Saul Bellow - Collected Stories

“What do you want?”

“We came to see Mrs. Skoglund.”

“What for do you want to see her?”

“Just tell her we’re here.”

“I have to tell her what you came for, without calling up first.”

“Why don’t you say it’s Woody with his father, and we wouldn’t come in a snowstorm like this if it wasn’t important.”

The understandable caution of women who live alone. Respectable old-time women, too. There was no such respectability now in those Evanston houses, with their big verandas and deep yards and with a servant like Hjordis, who carried at her belt keys to the pantry and to every closet and every dresser drawer and every padlocked bin in the cellar. And in High Episcopal Christian Science Women’s Temperance Evanston, no tradespeople rang at the front door. Only invited guests. And here, after a ten-mile grind through the blizzard, came two tramps from the West Side. To this mansion where a Swedish immigrant lady, herself once a cook and now a philanthropic widow, dreamed, snowbound, while frozen lilac twigs clapped at her storm windows, of a new Jerusalem and a Second Coming and a Resurrection and a Last Judgment. To hasten the Second Coming, and all the rest, you had to reach the hearts of these scheming bums arriving in a snowstorm.

Sure, they let us in.

Then in the heat that swam suddenly up to their mufflered chins Pop and Woody felt the blizzard for what it was; their cheeks were frozen slabs. They stood beat, itching, trickling in the front hall that was a hall, with a carved-newel-post staircase and a big stained-glass window at the top. Picturing Jesus with the Samaritan woman. There was a kind of Gentile closeness to the air. Perhaps when he was with Pop, Woody made more Jewish observations than he would otherwise. Although Pop’s most Jewish characteristic was that Yiddish was the only language he could read a paper in. Pop was with Polish Halina, and Mother was with Jesus Christ, and Woody ate uncooked bacon from the flitch. Still, now and then he had a Jewish impression.

Mrs. Skoglund was the cleanest of women—her fingernails, her white neck, her ears—and Pop’s sexual hints to Woody all went wrong because she was so intensely clean, and made Woody think of a waterfall, large as she was, and grandly built. Her bust was big. Woodys imagination had investigated this. He thought she kept things tied down tight, very tight. But she lifted both arms once to raise a window and there it was, her bust, beside him, the whole un-bindable thing. Her hair was like the raffia you had to soak before you could weave with it in a basket class—pale, pale. Pop, as he took his sheepskin off, was in sweaters, no jacket. His darting looks made him seem crooked. Hardest of all for these Selbsts with their bent noses and big, apparently straightforward faces was to look honest. All the signs of dishonesty played over them. Woody had often puzzled about it. Did it go back to the muscles, was it fundamentally a jaw problem—the projecting angles of the jaws? Or was it the angling that went on in the heart? The girls called Pop Dick Tracy, but Dick Tracy was a good guy. Whom could Pop convince? Here Woody caught a possibility as it flitted by. Precisely because of the way Pop looked, a sensitive person might feel remorse for condemning unfairly or judging unkindly. Just because of a face? Some must have bent over backward. Then he had them. Not Hjordis. She would have put Pop into the street then and there, storm or no storm. Hjordis was religious, but she was wised-up, too. She hadn’t come over in steerage and worked forty years in Chicago for nothing.

Mrs. Skoglund, Aase (Osie), led the visitors into the front room. This, the biggest room in the house, needed supplementary heating. Because of fifteen-foot ceilings and high windows, Hjordis had kept the parlor stove burning. It was one of those elegant parlor stoves that wore a nickel crown, or miter, and this miter, when you moved it aside, automatically raised the hinge of an iron stove lid. That stove lid underneath the crown was all soot and rust, the same as any other stove lid. Into this hole you tipped the scuttle and the anthracite chestnut rattled down. It made a cake or dome of fire visible through the small isinglass frames. It was a pretty room, three-quarters paneled in wood. The stove was plugged into the flue of the marble fireplace, and there were parquet floors and Axminster carpets and cranberry-colored tufted Victorian upholstery, and a kind of Chinese étagére, inside a cabinet, lined with mirrors and containing silver pitchers, trophies won by Skoglund cows, fancy sugar tongs and cut-glass pitchers and goblets. There were Bibles and pictures of Jesus and the Holy Land and that faint Gentile odor, as if things had been rinsed in a weak vinegar solution.

Mrs. Skoglund, I brought my dad to you. I don’t think you ever met him,” said Woody.

“Yes, Missus, that’s me, Selbst.”

Pop stood short but masterful in the sweaters, and his belly sticking out, not soft but hard. He was a man of the hard-bellied type. Nobody intimidated Pop. He never presented himself as a beggar. There wasn’t a cringe in him anywhere. He let her see at once by the way he said “Missus” that he was independent and that he knew his way around. He communicated that he was able to handle himself with women. Handsome Mrs. Skoglund, carrying a basket woven out of her own hair, was in her fifties—eight, maybe ten years his senior.

“I asked my son to bring me because I know you do the kid a lot of good. It’s natural you should know both of his parents.”

“Mrs. Skoglund, my dad is in a tight corner and I don’t know anybody else to ask for help.”

This was all the preliminary Pop wanted. He took over and told the widow his story about the laundry-and-cleaning business and payments overdue, and explained about the fixtures and the attachment notice, and the bailiff’s office and what they were going to do to him; and he said, “I’m a small man trying to make a living.”

“You don’t support your children,” said Mrs. Skoglund.

“That’s right,” said Hjordis.

“I haven’t got it. If I had it, wouldn’t I give it? There’s bread lines and soup lines all over town. Is it just me? What I have I divvy with. I give the kids. A bad father? You think my son would bring me if I was a bad father into your house? He loves his dad, he trusts his dad, he knows his dad is a good dad. Every time I start a little business going I get wiped out. This one is a good little business, if I could hold on to that little business. Three people work for me, I meet a payroll, and three people will be on the street, too, if I close down. Missus, I can sign a note and pay you in two months. I’m a common man, but I’m a hard worker and a fellow you can trust.”

Woody was startled when Pop used the word “trust.” It was as if from all four corners a Sousa band blew a blast to warn the entire world: “Crook! This is a crook!” But Mrs. Skoglund, on account of her religious preoccupations, was remote. She heard nothing. Although everybody in this part of the world, unless he was crazy, led a practical life, and you’d have nothing to say to anyone, your neighbors would have nothing to say to you, if communications were not of a practical sort, Mrs. Skoglund, with all her money, was unworldly—two-thirds out of this world.

“Give me a chance to show what’s in me,” said Pop, “and you’ll see what I do for my kids.”

So Mrs. Skoglund hesitated, and then she said she’d have to go upstairs, she’d have to go to her room and pray on it and ask for guidance—would they sit down and wait. There were two rocking chairs by the stove. Hjordis gave Pop a grim look (a dangerous person) and Woody a blaming one (he brought a dangerous stranger and disrupter to injure two kind Christian ladies). Then she went out with Mrs. Skoglund.