John Irving - Until I Find You

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Until I Find You: краткое содержание, описание и аннотация

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Until I Find You When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead — has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England — including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women — from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older — and when his mother dies — he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception,
is also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.

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When he exited the bathroom, Mrs. Oastler had already undressed. She was naked except for her black bikini-cut panties—a sinister match to the bikini cut of her C-section scar and Alice’s signature Rose of Jericho. Leslie crossed her arms over her small, perfect breasts as she slipped past Jack, into the bathroom, with a modesty that was as unexpected as her kisses a few minutes later.

She was an intimidating kisser, excitable and feral—without once closing her bright, watchful eyes. But Jack had the feeling that everything about her was an experiment, that she was merely conducting a test.

When they’d kissed to the point of exhaustion—either they had to stop or they had to progress to a more serious level of foreplay—Mrs. Oastler calmly asked him: “You did this with Emma, didn’t you? I mean you kissed.

“Yes, we kissed.”

“Did you touch each other?”

“Sometimes.”

“How?” He took Mrs. Oastler’s breasts in his hands. “Is that all?” she asked.

“That’s the only way I touched Emma,” he told her.

“Where did she touch you, Jack?”

He couldn’t say penis— with all the penis-holding in his life, God knows why. Jack let go of Leslie’s breasts and rolled over, turning his back to her. Mrs. Oastler didn’t hesitate; her thin arm snaked around Jack’s waist, her small hand closing on his penis, which was already hard. “Like that,” was all he said to her.

“Well, that’s not very big,” Leslie said. “I don’t think Emma would have had an involuntary muscle spasm over that. Do you, Jack?”

“Maybe not,” he said.

Mrs. Oastler went on holding him. He tried to will his erection away, but it endured. Leslie Oastler would always have a certain power over him, he was thinking. She had entered his childhood at a vulnerable time, first with her push-up bra—before he even met her—and later by showing him her Rose of Jericho, when Jack was of such a young age that the way she trimmed her pubic hair would become the model of the form for him.

In this way, in increments both measurable and not, our childhood is stolen from us—not always in one momentous event but often in a series of small robberies, which add up to the same loss. For surely Mrs. Oastler was one of the thieves of Jack’s childhood—not that she necessarily meant to hurt him, or that she gave the matter any thought one way or another. Leslie Oastler was simply someone who disliked innocence, or she held innocence in contempt for reasons that weren’t even clear to her.

She’d been disillusioned by her doctor ex-husband, whose great wealth was family money, which both he and Mrs. Oastler took for granted. ( Dr. Oastler didn’t make all that money as a doctor—not in Canada.) As a result, Mrs. Oastler had dedicated herself to the task of disillusioning others; and because Leslie met Alice, Jack just happened to fall under Leslie’s spell.

In any case, when Emma had held his penis, his erection always subsided before long—not so with Mrs. Oastler. Jack was sure he had a hard-on that would last as long as she held him, and Leslie gave no indication that she was about to let go. He attempted to distract her with conversation of an inappropriate kind, but this only inspired her to alter her grip—or to alternately stroke and pull his penis in a maddeningly indifferent way.

“I feel that I never thanked you properly,” Jack began. His betrayal of Emma’s strongly expressed wish—namely, that he not thank her mother—made him feel as disloyal to his dear, departed friend as his continuing erection in her mother’s hand.

“Thanked me for what ?” Mrs. Oastler asked.

“For buying my clothes—for Redding, and for Exeter. For paying my tuition at both schools. For taking care of us—I mean my mother and me. For all you did for us, after Mrs. Wicksteed—”

“Stop it, Jack.” He would have stopped without her telling him to do so, because her grip on his penis had tightened—painfully. Leslie Oastler pressed her open mouth between his shoulder blades, as if she were preparing to bite him; maybe she was smothering a scream. But all she said was, “Don’t thank me.

“But why not, Leslie? You’ve been very generous.”

“Me, generous ?” Mrs. Oastler asked. He felt her hand relax at last; her fingers lightly traced an imaginary outline of his penis, which had not relaxed at all.

Jack remembered a lull between customers at Daughter Alice, when his mom had said to him—as if it were part of an ongoing conversation, which it wasn’t, and not out of the blue, which it was—“Promise me one thing, Jack. Don’t ever sleep with Leslie.”

“Mom, I would never do such a thing!” he’d declared.

And there was that night at the Sunset Marquis, a small West Hollywood hotel where Jack had been banging a model; she had a private villa on the grounds, not one of those cheap rooms in the main building. A noisy bunch of musicians—rock-’n’-rollers and their groupies—were partying in an adjacent villa, and Jack’s model wanted to crash their party. Jack just needed to crash, but not there—he wanted to go home. To prevent him from leaving, the model flushed his car keys down the toilet.

Jack could have gone to the front desk and asked someone to call him a taxi, but he didn’t want to leave the Audi at the Sunset Marquis overnight; bad things had happened there. Besides, except for her bra, the model had dressed herself in Jack’s clothes and gone off to the musicians’ party. He would have had to leave the hotel wearing her clothes, and they weren’t a good fit. (She was a size six, or something.)

Jack had called Emma, who was writing. He’d begged her to take a taxi and bring him the spare set of keys to the Audi; they were in the kitchen drawer, by the telephone, he was explaining, when she interrupted him. “Promise me one thing, Jack. Just don’t ever sleep with my mother.”

“Emma, I would never do such a thing!”

“I’m not so sure, baby cakes. I know she would.”

“I promise,” he’d told her. “Please come get me.”

The model had gone off with Jack’s wallet, which was in the left-front pocket of his suit pants, so he had to crash the rock-’n’-rollers’ party and find her. He made himself up pretty well—the lipstick, the eye shadow, the works. Her bras were so small that Jack mistook one for a thong, but he managed to stuff each cup with half a tennis ball; he’d cut the ball in two.

The model had “twitches” in her fingers—the result of some deficiency in her diet, probably—and her personal trainer had prescribed squeezing a tennis ball as a remedy. There were tennis balls all over the villa; Jack had used her nail scissors to cut one in half.

He crammed himself into a lime-green camisole with a bare midriff, which unfortunately exposed the line of dark hair that ran from his navel below his waist. But Jack shaved this off with the model’s razor. At the same time, he shaved his legs in her sink—cutting one shin. He stuck a piece of toilet paper on the cut and painted his toenails a blood-red color, which matched his wound.

Jack found a pair of peach-colored panties with a lace waistband, but the leg holes would have cut his circulation off if he hadn’t snipped them with the nail scissors. Naturally, he couldn’t close the zipper on the short navy-blue skirt, but the half-zipped look, which revealed the lace waistband of his panties, more or less went with the overall portrait. He looked very trashy, but so did half the hangers-on and groupies who hung out at the bar at the Sunset Marquis.

In the full-length mirror, Jack saw that he’d painted his nails in too hasty a fashion—it appeared that he’d had a barefoot accident with a lawn mower. The skirt fell off one hip, and he’d torn one side of the camisole, which exposed the tight, twisted back strap of the ivory-colored bra. Jack’s tennis-ball breasts were noticeably smaller than his biceps. He looked like a field-hockey player, maybe three or four months pregnant, just starting to show.

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