Cormac McCarthy - Cities of the Plain

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VOLUME THREE OF THE BORDER TRILOGY In Cities of the Plain, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, between their vivid pasts and uncertain futures, to confront a country changing beyond recognition. In the fall of 1952, John Grady Cole and Billy Parham are cowboys on a New Mexico ranch encroached upon from the north by the military. On the southern horizon are the mountains of Mexico, where one of the men is drawn again and again, in this story of friendships and passion, to a love as dangerous as it is inevitable. 'In a lovely and terrible landscape of natural beauty and impending loss we find John Grady; a young cowboy of the old school, trusted by men and horses, and a fragile young woman, whose salvation becomes his obsession. McCarthy makes the sweeping plains a miracle' Scotsman 'This haunting, deeply felt novel completes one of the literary masterworks of the 1990s' Daily Telegraph 'The completed trilogy emerges as a landmark in American literature' Guardian

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THE LAST TIME he was to see her was in the same corner room on the second floor of the Dos Mundos. He watched from the window and saw her pay the driver and he went to the door so that he could watch her come up the stairs. He held her hands while she sat half breathless on the edge of the bed.

Est++s bien? he said.

S', she said. Creo que s'.

He asked was she sure she had not changed her mind.

No, she said. Y toe?

Nunca.

Me quieres?

Para siempre. Y toe?

Hasta elfin de mi vida.

Pues eso es todo.

She said that she had tried to pray for them but that she could not.

PorquZ no?

No sZ. Cre' que Dios no me oir'a.

El oir++. Reza el domingo. Dile que es importante.

They made love and lay with her curled against him and not moving but breathing very quietly against his side. He did not know if she was awake but he told her the things about his life that he had not told her. He told her about working for the hacendado at Cuatro CiZnegas and about the man's daughter and the last time he saw her and about being in the prison in Saltillo and about the scar on his face that he had promised to tell her about and never had. He told her about seeing his mother on stage at the Majestic Theatre in San Antonio Texas and about the times that he and his father used to ride in the hills north of San Angelo and about his grandfather and the ranch and the Comanche trail that ran through the western sections and how he would ride that trail in the moonlight in the fall of the year when he was a boy and the ghosts of the Comanches would pass all about him on their way to the other world again and again for a thing once set in motion has no ending in this world until the last witness has passed.

The shadows were long in the room before they left. He told her that the driver GutiZrrez would pick her up at the cafe in la Calle de Noche Triste and take her to the other side. He would have with him the documents necessary for her to cross.

Todo est++ arreglado, he said.

She held his hands more tightly. Her dark eyes studied him. He told her that there was nothing to fear. He said that Ram-n was their friend and that the papers were arranged and that no harm would come to her.

fl to recoger++ a las siete por la ma-ana. Tienes que estar all' en punto.

EstarZ all'.

QuZdate adentro hasta que Zl llegue.

S', s'.

No le digas nada a nadie.

No. Nadie.

No puedes traer nada contigo.

Nada?

Nada.

Tengo miedo, she said.

He held her. Dont be afraid, he said.

They sat very quietly. Down in the street the vendors had begun to call. She pressed her face against his shoulder.

Hablan los sacerdotes espa-ol? she said.

S'. Ellos hablan espa-ol.

Quiero saber, she said, si crees hay perd-n de pecados.

He opened his mouth to speak but she put her hand to his lips. Lo que crees en to coraz-n, she said.

He stared past her dark and shining hair toward the deepening dusk in the streets of the city. He thought about what he believed and what he did not believe. After a while he said that he believed in God even if he was doubtful of men's claims to know God's mind. But that a God unable to forgive was no God at all.

Cualquier pecado?

Cualquier. S'.

Sin excepci-n de nada? She pushed her hand against his lips a second time. He kissed her fingers and took her hand away.

Con la excepci-n de desesperaci-n, he said. Para eso no hay remedio.

Lastly she asked if he would love her all his life and she'd have touched her fingers to his mouth but he held her hand. No tengo que pensarlo, he said. S'. Para todo mi vida.

She took his face in her hands and kissed him. Te amo, she said. Y serZ to esposa.

She rose and turned and held his hands. Debo irme, she said. He stood and put his arms around her and kissed her there in the darkening room. He would have walked her down the hallway to the head of the stairs but she stopped him at the door and kissed him and said goodbye. He listened to her steps in the stairwell. He went to the window to watch for her but she must have gone along the street beneath him because he could not see her. He sat on the bed in the empty room and listened to the sounds of all that alien commerce in the world outside. He sat a long time and he thought about his life and how little of it he could ever have foreseen and he wondered for all his will and all his intent how much of it was his own doing. The room was dark and the neon hotel sign had come on outside and after a while he rose and took his hat from the chair by the bed and put it on and went out and down the stairs.

AT THE INTERSECTION the cab stopped. A small man with a black crape armband stepped into the street and raised his hand and the cabdriver took off his hat and set it on the dashboard. The girl leaned forward to see. She could hear trumpets muted in the street, the clop of hooves.

The musicians who appeared were old men in suits of dusty black. Behind them came the pallbearers carrying upon their shoulders a flowerstrewn pallet. Wreathed among those flowers the pale face of a young man newly dead. His hands lay at his sides and he jostled woodenly on his coolingboard there astride the shoulders of his bearers and the wild notes from the dented gypsy horns carried back from the glass of the storefronts they passed and back from the old mud or stuccoed facades and a clutch of women in black rebozos passed weeping and children and men in black or with black armbands and among them led by the girl the blind maestro shuffling with his small steps and look of pained wonder. Behind them came two mismatched horses drawing to a weathered wooden cart and in the bed of it unswept of its straw and chaff a wooden coffinbox of handplaned boards pinned with wooden trunnels and no nails to it like some sephardic box of old and the wood blacked by scorching it and the blacking sealed with beeswax and lampoil so that save for the faint wood grain of it it looked a thing of burnished iron. Behind the cart came a man bearing the coffinlid and he carried it upon his back like death's penitent and his clothes and he were blackened with it wax or no. The cabdriver crossed himself silently. The girl crossed herself and kissed the tips of her fingers. The cart rattled past and the spoked wheels diced slowly the farther streetside and the solemn watchers there, a cardfan of sorted faces under the shopfronts and the long skeins of light in the street broken in the turning spokes and the shadows of the horses tramping upright and oblique before the oblong shadows of the wheels shaping over the stones and turning and turning.

She put up her hands and pressed her face into the musty back of the cabseat. She sat back, one hand over her eyes and her face averted into her shoulder. Then she sat bolt upright with her arms beside her and cried out and the driver wrenched himself around in the seat. Se-orita? he said. Se-orita?

THE CEILING of the room was of concrete and bore the impression of the boards used to form it, the concrete knots and nailheads and the fossil arc of the circlesaw's blade from some mountain sawmill. There was a single sooty bulb that burned there with a grudging orange light and a millermoth that patrolled it in random clockwise orbits.

She lay strapped to a steel table. The steel was cold against her back through the short white shift she wore. She looked at the light. She turned her head and looked at the room. After a while a nurse came in through the gray metal door and she turned her stained and dirty face toward her. Por favor, she whispered. Por favor.

The nurse loosed the straps and smoothed her hair back from her face and said she would return with something for her to drink, but when the door closed she sat upright on the table and climbed down. She looked for some place where they might have put her clothes but save for a second steel table against the far wall the room was empty. The door when she opened it led to a long green corridor dimly lit and stretching away to a closed door at the end. She went down the corridor and tried the door. It opened onto a flight of concrete steps, a rail of metal pipe. She descended three flights and exited into the darkened street.

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