged the violence of the police in Zimbabwe for the violence of the enraged middle classes. Elsewhere in the Capital, Zbigniew has come from Warsaw to indulge the super-rich in their interior decoration whims. These are just some of the unforgettable characters in Lanchester's unputdownable masterpiece novel of contemporary urban life.

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The children’s TV presenters still seemed to be coked out of their brains. Roger still envied them. Conrad came down at about eight, and his second day in full solo charge of his boys was in full swing. They went to Starbucks to get a triple-shot espresso (Roger), a cream-based java chip Frappuccino (Conrad) and a steamed-milk babycino (Joshua). Conrad managed to knock the fire extinguisher off the wall outside the disabled toilet while Joshua had distracted Roger by trying to climb up and/or push over a stool, but the extinguisher didn’t go off, which was another good omen for the day. They went for a walk on the Common, which was as empty as Roger had ever seen it. At one point, on their way to the dog-free zone to kick a football about, he walked past a young woman pushing a pram – middle-class, she was, as Roger registered without bothering to examine how he decoded that fact: something about her scarf, or her pram, or her hair – and she gave him a look of unqualified approval. Roger thought for a moment how he must look: dad shoving along a pushchair with one small boy in it, wrapped up in a coat and hugging a football; second small boy trotting alongside. The likely diagnosis would be, thoughtful father taking his sons for a Boxing Day walk while Mum has a well-deserved lie-in. Well, bollocks to that, thought Roger, and before he’d realised it the thought made him scowl at the nice, and distinctly fit-looking, middle-class mum.

It was windy on the bare Common, and colder than Roger had expected. There were no other children out today; only one or two addicted joggers. They gave up after about ten minutes and headed for home.

‘Hot chocolate?’ said Roger, realising, as he spoke the words, that he didn’t in fact know how to make hot chocolate. How hard could it be? And maybe the tin would have instructions. But the boys had decided they were too cold to make that sort of decision. Joshua got back in his pushchair and made a token attempt at doing up the buckle before Roger helped him out. Conrad zipped up his own coat and pulled the hood over his head, then put his hands deep in his coat pockets with his shoulders hunched. He looked like a very small mugger.

Walking back across the Common, all three of them now crouching into themselves to keep warm, Conrad said:

‘Witches’ knickers.’

Roger thought he must have misheard.

‘What?’

Conrad pointed towards some trees, twitching in the stiff December wind.

‘Witches’ knickers.’

Roger looked. The clump of trees had three white plastic bin bags in them, thrashing and dervishing in the black branches. Witches’ knickers. He laughed for the first time in two days. Later they all became tired and cross with each other – a typical Boxing Day. But at least it wasn’t as bad as Christmas.

Help arrived the next day. It came as more than a pleasant surprise when the Hungarian nanny, promised by the agency when Roger finally got through at nine, rang on the doorbell at quarter to eleven, and turned out to be a tall, pretty, well-spoken dark-haired girl in her mid-twenties. Matya. According to the agency, she had OK English and good references and a strong rapport with small children. As soon as he looked at her Roger felt ill with relief. He also did what he unconsciously did whenever he was attracted to a woman, and stretched to his full height.

When Matya came in the sitting room, the first thing she did, Roger noticed (after also noticing her startlingly good bum in tight jeans, once she’d taken her coat off), was look for the children. It was interesting, because most people coming in the room looked at the fancy decor and fancy stuff. Joshua and Conrad were having one of their infrequent five-minute episodes of getting on well, while the younger boy passed bits of Duplo to the elder, who was building what seemed to be a zoo.

‘Let me brief you,’ said Roger firmly. He introduced Conrad and Joshua, but Matya barely seemed to need the introduction; she was down on her knees beside the boys, discussing in her soft Hungarian accent the best way of getting the gorilla to stand on the back of the crocodile. All in all, for Roger it was like the moment in an action movie when the helicopter rescue crew gets to the special forces team deep behind enemy lines, and the viewer finally gets the feeling that, just possibly, and against all odds, everything is going to turn out all right for the good guy.

Part Two

April 2008

31

Spring was coming. At number 42, the crocuses Petunia Howe had planted the previous autumn, before she began to feel peculiar, had come and gone. The hollyhocks and delphiniums which she had planted to come up in the summer weren’t visible yet, so the garden was less colourful than she liked it to be; the lawn was looking scruffy, too. She didn’t like to ask her daughter to mow the lawn and there was no one else to do it. Even so, there was a sense that spring was here: when it was warm enough to have the window open – which at the sheltered back of the house it already was, some of the time – she could feel the distinctive texture of the new season’s air, its fructifying softness. Petunia had always loved that feeling. She didn’t think that you had to divide the world into spring or autumn people, because she loved them both, but if you had to pin her down she would have said she was a spring person. By May or certainly June, the cranesbill would be out, the Queen Anne’s lace would be beginning, and the irises would be in full flower; the lily of the valley would be everywhere; the garden would be vivid and intimate with colour and growth, the way she liked it – with a sense of profusion, generosity, so many different things going on that it verged on being untidy. She liked to sit in her chair by the window in her bedroom and look down into the garden and imagine how it was going to be. It was hard to accept – it was impossible to get her head around – the fact that she was dying and would be dead by high summer. Her consultant had told her so.

He had done so the way he did everything else, awkwardly. It was as if he was remembering to try not to be brusque but not quite managing it. The brain tumour he had said needed ‘eliminating’ as a possible illness turned out to be what she actually had. The business about ‘elimination’ was, she now realised, doctor-speak for ‘this is probably what you’ve got’. She had a large tumour, one which had, he said, grown surprisingly quickly for someone her age.

‘I’ve got cancer,’ Petunia had said, with a sensation that she had bumped into something. People talked about the floor opening up beneath you, or the ground falling from beneath your feet, and things like that, but that wasn’t how Petunia felt; she felt as if she had walked into something invisible. Something which had always been there but which she hadn’t been able, and still wasn’t able, to see.

‘Not strictly,’ the doctor said, having visibly had a small struggle over whether or not he should factually correct a dying woman over a point of terminology, before giving in to the impulse to do so. ‘Brain tumour is not a form of cancer. But you do have a tumour and I am sorry to say there is evidence that it is growing.’

Evidence – a heavy word.

The doctor said that the tumour was too big to operate on but that they could treat it with chemotherapy. Or rather that they could ‘perhaps’ treat it with chemotherapy. Many years ago, after watching her friend Margerie Talbot – who had lived at 51, where the Younts now lived – suffer horribly with the treatment for cancer and then die anyway, Petunia had resolved never to have chemotherapy. Now, sitting in the doctor’s consulting office on the eighteenth floor of the hospital tower block, she was interested to notice that the practice was no different from the theory: she felt no temptation to accept the offer of treatment. Not that it was an especially tempting offer. It was something like six weeks’ treatment for six extra months of life – Petunia couldn’t now remember the exact details of the calculation but she could remember at the time thinking how strangely similar it was to the extended warranty offers, £5.99 a month for three years’ extra coverage, which had used to make Albert so reliably furious.

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