Javier Marías - Your Face Tomorrow 1 - Fever and Spear

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In a return to the British setting of his much loved novel All Souls, Javier Marias embarks on a remarkable 'novel in parts', set in the murky world of surveillance and espionage. Fever and Spear is the first volume. In it Marias begins to weave a web of intrigue, both narrative and intellectual, that will entice the reader to follow him into the labyrinth of the novel's future books. Recently divorced, Jacques Deza moves from Madrid to London in order to distance himself from his ex-wife and children. There he picks up old friendships from his Oxford University days, particularly Sir Peter Wheeler, retired don and semi-retired spy. It is at an Oxford party of Wheeler's that Jacques is approached by the enigmatic Bertram Tupra. Tupra believes that Jacques has a talent: he is one of those people who sees more clearly than others, who can guess from someone's face today what they will become tomorrow. His services would be of use to a mysterious group whose aims are unstated but whose day-to-day activities involve the careful observation of people's character and the prediction of their future behaviour. The 'group' may be part of MI6, though Jacques will find no reference to it in any book; he will be called up to report on all types of people from politicians and celebrities, to ordinary citizens applying for bank loans. As Deza is drawn deeper into this twilight world of observation, Marias shows how trust and betrayal characterise all human relationships. How do we read people, and how far can the stories they tell about themselves be trusted when, by its very nature, all language betrays? Moving from the intimacy of Jacques' marriage to the deadly betrayals of the Spanish Civil War, Your Face Tomorrow is an extraordinary meditation on our ability to know our fellow human beings, and to save ourselves from fever and pain.

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Sometimes, as I have said – although I only saw this on a couple of occasions – this man whom I have failed to interpret or sum up, about whom I cannot form a clear or even a vague idea, danced with a partner, contrary to his custom, and he did so with two different women, one white and the other black or mulatto (I couldn't really tell which, the lights were low); but even then he seemed less intent on his partners than on himself and his own enjoyment, although he doubtless liked dancing with them just for a change and so that he could swing them around and hold them and brush lightly past them in that large uncluttered room, a whole long zone or area bare of furniture, of all obstacles, as if he kept it like that on purpose to facilitate his cavortings. The white woman wore trousers, which was a pity; the black woman, on the other hand, wore a skirt that swirled about and up, and sometimes did not immediately subside, but remained caught for a few seconds on her stockings (or, rather, tights or whatever they're called, that come up to the waist) until a wiggle of her hips or a distracted movement with her hand freed the fabric and returned it to the censorious laws of gravity. I enjoyed seeing her thighs and, fleetingly, her buttocks, which is why I stopped using my binoculars, spying isn't really my style, at least not intentionally, as was the case here. The white woman left after the dance session and got on her bike (perhaps that's why she wore trousers, not that one needs to find a reason); the black or mulatto woman stayed the night I think; the two of them stopped after they had been dancing for a while and immediately turned out the lights, and I didn't see her leave for a long time afterwards, it was late and had grown still later by the time I decided to go to bed in order to forget all about her. Women have occasionally stayed in this apartment too, especially during my first few months of settling in and reconnaissance and taking stock: one of them has been back since, another one wanted to, but I wouldn't let her, the third didn't even suggest it, she washed her hands of the affair before it was even over – yes, there had been three thus far; I knew nothing about her then and have heard nothing since, not since she had breakfast in my kitchen, not so much hurriedly as mechanically and swiftly, as if being there so early in the morning had nothing to do with her, a mere coincidence of accommodation, she was engaged to some VIP's son and got a thrill out of announcing her imminent marriage to him and yet was terrified by its very imminence, perhaps he had been phoning her since the previous night or since early that morning, dialling and hanging up, then picking up the phone again and dialling, that nervous fiancé getting no reply or only her answer machine or voice mail, which is unbearable, calling and calling in vain, I couldn't stand this constant trying to get through to Luisa, what could she be doing, perhaps she'd taken the phone off the hook because she had a visitor, perhaps someone was going to stay the night with her, and the only way of ensuring that my distant voice did not interrupt or disturb anything – she must have suddenly realised that it was Thursday, when it became clear that the visit would last longer than expected: spear, fever, my pain, sleep, dreams, the substantial or the insignificant – was to put the children to bed slightly earlier than usual and to leave the phone off the hook all night, she could always claim tomorrow that it had been an accident.

But only the flattering, diligent man stays, at least at this stage, only the one doing his best to move in and occupy the empty space in the warm bed without aspiring to introduce any changes, since his predecessor's way of doing things seems just fine and he yearns only to be him, even though he does not yet know it; the jolly, smiling one leaves or does not even come in, he's not interested in sharing a pillow except during active waking hours; and the despotic, possessive one puts on an act at first, takes great care not to appear intrusive, waits to be encouraged and even when he is, declines the first invitations ('I don't want to complicate your life, I'd be putting you to a lot of trouble, and maybe you're not sure yet that you want to see me tomorrow, perhaps you should give it a bit of thought'), he appears deferential, respectful, even cautious, he tries not to reveal any invasive or expansionist tendencies, and he does not linger or dawdle in alien territory until a much later phase, precisely because he is planning to take the whole place over and cannot run the risk of arousing suspicion. He does not spend the night, even if begged to do so, not at first: he puts all his clothes back on despite the lateness of the hour, the exhaustion and the cold, and overcomes all inertia – having to put his socks back on – and postpones all eagerness, all haste – he does not mind if eagerness and haste are condensed into one; he gets in his car or calls a taxi and leaves noiselessly at dawn, in order that he can begin to be missed more quickly, as soon as he closes the door behind him and enters the lift and leaves the dishevelled, still-warm woman to return to her rumpled, unwelcoming bed, to her wrinkled sheets and to the still lingering smell. If that man is there, that devious guy who, later on, will not give her so much as a moment's breathing space and will isolate her totally, and who will not even have to bury me or dig me in any deeper because he will have suppressed my memory with the first terror and the first supplication and the first order; if he is her visitor tonight, then Luisa might put the phone back on the hook again once he has gone, as smartly dressed as when he arrived and even with his gloves on, and perhaps she will replace the phone when she hears the downstairs door bang and hears his steps in the street, noisy and confident and firm now, his progress towards it steady and sustained. So maybe I should keep ringing, or try again later, when I finally decide to go to bed in order to forget about her, it's almost eleven o'clock in Madrid and what am I doing here so far away, unable to go home to sleep, what am I doing in another country behaving like a nervous fiancé or, worse, like an insignificant lover or, worse, like a pathetic suitor who refuses to accept what he already knows, that he will always be rejected? That time is no more, it is not my time now, or, rather, my time has passed, I have had two children for a long while now and the person I am phoning is their mother, long enough for my thoughts never to forget about them and for them to be for me eternally children, why has my time been overturned or why has it been left hanging, what is the point of getting anxious on the pretext of fearing for the possible future that awaits all three of them depending on who replaces me, as far as I know there is no one on the way or travelling along that route, although if there was, Luisa would not necessarily tell me, still less about her occasional encounters that as yet have led to no inauguration, about who she sees or who she goes out with, not to mention who she goes to bed with and who she sees off at the front door, a dressing-gown thrown over her warm and, until only a moment ago, naked body, to whom she says goodbye with a long kiss as if storing it up until the next time, or perhaps she is pale after a long day, without a trace of makeup, all dishevelled, her hair grown childlike with the commotion of the day and the night, her tiredness apparent in the dark circles under her eyes and in her dull skin, when not even the momentary contentment of what has just happened can beautify a face that asks for and tolerates only repose and sleep, more sleep, and an end, at last, to thought. Neither have I told her about the three women who have spent the night here, not even one, which one, why would I, not even about the one who has been here twice.

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