Cormac McCarthy - Cities of the Plain

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VOLUME THREE OF THE BORDER TRILOGY In Cities of the Plain, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, between their vivid pasts and uncertain futures, to confront a country changing beyond recognition. In the fall of 1952, John Grady Cole and Billy Parham are cowboys on a New Mexico ranch encroached upon from the north by the military. On the southern horizon are the mountains of Mexico, where one of the men is drawn again and again, in this story of friendships and passion, to a love as dangerous as it is inevitable. 'In a lovely and terrible landscape of natural beauty and impending loss we find John Grady; a young cowboy of the old school, trusted by men and horses, and a fragile young woman, whose salvation becomes his obsession. McCarthy makes the sweeping plains a miracle' Scotsman 'This haunting, deeply felt novel completes one of the literary masterworks of the 1990s' Daily Telegraph 'The completed trilogy emerges as a landmark in American literature' Guardian

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He pushed back his chair and rose. The maestro smiled at his approach and held out his hand into the darkness.

How are you?

Fine, thank you.

The blind man spoke to the girl in Spanish. He shook his head. Mar'a is shy, he said. Por quZ no hablas inglZs con nuestro amigo? You see. She will not. It is of no use. Where is the waiter? What will you have please?

The waiter brought the drinks and the maestro ordered for his guest. He put his hand on the girl's arm for her to wait till all were served. When the waiter had gone he turned. Now, he said. What has happened?

I asked her to marry me.

She has refused? Tell me.

No. She accepted.

But so solemn. You gave us a scare.

The girl rolled up her eyes and looked away. John Grady had no idea what it meant.

I came to ask you a favor.

Of course, said the maestro. By all means.

She has no family. No sponsor. I would like for you to be her padrino.

Ah, said the maestro. He put his folded hands to his chin and then placed them on the table again. They waited.

I am honored of course. But this is a serious matter. You understand.

Yes. I understand.

You will be living in America.

Yes.

America, the maestro said. Yes.

They sat. The blind man in his silence was twice silent. Even the three musicians in the corner were watching him. They could not hear what he was saying but they seemed to be waiting also for him to continue.

The office of the padrino is not a mere ceremony, he said. It is not some gesture of kinship or some way to bind friends.

Yes. I understand.

It is a serious matter and it is no insult that a man should refuse to accept it if his reasons are honorable.

Yessir.

One needs to be logical in these matters.

The maestro raised one hand before him and spread his fingers and he held it there. Like an evocation perhaps, or a gesture of fending away. Had he not been blind he would simply have been studying his nails. My health is poor, he said. But

even were that not so this girl will be making a new life and she should have counsel in her new country. Dont you think this would be best?

I dont know. I feel like she needs all the help she can get.

Yes. Of course.

Is it because of your sight?

The blind man lowered his hand. No, he said. It is not a matter of sight.

He waited for the blind man to continue but he did not.

Is there something you cant say in front of the girl?

The girl? said the maestro. He smiled his blind smile, he shook his head. Oh my, he said. No no. We have no secrets. An old blind father with secrets? No, that would never do.

We dont have padrinos in America, John Grady said.

The waiter came and set John Grady's drink in front of him and the maestro thanked the waiter and slid his fingers across the wood of the table until they touched his own glass.

I drink to the boda, he said.

Gracias.

They drank. The girl bent down the straw in her bottle of refresco and leaned and sipped.

If a person could be found, said the maestro, of intelligence and heart, then perhaps the office could be explained to him. What do you think?

I think you are that person.

The blind man sipped his wine and set the glass back in the very ring upon the table it had vacated and folded his hands in thought.

Let me say this to you, he said.

Yessir.

In a matter such as this, once one is asked he is already responsible. Even should he refuse.

I'm just thinking about her.

I too.

She doesnt have anyone else. She has no friends.

But the padrino does not need to be a friend.

He has to be something.

He has to be a man of character who is willing to undertake certain duties. That is all. He could be a friend or not. He could be a rival from another house. He could be one to reunite families distanced by intrigue or bad blood or politics. You understand. He could be one with little connection to the family even. He could even be an enemy.

An enemy?

Yes. I know of such a case. In this very city.

Why would a man want an enemy for a padrino?

For the best of reasons. Or the worst. This man of whom we speak was a dying man when his lastborn came into the world. A son. His only son. So what did he do? He called upon that man who once had been a friend to him but now was his sworn enemy and he asked that man to be padrino to his son. The man refused of course. What? Are you mad? He must have been surprised. It had been years since last they spoke and their enemistad was a deep and bitter thing. Perhaps they had become enemies for the same reason they had once been friends. Which often happens in the world. But this man persisted. And he had thehow do you sayel naipe? En su manga.

The ace.

Yes. The ace up his sleeve. He told his enemy that he was dying. There was the naipe. Upon the table. The man could not refuse. All choosing was taken from his hands.

The blind man raised one hand into the smoky air in a thin upward slicing motion. Now comes the talk, he said. No end to it. Some say that the dying man wished to mend their friendship. Others that he had done this man some great injustice and wished to make amends before leaving this world forever. Others said other things. There is more than meets the eye. I say this: This man who was dying was not a man given to sentimentality. He also had lost friends to death. He was not a man given to illusions. He knew that those things we most desire to hold in our hearts are often taken from us while that which we would put away seems often by that very wish to become endowed with unsuspected powers of endurance. He knew how frail is the memory of loved ones. How we close our eyes and speak to them. How we long to hear their voices once again, and how those voices and those memories grow faint and faint until what was flesh and blood is no more than echo and shadow. In the end perhaps not even that.

He knew that our enemies by contrast seem always with us. The greater our hatred the more persistent the memory of them so that a truly terrible enemy becomes deathless. So that the man who has done you great injury or injustice makes himself a guest in your house forever. Perhaps only forgiveness can dislodge him.

Such then was this man's thinking. If we may believe the best of him. To bind the padrino to his cause with the strongest bonds he knew. And there was more. For in this appointment he also posted the world as his sentinel. The duties of a friend would come under no great scrutiny. But an enemy? You can see how nicely he has caught him in the net he has contrived. For this enemy was in fact a man of conscience. A worthy enemy. And this enemypadrino now must carry the dying man in his heart forever. Must suffer the eyes of the world eternally on him. Such a man can scarce be said to author any longer his own path.

The father dies as die he must. The enemy become padrino now becomes the father of the child. The world is watching. It stands in for the dead man. Who by his audacity has pressed it into his service. For the world does have a conscience, however men dispute it. And while that conscience may be thought of as the sum of consciences of men there is another view, which is that it may stand alone and each man's share be but some small imperfect part of it. The man who died favored this view. As I do myself. Men may believe the world to bewhat is the word? Voluble.

Fickle.

Fickle? I dont know. Voluble then. But the world is not voluble. The world is always the same. The man appointed the world as his witness that he might secure his enemy to his service. That this enemy would be faithful to his duties. That is what he did. Or that was my belief. At times I believe it yet.

How did it turn out?

Quite strangely.

The blind man reached for his glass. He drank and held the glass before him as if studying it and then he set it on the table before him once again.

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