John Irving - Until I Find You

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Until I Find You When he is four years old, Jack travels with his mother Alice, a tattoo artist, to several North Sea ports in search of his father, William Burns. From Copenhagen to Amsterdam, William, a brilliant church organist and profligate womanizer, is always a step ahead — has always just departed in a wave of scandal, with a new tattoo somewhere on his body from a local master or “scratcher.”
Alice and Jack abandon their quest, and Jack is educated at schools in Canada and New England — including, tellingly, a girls’ school in Toronto. His real education consists of his relationships with older women — from Emma Oastler, who initiates him into erotic life, to the girls of St. Hilda’s, with whom he first appears on stage, to the abusive Mrs. Machado, whom he first meets when sent to learn wrestling at a local gym.
Too much happens in this expansive, eventful novel to possibly summarize it all. Emma and Jack move to Los Angeles, where Emma becomes a successful novelist and Jack a promising actor. A host of eccentric minor characters memorably come and go, including Jack’s hilariously confused teacher the Wurtz; Michelle Maher, the girlfriend he will never forget; and a precocious child Jack finds in the back of an Audi in a restaurant parking lot. We learn about tattoo addiction and movie cross-dressing, “sleeping in the needles” and the cure for cauliflower ears. And John Irving renders his protagonist’s unusual rise through Hollywood with the same vivid detail and range of emotions he gives to the organ music Jack hears as a child in European churches. This is an absorbing and moving book about obsession and loss, truth and storytelling, the signs we carry on us and inside us, the traces we can’t get rid of.
Jack has always lived in the shadow of his absent father. But as he grows older — and when his mother dies — he starts to doubt the portrait of his father’s character she painted for him when he was a child. This is the cue for a second journey around Europe in search of his father, from Edinburgh to Switzerland, towards a conclusion of great emotional force.
A melancholy tale of deception,
is also a swaggering comic novel, a giant tapestry of life’s hopes. It is a masterpiece to compare with John Irving’s great novels, and restates the author’s claim to be considered the most glorious, comic, moving novelist at work today.

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The word actor was replaced with waiter, and the names of certain plays or dramatizations (even the musicals) were presented to the clueless American reader as the names of trendy Toronto restaurants, in which Mr. Ramsey extolled the virtue of Jack’s “performance”—an oft-repeated word, which Emma left unaltered, except she sometimes changed it to a verb.

Hence Jack had “performed” superbly at an alleged bistro called Mail-Order Bride (there was another restaurant called Northwest Territories) and at what was probably a French place, d’Urbervilles, and at several restaurants of note in the northeastern United States, among them The Restaurant of Notre Dame and Peter and Wendy’s—not to mention what must have been a Spanish eatery, Bernarda Alba.

Mr. Ramsey’s letterhead—namely, that of St. Hilda’s—which stated he was Chairman of English and Drama, had been tweaked to identify him as Chairman of the Hotel and Restaurant of that oddly religious-sounding name. Mr. Ramsey’s opening sentence described St. Hilda’s (he meant, of course, the school) as “one of Toronto’s best.”

But Donald was an imperious prick—a headwaiter from Hell. “When I’m recommending a hotel with a good restaurant in Toronto, I always recommend the Four Seasons,” he told Jack. He then challenged Jack to take a minute or two to memorize the specials.

“If you give me ten minutes, I can memorize the whole menu,” Jack told him.

But Donald didn’t give him the chance. The maître d’ later told Giorgio or Guido that Jack’s attitude had offended him. He had sized up Jack as “a hick from Toronto via New Hampshire”—or so he said to Giorgio or Guido. Jack had already decided he didn’t want the waiter job—not in such a self-important steakhouse. But when Donald offered him an opportunity in the restaurant’s valet-parking department, Jack accepted. He was a good driver.

It wasn’t that Emma thought the job was beneath him; her objection was political. “You can’t be a parking valet, baby cakes. English is your first language. You’re taking a job from some unfortunate illegal alien.”

But Giorgio or Guido looked relieved. He didn’t want Jack to be a fellow waiter at Stan’s. He’d had enough difficulty accepting Jack as Emma’s roommate, no matter how many times Emma had told him that she and Jack didn’t have sex together. (Jack wondered what Giorgio or Guido’s problem was. How could you bench-press three hundred pounds and be that insecure?)

Jack didn’t last long as a parking valet; he was fired from the job his first night—in fact, he never got to park his first car.

It was a silver Audi with gunmetal-gray leather seats, and the guy who flipped Jack the keys was a young, arty type who appeared to have been quarreling with his young, arty wife—or his girlfriend, Jack had thought, before he’d driven less than a block and the little girl sat up in the backseat. Her face, which was streaked with tears, was perfectly framed in the rearview mirror. She was maybe four, at the most five, years old, and she wasn’t sitting in a booster seat. Evidently the backseat was her bed for the evening, because she was wearing pajamas and clutching both a blanket and a teddy bear to her chest. Jack saw a pillow propped against the armrest on the passenger side of the backseat; the booster seat was on the floor, kicked out of the way.

“Are you parking in a garage or outdoors?” the little girl asked him, wiping her nose on the sleeve of her pajamas.

“You can’t stay in the car,” Jack told her. He stopped the Audi and put on the hazard blinkers; she had scared the shit out of him and his heart was pounding.

“I’m not well enough behaved to eat in a grown-up restaurant,” the little girl said.

Jack didn’t know what to do. Maybe the young, arty couple had been arguing about leaving the little girl in the backseat, but he thought not. The girl had the look of a valet-parking veteran. “I like the garages better than parking on the street,” she explained. “It will be dark soon,” the little girl observed.

Jack drove down Main to Windward, where a gang of rowdies—noisy singles, though it was early in the evening—were crowding the entrance to Hama Sushi, waiting for tables. He left the Audi running at the curb and rang the buzzer to the half of the ratty duplex he shared with Emma; then he went back to the car and waited beside it. The little girl was never out of his sight.

“Is this where we’re parking?” she asked.

“I’m not leaving you alone, not anywhere,” he told her.

Emma opened the door and came out on the sidewalk; she was wearing one of her World Gym tank tops and nothing else. Because she looked more than usually pissed off, Jack guessed she’d been writing her novel.

“Nice car, honey pie. Does it come with the kid?” Jack explained the situation while the little girl observed them from the backseat. She’d probably never seen anyone quite like Emma in her World Gym tank top. “I told you—you shouldn’t be parking cars,” Emma said. She kept looking at the little girl. “I’m not babysitter material, Jack.”

“I usually sleep on the floor, if I think anyone can see me sleeping on the backseat,” the little girl said.

The “usually” made up Jack’s mind for him—that and what Emma said before she walked back inside to continue what must have been one of the angrier passages in her novel-in-progress. “Nothing good can come of this job, baby cakes.”

Jack put the little girl in the middle of the backseat and fastened a seat belt around her, because he couldn’t figure out how the stupid booster seat worked. “It’s probably hard to understand if you don’t have children,” the little girl told him forgivingly. Her name was Lucy. “I’m almost five,” she said.

When Jack returned to the corner of Rose and Main, he pulled up at the curb in front of Stan’s; his fellow valet parkers looked surprised to see him. “ ¿Qué pasa? ” Roberto asked, when Jack handed him the keys.

“Better not park the Audi just yet,” Jack told him, taking Lucy into the restaurant. She wanted to bring her blanket and her teddy bear, but not the pillow, which was okay with Jack.

The asshole maître d’, Donald, was standing at his desk as if it were a pulpit and the book of reservations a Bible. Lucy, seeing all the people, wanted Jack to pick her up, which he did. “ Now we’re going to get in trouble,” the child whispered in his ear.

“You’re going to be fine, Lucy,” Jack told her. “ I’m the one who’s going to get in trouble.”

“You’re already in trouble, Burns,” Donald said, but Jack walked past him into the restaurant. Lucy spotted her parents before Jack did. It was still early, a soft light outside; the tables weren’t full yet. (Maybe the tables were never full at Stan’s.)

Lucy’s mother got up from her chair and met them halfway to her table. “Is something wrong?” she asked Jack. What a question. And women (not only Claudia) gave Jack a hard time when he said he wasn’t ready to be a parent!

“You forgot something,” Jack said to the young, arty mom. “You left Lucy in the car.” The woman just stared at him, but Lucy held out her arms and her mother took her from Jack—teddy bear and blanket and all.

Jack hoped that would be the end of it, but Donald, the headwaiter from Hell, wouldn’t let him leave. “There is no St. Hilda’s, hotel or restaurant, in Toronto,” he hissed. “There is no Mail-Order Bride—”

“So you’re from Toronto,” Jack interrupted him. The way Donald had said, “ T’ronto, ” had given him away. Jack should have known. Donald was another undiscovered Canadian working as a waiter in L.A.

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