John Irving - Until I Find You

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Until I Find You When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead — has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England — including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women — from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older — and when his mother dies — he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception,
is also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.

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Ahead of him, not far from a bend in the corridor, was the dining hall—all closed up and dark. Did a figure, old and stooped, emerge from the shadows there? It was an elderly woman, no one Jack recognized but surely not a ghost; she looked too solidly built for a spirit. A cleaning woman, from the look of her, he thought. But why would a cleaning woman be working at St. Hilda’s on a Sunday, and where were her mop and pail?

“Jack, my dahleen— my leetle one!” Mrs. Machado cried.

To see her, to know it was really her, had the effect on Jack of her high-groin kick of so many years ago. He couldn’t move or speak—he couldn’t breathe.

He’d recognized that Leslie Oastler had a certain power over him, and always would have. But in all his efforts, conscious and unconscious, to diminish his memories of Mrs. Machado, Jack had underestimated her implacable authority over him. He’d never defeated her—only Emma had.

Gone was her waist—what little she’d ever had of one. Mrs. Machado’s low-slung breasts protruded from the midriff of her untucked blouse with the over-obviousness of an amateur shoplifter’s stolen goods. But what she’d stolen from Jack was more obvious; Mrs. Machado had robbed him of the ability to say no to her. (Or to anyone else!)

“This is a frightened little boy!” Bonnie Hamilton had told her sister and Ginny Jarvis, when those older girls were trying to get Jack’s penis to respond.

In Mrs. Machado’s company, Jack was still a frightened little boy. She circled him in the corridor as if she were setting up her customary single-leg attack; she underhooked his left arm, the thick fingers of her left hand closing tightly around his right wrist. Jack knew the takedown she appeared to be looking for, but he couldn’t overcome his inertia; he made no move to defend himself.

Mrs. Machado pressed her forehead against his chest. The top of her head—entangled with gray, wiry hair—touched his throat. Jack was surprised by how short she was, but of course he’d been shorter when they last did this dance together—with Chenko repeating his familiar litany, like a call to prayer. “ Hand- control! Circle, circle! Don’t lean on her, Jackie!”

It wasn’t wrestling that Mrs. Machado had in mind. With her insistent grip on Jack’s right wrist, she guided his hand under her blouse; with her broad nose, Mrs. Machado nudged his necktie out of her way and unbuttoned the second button of his shirt with her teeth. Jack thought he detected the smell of anchovies in her hair. It was the contact his right hand made with her sagging breasts, which was quickly followed by the feeling of her tongue on his chest, that filled him with revulsion and gave him the strength to push her away.

Until that moment, he’d never believed in so-called recovered memory—namely, that various acts of abuse or molestation from one’s childhood are mercifully erased, only to return with a vengeance, vividly, many years down the road. As Jack recoiled from Mrs. Machado in the semidark Sunday corridor of his old school, he remembered the button trick. How she had unbuttoned and unzipped him with her teeth—and all the other clever things she’d managed to do with her mouth, which he’d blanked from his memory.

“Don’t be cruel, Meester Penis,” Mrs. Machado whispered, as Jack retreated from her. She was shuffling after him, in her laceless running shoes, when she suddenly halted. It wasn’t Jack’s feeble resistance that had stopped her. Her gaze had shifted. She was peering around him, or behind him—and the second he turned to look where she was looking, Mrs. Machado was gone.

She must have been in her late sixties or early seventies. How could she have been that agile, that quick on her feet? Or was the bend in the corridor closer to them than Jack had thought? It was more probable, of course, that Mrs. Machado had never been there at all.

In any case, Jack hadn’t heard the wheelchair behind him; the wheels on that smooth linoleum floor didn’t make a sound. (He was, after all, on haunted ground.) “Jack,” the woman in the wheelchair said, “you look like you’ve seen a ghost.”

He’d expected to be confronted by Mrs. Malcolm—ever the protector of those girls, whose violation, she imagined, Jack sought. But the woman in the wheelchair was an attractive, forty-year-old real estate agent in a black pantsuit.

Bonnie Hamilton had managed to park her wheelchair in some out-of-sight place, near the back of the chapel, and limp to and from her pew unseen. She’d been successful in the real estate business, she would tell Jack later, because she always left her wheelchair at the front entrance and limped with her clients from room to room—even, as Leslie Oastler had cruelly suggested, up and down stairs. “My clients must feel sorry for me,” Bonnie would joke. “Nobody wants to disappoint a cripple—to add insult to injury, as they say.”

But at public events, or whenever there was a crowd, Bonnie Hamilton was also successful at keeping her limp to herself; she had a knack for sneaking in and out of her wheelchair without anyone seeing her. In the wheelchair, she looked elegant; she was as beautiful to Jack as she’d been when they were students together.

Jack was still speechless from his encounter with Mrs. Machado, real or not—and how grotesquely he now recalled the lost details of everything Mrs. Machado had done to him. It was too much for him, on top of all that—to be rescued by Bonnie Hamilton, who’d tried her hardest to protect him from her sister and Ginny Jarvis when he’d been nine or ten.

Jack dropped to his knees and burst into tears. Bonnie, wheeling closer, pulled him headfirst into her lap. Bonnie must have thought that she had made him cry; it must have been Jack’s memory of being coerced to ejaculate on her sister’s forehead that was traumatizing him still! (That terrible loss of his innocence in the big girls’ residence when he’d been a frightened little boy—this in addition to his losing Emma, no doubt, had undone him.)

“Jack, I think about what an awful thing we did to you—every day of my life, I think of you!” Bonnie cried. Jack tried to shake his head in her lap, but Bonnie probably thought he was attempting to get away from her; she held him tighter.

“No, no—don’t be afraid!” she urged him. “I’m not surprised it makes you cry to look at me, or that you dress up as a woman or do other weird things. After what we did to you, why wouldn’t you be weird? Of course you’re weird!” Bonnie cried.

She’s completely crazy, Jack thought, struggling to breathe; she gripped his hair with both hands, squeezing his face between her thighs. Bonnie Hamilton felt very strong; she clearly worked out a lot. But you can’t wrestle a woman in a wheelchair; Jack just let her hold him as hard as she wanted to.

Bending over him, Bonnie whispered in his ear: “We can put it all to rest, Jack. I’ve talked to a psychiatrist about the best way to get over it. We can just move on.”

She didn’t hear him ask, “How?” in her lap; Jack’s voice was muffled between her thighs. Her fingers, combing through his hair, stroked the back of his neck.

Normal sex, Jack —that’s the best way to get over an upsetting experience,” Bonnie Hamilton told him.

How Jack wished Emma had been alive to hear this! Wouldn’t she have gotten a kick out of the very idea of normal sex?

Wasn’t it destiny, after all? Hadn’t Bonnie and Jack once looked at each other and been unable to look away? And that had been when he was in fourth grade and she in twelfth!

Besides, he was Jack Burns. Wasn’t he supposed to sleep with everybody? Just how would it have made Bonnie Hamilton feel if he hadn’t slept with her, a cripple?

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