John Irving - The World According to Garp

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This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with “lunacy and sorrow”; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”

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Ellen James shut her eyes as if she had fainted for joy. When the stewardess asked her to fasten her seat belt, Ellen James didn't hear; Garp fastened her belt for her. All the short flight to Boston the girl wrote her heart out.

I hate the Ellen Jamesians,

she wrote.

I would never do this to myself.

She opened her mouth and pointed to the wide absence in there. Garp cringed.

I want to talk; I want to say everything,

wrote Ellen James. Garp noticed that the gnarled thumb and index finger of her writing hand were easily twice the size of the unused instruments on her other hand; she had a writing muscle such as he'd never seen. No writer's cramp for Ellen James, he thought.

The words come and come,

she wrote. She waited for his approval, line by line. He would nod; she would go on. She wrote him her whole life. Her high school English teacher, the only one who mattered. Her mother's eczema. The Ford Mustang that her father drove too fast.

I have read everything,

she wrote. Garp told her that Helen was a big reader, too; he thought she would like Helen. The girl looked very hopeful.

Who was your favorite writer when you were a boy?

“Joseph Conrad,” Garp said. She sighed her approval.

Jane Austen was mine.

“That's fine,” Garp said to her.

At Logan Airport she was almost asleep on her feet; Garp steered her up the aisles and leaned her on the counters while he filled out the necessary forms for the rental car.

“T. S.?” the rental-car person asked. One of Garp's falsies was slipping sideways and the rental-car person appeared anxious that this entire turquoise body might self-destruct.

In the car north, on the dark road to Steering, Ellen James slept like a kitten curled in the back seat. In the rear-view mirror Garp noted that her knee was skinned, and that the girl sucked her thumb while she slept.

It had been a proper funeral for Jenny Fields, after all; some essential message had passed from mother to son. Here he was, playing nurse to someone. More essentially, Garp finally understood what his mother's talent had been; she had right instincts— Jenny Fields always did what was right . One day, Garp hoped, he would see the connection between this lesson and his own writing, but that was a personal goal—like others, it would take a little time. Importantly, it was in the car north to Steering, with the real Ellen James asleep and in his care, that T. S. Garp decided he would try to be more like his mother, Jenny Fields.

A thought, it occurred to him, that would have pleased his mother greatly if it had only come to him when she was alive.

“Death, it seems,” Garp wrote, “does not like to wait until we are prepared for it. Death is indulgent and enjoys, when it can, a flair for the dramatic.”

Thus Garp, with his defenses down and his sense of the Under Toad fled from him—at least, since his arrival in Boston—walked into the house of Ernie Holm, his father-in-law, carrying the sleeping Ellen James in his arms. She might have been nineteen, but she was easier to carry than Duncan.

Garp was not prepared for the grizzled face of Dean Bodger, alone in Ernie's dim living room, watching TV. The old dean, who would soon retire, seemed to accept that Garp was dressed as a whore, but he stared with horror at the sleeping Ellen James.

“Is she...”

“She's asleep,” Garp said. “Where's everyone?” And with the voicing of his question, Garp heard the cold hop of the Under Toad thudding across the cold floors of the silent house.

“I tried to reach you,” Dean Bodger told him. “It's Ernie.”

“His heart,” Garp guessed.

“Yes,” Bodger said. “They gave Helen something to help her sleep. She's upstairs. And I thought I'd stay until you got here—you know: so that if the children woke up and needed anything, they wouldn't disturb her. I'm sorry, Garp. These things sometimes come all at once, or they seem to.”

Garp knew how Bodger had liked his mother, too. He put the sleeping Ellen James on the living-room couch and turned off the sickly TV, which was turning the girl's face bluish.

“In his sleep?” Garp asked Bodger, pulling off his wig. “Did you find Ernie here?”

Now the poor dean looked nervous. “He was on the bed upstairs,” Bodger said. “I called up the stairs, but I knew I'd have to go up and find him. I fixed him up a little before I called anyone.”

“Fixed him up?” Garp said. He unzipped the terrible turquoise jump suit and ripped off his breasts. The old dean perhaps thought this was a common traveling disguise of the now-famous writer.

“Please don't ever tell Helen,” Bodger said.

“Tell her what?” Garp asked.

Bodger brought out the magazine—out from under his bulging vest. It was the issue of Crotch Shots where the first chapter of The World According to Bensenhaver had been published. The magazine looked very worn and used.

“Ernie had been looking at it, you know,” Bodger said. “When his heart stopped.”

Garp took the magazine from Bodger and imagined the death scene. Ernie Holm had been masturbating to the split-beaver pictures when his heart quit. There was a joke during Garp's days at Steering that this was the preferred way to “go.” So Ernie had gone that way, and the kindly Bodger had pulled up the coach's pants and hidden the magazine from the coach's daughter.

“I had to tell the medical examiner, you know,” Bodger said.

A nasty metaphor from his mother's past came up to Garp in a wave, like nausea, but he did not express it to the old dean. Lust lays another good man low! Ernie's lonely life depressed Garp.

“And your mom,” sighed Bodger, shaking his head under the cold porch light that glowed into the black Steering campus. “Your mom was someone special,” the old man mused. “She was a real fighter,” the scrappy Bodger said, with pride. “I still have copies of the notes she wrote to Stewart Percy.”

“You were always nice to her,” Garp reminded him.

“She was worth a hundred Stewart Percys, you know, Garp,” Bodger said.

“She sure was,” Garp said.

“You know he's gone, too?” Bodger said.

“Fat Stew?” said Garp.

“Yesterday,” Bodger said. “After a long illness—you know what that usually means, don't you?”

“No,” Garp said. He hadn't ever thought about it.

“Cancer, usually,” Bodger said, gravely. “He had it for a long time.”

“Well, I'm sorry,” Garp said. He was thinking of Pooh, and of course of Cushie. And his old challenger, Bonkers, whose ear in his dreams he could still taste.

“There's going to be some confusion about the Steering chapel,” Bodger explained. “Helen can tell you, she understands. Stewart has a service in the morning; Ernie, has his later in the day. And, of course, you know the bit about Jenny?”

“What bit?” Garp asked.

“The memorial?”

“God, no,” Garp said. “A memorial here?

“There are girls here now, you know,” Bodger said. “I should say women ,” he added, shaking his head. “I don't know; they're awfully young. They're girls to me.”

“Students?” Garp said.

“Yes, students,” Bodger said. “The girl students voted to name the infirmary after her.”

“The infirmary?” Garp said.

“Well, it's never had a name, you know,” Bodger said. “Most of our buildings have names.”

“The Jenny Fields Infirmary,” Garp said, numbly.

“Sort of nice, isn't it?” Bodger asked; he wasn't too sure if Garp would think so, but Garp didn't care.

In the long night, baby Jenny woke up once; by the time Garp had moved himself away from Helen's warm and deeply sleeping body, he saw that Ellen James had already found the crying baby and was warming a bottle. Odd cooing and grunting sounds, appropriate to babies, came softly out of the tongueless mouth of Ellen James. She had worked in a day-care center in Illinois, she had written Garp on the plane. She knew all about babies, and could even make noises like them.

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