Cormac McCarthy - Cities of the Plain

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VOLUME THREE OF THE BORDER TRILOGY In Cities of the Plain, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, between their vivid pasts and uncertain futures, to confront a country changing beyond recognition. In the fall of 1952, John Grady Cole and Billy Parham are cowboys on a New Mexico ranch encroached upon from the north by the military. On the southern horizon are the mountains of Mexico, where one of the men is drawn again and again, in this story of friendships and passion, to a love as dangerous as it is inevitable. 'In a lovely and terrible landscape of natural beauty and impending loss we find John Grady; a young cowboy of the old school, trusted by men and horses, and a fragile young woman, whose salvation becomes his obsession. McCarthy makes the sweeping plains a miracle' Scotsman 'This haunting, deeply felt novel completes one of the literary masterworks of the 1990s' Daily Telegraph 'The completed trilogy emerges as a landmark in American literature' Guardian

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It's still in the truck. I'll get it.

He went out and brought in the rest of the things from the cab of the truck. He set the crude wooden figure of the saint on the dresser and unwrapped the sheets and set about making the bed. HZctor stood in the doorway.

You want me to help you?

No. Thanks.

He leaned against the doorjamb smoking. John Grady smoothed the sheets and unfolded the pillowcases and stuffed the feather pillows into them and then unfolded the pieced quilt that Socorro had given him. HZctor stuck the cigarette in his mouth and came around to the other side of the bed and they spread the quilt and stood back.

I think we're done, John Grady said.

They went back into the kitchen and John Grady leaned and cupped his hand at the top of the lamp chimney and blew out the flame and they went out and shut the door behind them. They walked out in the yard and John Grady turned and looked back toward the cabin. The night was overcast. Dark, cloudy, cold. They walked down to the truck.

Will they wait supper on you?

Yeah, said HZctor. Sure.

You can eat at the house if you want.

That's all right.

They climbed in and pulled the truck doors shut. John Grady started the engine.

Can she ride a horse? said HZctor.

Yeah. She can ride.

They pulled out down the rutted road, the tools sliding and clanking behind them in the truckbed. En quZ piensas? said John Grady.

Nada.

They jostled on, the truck in second gear, the headlights rocking. When they rounded the first turn in the road the lights of the city appeared out on the plain below them thirty miles away.

It gets cold up here, HZctor said.

Yep.

You spent the night up here yet?

I was up here a couple of nights till past midnight.

He looked at HZctor. HZctor took his makings from his shirtpocket and sat rolling a cigarette.

Tienes tus dudas.

He shrugged. He popped a match with the nail of his thumb and lit the cigarette and blew the match out. Hombre de precauci-n, he said.

Yo?

Yo.

Two owls crouching in the dust of the road turned their pale and heartshaped faces in the trucklights and blinked and rose on their white wings as silent as two souls ascending and vanished in the darkness overhead.

Buhos, said John Grady.

Lechuzas.

Tecolotes.

HZctor smiled. He took a drag on the cigarette. His dark face glowed in the dark glass. Quiz++s, he said.

Pueda ser.

Pueda ser. S'.

WHEN HE WALKED into the kitchen Oren was still at the table. He hung up his hat and went to the sink and washed and got his coffee. Socorro came out of her room and shooed him away from the stove and he took his coffee to the table and sat. Oren looked up from his paper.

What's the news, Oren?

You want the good or the bad?

I dont know. Just pick out somethin in the middle.

They dont have nothin like that in here. It wouldnt be news. I guess not.

McGregor girl's been picked to be the Sun Carnival Queen. You ever see her?

No.

Sweet girl. How's your place comin?

Okay.

Socorro set his plate before him together with a plate of biscuits covered with a cloth.

She aint no city gal is she?

No.

That's good.

Yeah. It is.

Parham tells me she's pretty as a speckled pup.

He thinks I'm crazy.

Well. You might be a little crazy. He might be a little jealous. He watched the boy eat. He sipped his coffee.

When I got married my buddies all told me I was crazy. Said I'd regret it.

Did you?

No. It didnt work out. But I didnt regret it. It wasnt her fault. What happened?

I dont know. A lot of things. Mostly I couldnt get along with her folks. The mother was just a goddamned awful woman. I thought I'd seen awful but I hadnt. If the old man would of lived we might of had a chance. But he had a bad heart. I seen the whole thing comin. When I inquired after his health it was more than just idle curiosity. He finally up and died and here she come. Bag and baggage. That was pretty much the end of it.

He took his cigarettes from the table and lit one. He blew smoke thoughtfully out across the room. He watched the boy.

We was together three years almost to the day. She used to bathe me, if you can believe that. I liked her real well. She'd of been a orphan we'd be married yet.

I'm sorry to hear it.

A man gets married he dont know what's liable to happen. He may think he does, but he dont.

Probably right.

If you sincerely want to hear all about what is wrong with you and what you ought to do to rectify it all you need to do is let them inlaws on the place. You'll get a complete rundown on the subject and I guarantee it.

She aint got no family.

That's good, said Oren. That's your smartest move yet.

After Oren had gone he sat over his coffee a long time. Through the window far to the south he could see the thin white adderstongues of lightning licking silently along the rim of the sky in the darkness over Mexico. The only sound was the clock ticking in the hallway.

When he entered the barn Billy's light was still on. He went down to the stall where he kept the pup and gathered it up all twisting and whimpering in the crook of his arm and brought it back to his bunkroom. He stood at the door and looked back.

Goodnight, he called.

He pushed aside the curtain and felt overhead in the dark for the lightswitch chain.

Goodnight, called Billy.

He smiled. He let go the chain and sat on his bunk in the darkness rubbing the pup's belly. He could smell the horses. The wind was gusting up and a piece of loose roofingtin at the far end of the barn rattled and the wind passed on. It was cold in the room and he thought to light the little kerosene heater but after a while he just pulled off his boots and trousers and put the pup inhis box and crawled under the blankets. The wind outside and the cold in the room were like those winter nights on the north Texas plains when he was a child in his grandfather's house. When the storms blew down from the north and the prairie land about the house stood white in the sudden lightning and the house shook in the thunderclaps. On just such nights and just such mornings in the year he'd gotten his first colt he'd wrap himself in his blanket and go out and cross to the barn, leaning into the wind, the first drops of rain slapping at him hard as pebbles, moving down the long barn bay like some shrouded refugee among the sudden slats of light that stood staccato out of the parted board walls, moving through those serried and electric prosceniums where they flared white and fugitive across the barn row on row until he reached the stall where the little horse stood waiting and unlatched the door and sat in the straw with his arms around its neck till it stopped trembling. He would be there all night and he would be there in the morning when Arturo came to the barn to feed. Arturo would walk with him back to the house before anyone else was awake, brushing the straw from his blanket as he walked beside him, not saying a word. As if he were a young lord. As if he were never to be disinherited by war and war's machinery. All his early dreams were the same. Something was afraid and he had come to comfort it. He dreamed it yet. And this: standing in the room in the black suit tying the new black tie he wore to his grandfather's funeral on the cold and windy day of it. And standing in his cubicle in Mac McGovern's horsebarn on another such day in the cold dawn before work in another such suit, the two halves of the box it came in lying on the bunk with the crepe tissue spilling out and the cut string lying beside it on the bunk together with the knife he'd cut it with that had belonged to his father and Billy standing in the doorway watching him. He buttoned the coat and stood. His hands crossed at the wrist in front of him. His face pale in the glass of the little mirror he'd propped on one of the two by fours that braced the rough stud wall of the room. Pale in the light of the winter that was on the country. Billy leaned and spat in the chaff and turned and went out down the barn bay and crossed to the house for breakfast.

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