Saul Bellow - Collected Stories

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Saul Bellow’s
, handpicked by the author, display the depth of character and acumen of the Nobel laureate’s narrative powers. While he has garnered acclaim as a novelist, Bellow’s shorter works prove equally strong. Primarily set in a sepia-toned Chicago, characters (mostly men) deal with family issues, desires, memories, and failings—often arriving at humorous if not comic situations. In the process, these quirky and wholly real characters examine human nature.
The narrative is straightforward, with deftly handled shifts in time, and the prose is concise, sometimes pithy, with equal parts humor and grace. In “Looking for Mr. Green,” Bellow describes a relief worker sized up by tenants: “They must have realized that he was not a college boy employed afternoons by a bill collector, trying foxily to pass for a relief clerk, recognized that he was an older man who knew himself what need was, who had more than an average seasoning in hardship. It was evident enough if you looked at the marks under his eyes and at the sides of his mouth.” This collection should appeal both to those familiar with Bellow’s work and to those seeking an introduction.

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Now what of writers? They materialize, somehow, and they ask the public (more accurately, a publc) for its attention. Perhaps the writer has no actual public in mind. Often his only assumption is that he participates in a state of psychic unity with others not distinctly known to him. The mental condition of these others is understood by him, for it is his condition also. One way or another he understands, or intuits, what the effort, often a secret and hidden effort to put the distracted consciousness in order, is costing. These unidentified or partially identified others are his readers. They have been waiting for him. He must assure them immediately that reading him will be worth their while. They have many times been cheated by writers who promised good value but delivered nothing. Their attention has been abused. Nevertheless they long to give it. In his diaries Kafka says of a certain woman, “She holds herself by force below the level of her true human destiny and requires only… a tearing open of the door….”

The reader will open his heart and mind to a writer who has understood this—has understood because in his person he has gone through it all, has experienced the same privations; who knows where the sore spots are; who has discerned the power of the need to come back to the level of one’s true human destiny. Such a writer will trouble no one with his own vanities, will make no unnecessary gestures, indulge himself in no mannerisms, waste no reader’s time. He will write as short as he can.

I offer this as a brief appendix to the stories in this volume.

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