Saul Bellow - Collected Stories

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Collected Stories: краткое содержание, описание и аннотация

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Saul Bellow’s
, handpicked by the author, display the depth of character and acumen of the Nobel laureate’s narrative powers. While he has garnered acclaim as a novelist, Bellow’s shorter works prove equally strong. Primarily set in a sepia-toned Chicago, characters (mostly men) deal with family issues, desires, memories, and failings—often arriving at humorous if not comic situations. In the process, these quirky and wholly real characters examine human nature.
The narrative is straightforward, with deftly handled shifts in time, and the prose is concise, sometimes pithy, with equal parts humor and grace. In “Looking for Mr. Green,” Bellow describes a relief worker sized up by tenants: “They must have realized that he was not a college boy employed afternoons by a bill collector, trying foxily to pass for a relief clerk, recognized that he was an older man who knew himself what need was, who had more than an average seasoning in hardship. It was evident enough if you looked at the marks under his eyes and at the sides of his mouth.” This collection should appeal both to those familiar with Bellow’s work and to those seeking an introduction.

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Mother, soon to follow Pop, was being lightheaded these days. In company, she spoke of Woody as her boy—“What do you think of my Sonny?”—as though he was ten years old. She was silly with him, her behavior was frivolous, almost flirtatious. She just didn’t seem to know the facts. And behind her all the others, like kids at the playground, were waiting their turn to go down the slide: one on each step, and moving toward the top.

Over Woodys residence and place of business there had gathered a pool of silence of the same perimeter as the church bells while they were ringing, and he mourned under it, this melancholy morning of sun and autumn. Doing a life survey, taking a deliberate look at the gross side of his case—of the other side as well, what there was of it. But if this heartache continued, he’d go out and run it off. A three-mile jog—five, if necessary. And you’d think that this jogging was an entirely physical activity, wouldn’t you? But there was something else in it. Because, when he was a seminarian, between the shafts of his World’s Fair rickshaw, he used to receive, pulling along (capable and stable), his religious experiences while he trotted. Maybe it was all a single experience repeated. He felt truth coming to him from the sun—a communication that was also light and warmth. It made him very remote from his horny Wisconsin passengers, those farmers whose whoops and whore cries he could hardly hear when he was in one of his states. And again out of the flaming of the sun would come to him a secret certainty that the goal set for this earth was that it should be filled with good, saturated with it. After everything preposterous, after dog had eaten dog, after the crocodile death had pulled everyone into his mud. It wouldn’t conclude as Mrs. Skoglund, bribing him to round up the Jews and hasten the Second Coming, imagined it, but in another way. This was his clumsy intuition. It went no further. Subsequently, he proceeded through life as life seemed to want him to do it.

There remained one thing more this morning, which was explicitly physical, occurring first as a sensation in his arms and against his breast and, from the pressure, passing into him and going into his breast.

It was like this: When he came into the hospital room and saw Pop with the sides of his bed raised, like a crib, and Pop, so very feeble, and writhing, and toothless, like a baby, and the dirt already cast into his face, into the wrinkles—lop wanted to pluck out the intravenous needles and he was piping his weak death noise. The gauze patches taped over the needles were soiled with dark blood. Then Woody took off his shoes, lowered the side of the bed, and climbed in and held him in his arms to soothe and still him. As if he were Pop’s father, he said to him, “Now, Pop. Pop.” Then it was like the wrestle in Mrs. Skoglund’s parlor, when Pop turned angry like an unclean spirit and Woody tried to appease him, and warn him, saying, “Those women will be back!” Beside the coal stove, when Pop hit Woody in the teeth with his head and then became sullen, like a stout fish. But this struggle in the hospital was weak—so weak! In his great pity, Woody held Pop, who was fluttering and shivering. From those people, Pop had told him, you’ll never find out what life is, because they don’t know what it is. Yes, Pop—well, what is it, Pop? Hard to comprehend that Pop, who was dug in for eighty-three years and had done all he could to stay, should now want nothing but to free himself. How could Woody allow the old man to pull the intravenous needles out? Willful Pop, he wanted what he wanted when he wanted it. But what he wanted at the very last Woody failed to follow, it was such a switch.

After a time, Pop’s resistance ended. He subsided and subsided. He rested against his son, his small body curled there. Nurses came and looked. They disapproved, but Woody, who couldn’t spare a hand to wave them out, motioned with his head toward the door. Pop, whom Woody thought he had stilled, had only found a better way to get around him. Loss of heat was the way he did it. His heat was leaving him. As can happen with small animals while you hold them in your hand, Woody presently felt him cooling. Then, as Woody did his best to restrain him, and thought he was succeeding, Pop divided himself. And when he was separated from his warmth, he slipped into death. And there was his elderly, large, muscular son, still holding and pressing him when there was nothing anymore to press. You could never pin down that self-willed man. When he was ready to make his move, he made it—always on his own terms. And always, always, something up his sleeve. That was how he was.

The Bellarosa Connection

AS FOUNDER OF THE Mnemosyne Institute in Philadelphia, forty years in the trade, I trained many executives, politicians, and members of the defense establishment, and now that I am retired, with the Institute in the capable hands of my son, I would like to forget about remembering. Which is an Alice-in-Wonderland proposition. In your twilight years, having hung up your gloves (or sheathed your knife), you don’t want to keep doing what you did throughout your life: a change, a change—your kingdom for a change! A lawyer will walk away from his clients, a doctor from his patients, a general will paint china, a diplomatist turn to fly-fishing. My case is different in that I owe my worldly success to the innate gift of memory—a tricky word, “innate,” referring to the hidden sources of everything that really matters. As I used to say to clients, Memory is life.” That was a neat way to impress a member of the National Security Council whom I was coaching, but it puts me now in an uncomfortable position because if you have worked in memory, which is life itself, there is no retirement except in death.

There are other discomforts to reckon with: This gift of mine became the foundation of a commercial success—an income from X millions soundly invested and an antebellum house in Philadelphia furnished by my late wife, a woman who knew everything there was to know about eighteenth-century furniture. Since I am not one of your stubborn defensive rationalizers who deny that they misuse their talents and insist that they can face God with a clear conscience, I force myself to remember that I was not born in a Philadelphia house with twenty-foot ceilings but began life as the child of Russian Jews from New Jersey. A walking memory file like me can’t trash his beginnings or distort his early history. Sure, in the universal process of self-revision anybody can be carried away from the true facts. For instance, Europeanized Americans in Europe will assume a false English or French correctness and bring a disturbing edge of self-consciousness into their relations with their friends. I have observed this. It makes an unpleasant impression. So whenever I was tempted to fake it, I asked myself, “And how are things out in New Jersey?”

The matters that concern me now had their moving axis in New Jersey. These are not data from the memory bank of a computer. I am preoccupied with feelings and longings, and emotional memory is nothing like rocketry or gross national products. What we have before us are the late Harry Fonstein and his late wife, Sorella. My pictures of them are probably too clear and pleasing to be true. Therefore they have to be represented pictorially first and then wiped out and reconstituted. But these are technical considerations, having to do with the difference between literal and affective recollection.

If you were living in a house of such dimensions, among armoires, hangings, Persian rugs, sideboards, carved fireplaces, ornamented ceilings—with a closed garden and a bathtub on a marble dais fitted with a faucet that would not be out of place in the Trevi Fountain—you would better understand why the recollection of a refugee like Fonstein and his Newark wife might become significant.

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